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MISS FARREN 
F. BARTOLOZZI AFTER SIR THOS. LAWRENCE 


[NUMBER IOI] 


PELE. 


FREDERIC R. HALSEY 
PVELECTION OF PRINTS 


PART IV 


ENGLISH STIPPLE ENGRAVINGS 


OF THE 


FIGHTEENTH CENTURY 


TO BE SOLD 


MONDAY, TUESDAY, WEDNESDAY, THURSDAY AND 
FRIDAY EVENINGS 


JANUARY 8, 9, 10, 11, AND 12, 1917 


AT $:15 o’cLock 


On Public Exhibition from December 30th 


THE ANDERSON GALLERIES 


MADISON AVENUE AT FORTIETH STREET 
NEW YORK 


CONDITIONS OF SALE 


1. All bids to be PER Lor as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to 
the good faith of all claims and his decision shall be final. He also 
reserves the right to reject any fractional or nominal bid which in his 
judgment may delay or injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be resold immediately. 


4, The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in default 
of which The Anderson Galleries, Incorporated, will not be responsible 
if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition in The Anderson 
Galleries before the date of sale, for examination by intending pur- 
chasers, and The Anderson Galleries, Incorporated, will not be responsible 
for the correctness of the description, authenticity, genuineness, or for 
any defect or fault in or concerning any lot, and makes no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. But 
upon receiving before the date of sale, expert opinion in writing that 
any lot is not as represented, The Anderson Galleries, Incorporated, will 
use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid 
expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 

7. TERMS CasH. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such lots 
as remain uncleared after twenty-four hours from the conclusion of the 
sale, will be resold by either private or public sale at such time as The 
Anderson Galleries, Incorporated, shall determine, without further notice, 
and if any deficiency arises from such re-sale it shall be made good by the 
defaulter at this sale together with all the expenses incurred thereby. 
This ‘condition shall be without prejudice to the right of The Anderson 
Galleries, Incorporated, to enforce the contract with the buyer, without 
such re-sale. 

8. Brips. We make no charge for executing orders for our customers 
and use all bids competitively, buying at the lowest price permitted by 
other bids. 

9. The Anderson Galleries, Incorporated, will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers and 
packers. 

The Prints will be on Exhibition from December 30th. 


Priced Copy of this Catalogue may be secured for $2.50. 


The Anderson Galleries 


Incorporated, 


MADISON AVENUE AT FOoRTIETH STREET, NEW YORK. 
TELEPHONE, Murray HI, 7680 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


THE GETTY CENTES 


PREFACE. 


This division of the Frederic R. Halsey Print Collection 
includes the Engravings in Stipple by the most famous Eng- 
lish artists of the Highteenth Century, and were selected by 
Mr. Halsey during the past thirty years. Many of the prints 
are exceedingly rare and are seldom offered to collectors, 
either in this country or Europe, and those in colors are 
especially desirable. 

Bartolozzi is represented by 141 lots in the catalogue, and 
among the very desirable prints are the Twelve Months, which 
were engraved by him. Thomas Cheesman’s Lady Hamilton 
and John Conde’s Mrs. Fitzgerald are of the highest interest. 
Downman’s Miss Boyd, Lady Georgiana Buckley, Georgiana, 
Duchess of Devonshire, Miss Farren, Lady Elizabeth Foster, 
and Mrs. Siddons, engraved by Bartolozzi, Collyer, Watson, 
Tomkins, and others, rank with the very best. 

Gaugain’s engravings of An Airing in Hyde Park, The 
Show Man, and The Young Pedlar are famous, as are also 
As You Like It, Much Ado About Nothing, The Shepherdess, 
and Hebe, engraved by Simon and Eginton after Hamil- 
ton’s celebrated paintings. George Morland, a favorite with 
the best engravers, is represented in this collection by many 
fine prints, notably the Dancing Dogs and the Guinea Pigs 
by Gaugain, Rustic Employment and Rural Amusement by 
Smith, and Shepherds Reposing, The Visit Returned, and 
The Weary Sportsman by Bond. 

The Gay Shepherd’s Week, six charming engravings by 
Peirson after his own designs, the Ballad Singer, and A Plot 
are extremely rare and would adorn the finest collection. 
Among the engravings by Nutter are Cupid Sleeping and 
Princess Mary. The Credulous Lady and Astrologer by 
Simon after Smith, the Promenade by Soiron after Dayes, 


the Una by Watson after Reynolds, and Sensibility by Earlom 
are very fine. Among the many engravings by John Raphael 
Smith none has a higher reputation than the Tobacco Box 
after Walton. Almeida and Hesitation by Ward after his 
own designs and Private Amusement and Temptation, en- 
eraved by him after Ramber, are justly celebrated. 

Angelica Kauffmann, distinguished among the women 
painters of England, furnished many charming subjects for 
the engravers, and nearly eighty prints in this collection 
were inspired by her. Lady Rushout and Her Daughter 
engraved by Burke and the Duchess of Devonshire engraved 
by Dickinson are very fine, as are The Fair Alsacien, Louisa 
Hammond, and The Judgment of Paris, which were engraved 
by Bartolozzi. 

The Affectionate Daughter and Filial Piety, engraved by 
Eginton from paintings by Francis Wheatley, are almost as 
famous as that other pair by the same engraver, Setting Out 
to the Fair and The Fairings, which will always remain in 
the first rank. The thirteen plates of the Cries of London, en- 
gsraved after Wheatley by Schiavonetti, Cardon, Vendramini, 
and Gaugain, are of very great interest, and some of the prints 
in this series are in magnificent condition. 

This catalogue, like that of the French Eighteenth Century 
Engravings, was prepared by Mr. Ferdinand Meder and Mr. 
Maurice Sloog. 


sels 
PREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART IV 


ENGLISH STIPPLE ENGRAVINGS 


OF THE 


EIGHTEENTH CENTURY 


FIRST SESSION 
Monday Evening, January 8, 1917, at 8:15 o'clock 


LOTS 1-177 


NOTE—The titles of the Prints and the places and dates of 
publication have been quoted in this Catalogue with exactness, 
and the errors in spelling and punctuation have been reproduced 
to facilitate collectors in making comparisons. 


JOHN ADAM. 


An English engraver in the latter part of the XVIIIth Century, who 
engraved for Caulfield and Reed.—Bryan. 


1 HARMONY. 


, From a painting by J. Hopner (sic). London, Pub- 

/4 lish’d August 15. 1795. By J. Read 133, Pall Mall. 

G af Very fine impression with the inscription, printed in 
ee brown. Margin showing the plate-mark. 


JOHN SAMUEL AGAR. 


An English portrait engraver and painter, who exhibited his works at 
the Royal Academy from 1796 to 1806. He was at one time President 
of the Society of Engravers, and was working mostly in stipple. In 1835 
he was still living —Bryan. 


2 THE MARCHIONESS CAMDEN. 


1 oe 
4. 


3 


Cae 


fer. 


From an original painting by Sir J. Reynolds in the 
library of Althorp—London, Published by R. H. 
Evans, 90 Pall Mall, June 1823. Painted by Labee. 
Very fine proof with the inscription in open letters. 
Margin trimmed to plate-mark on top and sides but 
showing same at bottom. 


COUNTESS OF CAWDOR. 


After A. Mee. Beautiful proof before all letters. 
Margin trimmed to plate-mark. 


4 MRS. DUFF. 


yo 
4 vi. 


After R. Cosway. Dedicated to the Right Honorable 
James Duff, Earl of Fife, by His Lordships very 
obliged and most Obedient Servant R. Ackermann. 
London, Pub. May 1, 1807 by R. Ackermann at his: 
Repository of Art 101 Strand. Fine impression with 
the inscription. Margin trimmed to the plate-mark on 
side, but showing the same at top and bottom. (Not a 
very early impression. ) 


5 LADY HEATHCOTE. 


aye 
Log 


After Anne Mee. Katherine Sophia, wife of Sir Gilbert 
Heathcote Bart of Normanton Park in the County of 
Rutland, and 24 Daughter of John Manners Esqr & 
the Lady Louise Tollemache, Daughter of Lionel, fifth 
Earl of Dysart. Taken from the Gallery of Beauties 
in the Court of His most excellent Majesty George the 
Third. Pubd. Feb. 1. 1812 by Anne Mee, Upper Berke- 
ley Street. Superb open letter proof, printed on India 
paper, signed in ink by the painter. Very large margin. 


6 .VISCOUNTESS ST. ASAPH. 


Zz 


frm 


After Anne Mee. Very fine impression. Margin | 
trimmed to the engraved border and a false margin 
substituted. 


6 


CAPTAIN WILLIAM BAILLIE. 
1723-1810. 


This well-known amateur acquired a distinguished reputation as an 
engraver.—Bryan. ; 


7 PORTRAIT OF CAPTAIN WILLIAM BAILLIE. 


Engraved in stipple and crayon manner by himself. 

A —~ Very fine proof before the inscription, but with the 
name of the personage in the engraving. With small 
margin lacking the plate-mark. 


JOHN BALDREY. 
I750-? 


English painter who also engraved a few portraits and other subjects 
in the chalk style-——Bryan. 


8 THE BANQUET. 


Avter S$, Harding........ Prithee see say you. 

ci Shakespears Macbeth Act III. Scene 34 London, Pub- 

p lished Octr- 10th 1786, by D. W. Dickinson, Bond 

G y:. Street. Very fine impression with the inscription; 

pase. printed in bistre. With small margin showing the 
_plate-mark. Has a slight fold in the left margin. 


9 THE LITTLE FAMILY. (?) [A young girl, kneeling in 
a landscape is holding a dog, the mother dog sitting 
14 _ in front of her, is watching.| — 


After D. Gardner. Published May 1st. 1782 by John 

Aw * Boydell Engraver in Cheapside London. Brilliant 

( proof before the title; printed in red. With small 
margin showing the plate-mark. 


10 THE YOUNG FLORIST. 


After D. Gardner. J. Boydell excudit 1781. Published 
6, April 17th. 1781, by John Boydell Engraver in Cheap- 

side London. Superb impression with the inscription ; 

printed in redish brown. With very large margin. 


Ee. 


FRANCESCO BARTOLOZZI. 
1727-1815. 


Born in Florence, 1727. Pupil of Joseph Wagner at Venice. In 1764 
he removed to London, and in 1769, upon the foundation of the Royal 
Academy, was nominated as one of the original members. He died in 
Lisbon March 7, 1815. 


11 FRANCESCO BARTOLOZZI. 


Line engraving by I. Bouilliard after P. Violet. Pub- 

bo lished 1st- July 1797, by I. Bouilliard. London. Very 

x fine proof before the name of the personage. With 

oF i large margin showing the plate-mark. From the col- 
lection of Chevalier J. de Franck. 


12 FRANCIS BARTOLOZZI R. A. 


Stipple. Engraver unknown. Very fine impression 
4 -— with the inscription, printed in bistre. Large margin 
showing the plate-mark. 


13. FRANCIS BARTOLOZZI ESQ. 


Stipple by Robert Marcuard after Sir Joshua Reynolds. 
SS ee Ex Academia Regali Artium Londoni. London Pub- 
lish’d April 20: 1784 for R: Marcuard, by I. Birchall, 
Kyte No. 473 Strand. Very fine impression with the in- 
scription; printed in colors. With margin trimmed to 
the plate-mark, the four corners clipped. 


14 ANOTHER IMPRESSION OF THE SAME. 


F. Bartolozzi. ‘‘R.A.’’ & Engraver, to his Britanie 
i, ~ Majesty. London Pub4- April the 20th. 1784 by R. Mar- 
cuard. and I. Birchall, No. 473 Strand. Very fine 
RA. proof with the inscription in traced letters. Large 
margin. 


15 FRANCIS BARTOLOZZI Ksq. 


Stipple by Rob. Menageot after his own drawing. 
— London Pub@. 12 Octr- 1778 by R. Menageot, No. 49 
J Broad Street, Soho. Very fine open letter proof, 
printed in red. With margin trimmed to the plate- 
RF mark. One of the rarest portraits of Bartolozzi. 


8 


THE TWELVE MONTHS | 
JANUARY 
F. BARTOLOZZI AFTER W. HAMILTON 


[NUMBER 26 


16 FRANCESCO BARTOLOZZI. 


tee 
4 PS. 


Stipple by Luigi Rados after Roberto Focosi. [Five 
lines of biography.] Dedicato all’ Illustrimo Signor 
Marchese Febo D’Adda Consigliere di Govorno, Cava- 
here dell’ J. R. Ordine di Leopoldo Ciambellano attuale 
di C.M.1.R. A. L’Imperatore d’Austria ece. ece. ece. 
In segno di venerazione Luigi Rados D. D. D. Very fine 
impression with the inscription. Margin trimmed to the 
plate-mark. The engraving evidently had been framed 
and is mounted on drawing paper. 


17 FRANCIS BARTOLOZZI ESQ. R.A. 


“3 - 
Ar 


Stipple by Pastorini and P. W. Tomkins after W. 
Artaud. London Published Feby. 1st 1803, by H. 
Macklin, Poets Gallery, Fleet Street. Good impression, 
with the inscription. Small margin lacking the plate- 
mark. 


18 CERES. 


mt 
nr 


Drawn by G. B. Cipriani. Tuer No. 21. Impression 
with the inscription printed in colors. With margin cut 
close to the engraved border, leaving only enough space 
to show the artists’ names. 


19 HOPE. 


ee 


After his own design. Publish’d March 18th, 1794, by 
A. Molteno. Printseller to her Royal Highness the 
Duchess of York. No. 76 S. James’s Street. Tuer 
No. 64. Impression with the inscription; tinted by 
hand. With small margin lacking the plate-mark. 


20 PEACH. 


sv 
ee 
kd Hh: 


After I. B. Cipriani. London Published Oct. 19th, 
1783 by J. Molteno Fleet Street. Tuer No. 95. Superb 
proof before the title; printed in colors. With large 
margin showing the plate-mark. 


21 PEACH. 


TF 
nw : 


After his own design. London Published August Ist, 
1799 by F. Bartolozzi and Com. Tuer No. 95 bis. Im- 
pression with the inscription, printed in bistre. With 
small margin showing the plate-mark. 

Companion to No. 70. 


9 


22 PRUDENCE. 


After the artist’s own design. Publish’d March 11 
6 - 1794. by A. Molteno. Printseller to her Royal Highness 
the Duchess of York No 76 St James Street. Tuer No. 
102 bis. Impression with the inscription, tinted by 
hand. With margin but lacking the plate-mark. 


23 SCULPTURE. 


oO After his own design. Tuer No. 107 bis. Impression 
with the inscription; tinted by hand. Small margin 

Mere lacking the plate-mark and the address. Inlaid to 
quarto. 


24 WATER. 


Painted by G. B. Cipriani. London Published May 
o— 10th, 1803, by A. Molteno Printseller to Her Royal 
b Highness the Duchess of York, No. 29, Pall Mall. Tuer 
No. 114. Very fine impression with the inscription; 
printed in colors. With margin trimmed to the plate- 

mark. 


20 HEARTH. 


Drawn by Cipriani. Tuer No. 119. Very fine proof 
l— before all letters delicately tinted by hand. With mar- 
{ gin but lacking the plate-mark. Remargined to folio. 


26 THE TWELVE MONTHS. 


Painted by W. Hamilton. Stipples by F. Bartolozzi and 

W.N. Gardiner. Tuer Nos. 184 to 145. Ovals. Very 

fine impressions before the plates were re-engraved and 

1.900 the corners filled in. With the inscription; beautifully 
9 printed in colors. With large margins showing the 
plate-mark at the top and sides; at the bottom, the 

pyr margins with the inscriptions have been cut to the en- 
. eraved border and are skilfully replaced. A very fine 
set and very rare in such condition. (12 plates.) 


(See Illustrations. ) 


27 THE POWER OF LOVE. 


Painted by G. B. Cipriani. Tuer No. 148. Very fine 

impression with the inscription ; printed in colors. With 
Ad“ large margin showing the plate-mark at the sides, 

trimmed close to it at the top, but at the bottom the 
fw - = plate-mark and the address are lost. / 


‘ 10 


28 ADELAIDE FIRST SEEN IN THE GARDEN OF 
BAGNIERES. 


ay? Painted by H. Bunbury. Tuer No. 197. Very fine 

impression with the inscription; printed in colors. 

_ With small margin lacking the plate-mark and a part 

py of the inscription. The lower left corner skilfully re- 
placed and a small tear in the lower margin repaired. 


29 CHARLOTTE. 


y g& Painted by H. Bunbury. Tuer No. 212. Very fine im- 

pression with the inscription, printed in colors and 

q4v- touched up with the brush. With small margin, lack- 
ing the plate-mark and the address. 


30 CLEOPATRA AND HER ATTENDANTS ASSISTING 
TO ARM ANTONY. Vide Shakespeare’s Tragedy 
of Antony & Cleopatra. Act. IV. Se. 4. 


~— 
2 . Painted by Wm. Martin. Published for the Proprietor 
i August 11th 1804. by Wm. Martin, Windsor Castel; 
4 and H. Mackin, 39, Fleet Street, London. Tuer No. 
212 bis. Very fine impression with the inscription and 
with large margin. 


31 THE SHEPHERDESS OF THE ALPS. 


Painted by P. I. De Loutherbourg. The figures en- 

graved by F. Bartolozzi. The Landscape by W. Byrne 

/ noe & S. Middiman..... La Bergere des Alpes. Vide 
Marmontel. London Publish’d as the act directs March 
25. 1776. by W. Byrne No. 69 Wells Street, Oxford 
Street. Tuer No. 281. Very fine impression with the 
inscription and with very large margin. 


32 THE SWORD. RENNES. 


Painted by W. Harding. Publish’d 13 April 1787. by 

o W. Palmer No. 163 Strand. Tuer No. 282. Very fine 

pe impression with the inscription; printed in bistre. 
4.¥-- With large margin. 


33 JOSEPH EDMONDSON MOWBRAY. HERALD EX- 


TRA. 
Line engraving after his own design. Tuer No. 301 
[- bis. Frontispiece to Edmondson’s Baronagium Gene- 


alogicum. Impression with the inscription. With 
small margin trimmed to the plate-mark. 


11 


34 SIR JAMES WISHART. 


Painted by J. Faber, 1705. Pub. as the Act directs, by 
R. Faulder New Bond Street. Tuer No. 310. From 

P Oa. ‘‘Biographia Navalis’’ by John Charnock, London 1797. 
Impression with the inscription; the margin trimmed 
to the plate-mark. 


35 ANOTHER IMPRESSION OF THE SAME. 


p neo Beautiful proof before all letters; printed in bistre. 
With large margin showing the plate-mark. 


36 THE DEATH OF CAPTAIN COOK. 


Painted by J. Webber. The figures engraved by F. 

P nar Bartolozzi. The Landscapes by W. Byrne. London. 
Published as the Acts directs 1 July 1785, by W. Byrne, 
No. 79 Titchfield, & J. Webber No. 312, Oxford Street. 
Tuer No. 319. From ‘‘Cook’s Voyages to the Pacific 
Ocean.’’ Good impression with the inscription and 
with large margin. 


387 THE DAUGHTERS OF GUERCINO IN THE DRESS 
OF THE COUNTRY NEAR BOLOGNA. 


b After a drawing by Guercino. Tuer No. 381. From 

: ‘*Kighty-two Prints after Guercino’’ published by Boy- 

fole~ dell & Young. Fine impression with the inscription ; 
printed in red. With large margin (deckel edges). 


38 PORTRAITS OF ILLUSTRIOUS PERSONS OF THE 
COURT OF HENRY VIII. 


From the original drawings by Hans Holbein in her 
Majesty’s collection. The series of 83 beautifully 
jH em colored portraits engraved by Bartolozzi, Mets and 
Knight, including the additional portraits of Holbein — 
grad and his wife, and the miniatures of the Dukes of Suf- 
folk; with biographical memoirs by E. Lodge, edited by 
J. Chamberlaine. London. W. Bulmer & Co. 1792. 
Tuer Nos. 437 to 505. Very fine impressions; printed 
in colors, with margins showing the plate-mark. Bound 

in Russian morocco with blind tooling. 

From the J. P. Powel library. 


389 SIR THOMAS MOORE. 
After a drawing by Hans Holbein. Published as the 
oa — Act directs Oct. Ist 1793, by L. Chamberlaine. Tuer 
No. 473. Fine impression with the inscription ; printed 
in colors. With margin showing the plate-mark. 


ib 12 


THE TWELVE MONTHS 


DECEMBER 


BARTOLOZZI AFTER W. 


HAMILTON 


Ne 


[NUMBER 26] 


40 HENRY ELDEST SON OF CHARLES BRANDON— 
CHARLES 2d SON OF CHARLES BRANDON. 


- After miniatures by Hans Holbein. Published as the 
} d Act directs March 26. 1798 by I. Chamberlaine Bromp- 
tion Middlesex. Tuer Nos. 496 and 497. Fine impres- 
ad sions with the inscription; printed in colors and 
touched up with the brush. With large margin showing 

the plate-mark. 


41 THE HOURS. (Vide Gray’s Ode to Spring.) 
Painted by Maria Cosway. No. 1 of the British Poets. 
ue London Publish’d April 4, 1788 by Thos Macklin No. 
re) bo Mleet Street. Tuer No. 717. Third plate from 
mine Macklin’s British Poets. Superb impression with the 
¢ inscription; printed in colors; with large margin but 
lacking the plate-mark. 


42 THE MOUSE’S PETITION. 
After a drawing by H. Bunbury. Tuer No. 721. Plate 
S52 No.7 of Macklin’s British Poets, 1788. Very fine im- 
62 pression with the inscription; delicately printed in 
Hi colors. With margin at top and sides, but lacking the 
i plate-mark; the lower margin with the inscription is 
lost, only the artists’ names remaining. 


Portraits of Dr. Priestley (the discoverer of oxygen), ©. R. 
Aikin, and Mrs. Barbaud. 


43 THE COTTAGERS. 

Painted by Sir Joshua Reynolds. No. 4 Macklin’s 
British Poets (10 verses, Vide Thompson’s Autumn). 
f 4-~ London Publish’d Feby. 16th 1794 by Tho. Macklin, 
fo} Poets Gallery, Fleet Street. Tuer No. 724. Twelfth 
plate from Macklin’s British Poets. Magnificent im- 
pression with the inscription; printed in colors. With 

large margin. 


44 MRS. LENOX. 
Painted by Sir Joshua Reynolds. Tuer No. 825. From 
ee Harding’s ‘‘Historical Dramas of W. Shakespeare.’’ 
Impression with the inscription. Small margin, lack- 
ing the plate-mark; the address is lost. Remargined. 


45 CHILD LOOKING OUT OF A WINDOW. 


Tuer No. 948 bis. Very fine proof before all letters; 
printed in bistre, with margin trimmed to the plate- 
co. mark, 


ANOTHER IMPRESSION OF THE SAME. 
pr - Very fine trial proof with margin trimmed to the plate- 
mark. (2) 
13 


A LECTURE ON GADDING. 


Painted by J. R. Smith. Publish’d Jany 1. 1789 by 
J. R. Smith No. 31 King Street, Covent Garden. Tuer 
No. 1017 bis. Superb impression with the inscription ; 
printed in bistre. With large margin. In 134-inch 
ornamented walnut frame. 


A YOUNG FEMALE HOLDING A PAPER, which she 


is reading; her hair is decked with feathers. 


Done from a sketch by Mr. Cipriani Published June 1st 
1786, by R. Wilkinson No. 58 Cornhill. Tuer No. 1032. 
Very fine impression with the inscription; with margin 
showing the plate-mark. 


BARTOLOZZI AND HIS FAMILY. 


Painted by W. Hamilton. London Publish’d as the 
Act Directs Feby. 13 1798, by P. W. Tomkins, No. 29 
New Bond Street. Tuer No. 1035. Good impression 
with the inscription in traced letters. With small mar- 
gin showing only the names of the artists. Also a re- 
ceipt signed by Bartolozzi. (2) 


49 THE APOTHEOSIS OF A BEAUTIFUL FEMALE 


A 


delineated under the Emblem of Faith leading the 
soul to Paradise...... 


Painted by Rev W. Peters. London Pub. Oct. 1st. 
1797 by W. Dickinson at Mr. Bradshaws Brewer Street, 
Messrs Colnaghi & Sala Pall Mall & Mr. Hone No. 9. 
Nassau Street, Dublin. Tuer No. 1039. Fine impres- 
sion with the inscription; with margin but lacking the 
plate-mark. 


50 THE STRAWBERRY BASKET. 


pie 
Ag 


Painted by E. Ramberg. Tuer No. 1142. Nice impres- 
sion with the inscription; colored with the brush. With 
small margin lacking the plate-mark; the inscription 
is lost, only the artists’ names remaining. 


51 THE DEATH OF CAPTAIN COOK. 


Pia 


Koo 


Painted by J. Webber. The figures engraved by F. 
Bartolozzi. The Landscape by W. Byrne. Published 
as the act directs, 1 Jany- 1784, by J. Webber, No. 312 
Oxford Street, and W. Byrne, No. 79 Titchfield Street, 
London. Tuer No. 1210. Very fine impression with 
the inscription and with margin showing the plate- 
mark. Small repairs in the lower margin; the side 
margins having been lost are skilfully replaced. 


14 


02 DEPARTURE OF THE QUEEN OF SCOTS TO 
FRANCE, WHEN A CHILD. 
tea Painted by R. Westall. London. Publish’d, August 2, 
1794 by W. Dickinson. Tuer No. 1219. Very fine 
proof before the title; printed in bistre. With small 
margin, lacking the plate-mark. 


03 GEORGE III., BRITANNIA KNEELING BENEATH 
HIM. 7 
oe Painted by R. Corbould and Colleiss. London Pub- 
is lished as the Act directs Sept. 24. 1800. by G. Riley 
yy - 65, Old Bailey Ludgate Street. Tuer No. 1228. Very 
4. fine proof with the artists’ names only; printed in 
bistre. With large margin showing the plate-mark. 


54 COTTAGERS AT THE BOTTOM OF MOUNT 
VESUVIUS. 

Painted by Cath. Gauffier. Dedicated to J. F. von 
(0 der Null Esq@ as a token of the greatest Esteem by 
F. Bartolozzi. Publish’d April 4 1801. by Anthy 
Molteno. Printseller to....her Royal Highness the 
Dutchess of York, No. 29 Pall Mall. Tuer No. 1315. 
Very fine impression with the inscription; printed in 
eolors. With large margin. The inscription space has 

been creased. 


55 THE FLOWER GIRL. 
— Tuer No. 1318 bis. Very fine impression printed in 
l bistre. With the margin trimmed to the engraved 
A x? border and inlaid to small folio. 


56 LESBIA AND THE SPARROW. 
Painted by Sir Joshua Reynolds. [Seven verses: Catul 
i ad Lesbiam, ete.| London, Publish’d Jan 2 at R. 
Ackermann’s Repository of Arts, 101, Strand. Tuer 
No. 1332 bis. Very fine impression with the inscrip- 
tion and large margin showing the plate-mark. 


57 ORANGE GIRL. 
Painted by J. H. Benwell. Walker Excudt. London 
fae Publish’d Feb 2nd 1787 by J. Walker, No. 148, Strand. 
/ Tuer No. 1340 bis. Very fine impression with the 
inscription. With small margin lacking the plate- 
mark. Skilfully mounted in folio. 


58 ANOTHER IMPRESSION OF THE SAME. 
London Publish’d Deer. 2nd 1786. Beautiful proof, 
As ~ with the names of the artists only. With margin 
trimmed to the plate-mark. 


tw ° 15 


59 


Ada 


404. 


65 


(Leng 


A ST GILES’S BEAUTY. | 
Painted by J. H. Benwell. Published 8th Septr 1783, 
by E. M. Diemar, No. 377, Strand. Tuer No. 1368 bis. 
Beautiful impression in colors. The margin trimmed 
to the engraved border and skilfully replaced, pro- 
ducing the effect of a proof before letters. 


A ST JAMES’S BEAUTY. 
Painted by J. H. Benwell. Tuer No. 1368 ter. In the 
same condition as the foregoing. A charming pair, 
very rarely found printed in colors. 2 


A BACCHANTE. 


Tuer No. 1386. Very fine impression printed in colors 
with the margin trimmed to the engraved surface. 


VENUS SLEEPING. 
Painted by Anibal Caracci. John Boydell exeudit 
1785. Publish’d Sept. 1st. 1785, by John Boydell, En- 
graver, in Cheapside, London. Tuer No. 1393. Fine 
impression with the inscription; printed in bistre. 
With margin trimmed to the plate-mark. Laid down. 


SACRIFICE TO CUPID. . 
Drawn by G. B. Cipriani 1783. Tuer No. 1395. Fine 
impression in colors; with the margin trimmed to the 
engraved border, just showing the name of the en- 


graver. 
Companion to No. 80. 


ARIADNE. 
Painted by G. B. Cipriani. London, Publish’d Oct 1. 
1799 by Colnaghi Sala & Co. (late Torre) No. 238 
Cockspur Street. Tuer No. 1411. Very fine impres- 
sion with the inscription; printed in colors. With 
margin trimmed to the plate-mark. 


BACCHANALIAN CHILDREN; 
mounted on a goat. 
Drawn by Marcantonio Franceschini 1765. Tuer No. 
1416. Very fine proof before the title; printed in 
bistre. With large margin. 
Companion to No. 65. 


BACCHANALIAN CHILDREN; 
mounted on a butt. 
Drawn by Marcantonio Franceshini. 1765. Tuer No. 
1417. Very fine proof before the title; printed in 
bistre. With large margin. 
Companion to No. 64, » 


16 


one 


one of them is 


of them is. 


sso 


nes 


Pigt ack fe i, Shik 


MRS. Q. (WIFE OF COLONEL QUENTIN) 
W. BLAKE AFTER HUET VILLIERS 


NUMBER 163 


“ 
. 
. 
- 
d = 
" 
& 

+ oe . 
wane 


66 


ol on 


CUPID AND HYMEN. 


After his own drawing. London Pubd. Jany- 10th. 
1797, by Anty. Molteno Printseller to her Royal High- 
ness the Dutchess of York No 76 St. James Street. 
Tuer No. 1434. Very fine impression with the inscrip- 
tion ; printed in bistre. With large margin. A printer’s 
crease in the center of the print. 


CUPID AND PSYCHE. 


Tuer No. 1437. Very fine impression with the inscrip- 
tion ; printed in colors. With margin showing the plate- 
mark, 


CUPID’S AT PLAY. 


Drawn by G. B. Cipriani. Tuer No. 1456. Very fine 
impression with the inscription; printed in red. With 
margin showing the plate-mark. 


CHILDREN AT PLAY. 


Drawn by Franceschini. Tuer No. 1431 bis. Very fine 
impression with the inscription; printed in red. With 
margin showing the plate-mark. (2) 


EKUPHROSINE. \ 


Painted by G. Amiconi. [Four verses Vide Milton’s 
L’Allegore] London Publish’d Sept 1 1784, by Ja. 
Birchall N 473 Strand. Tuer No. 1467. Very fine 


impression with the inscription; printed in colors. 
With margin showing the plate-mark. 
With two collector’s marks: a drystamp and J. N. B. in a 
diamond-shaped border. 
HEBE. : 
Drawn by G. B. Cipriani London, Publish’d as the Act 
Directs, Oct. 19 1791 by Mno Bovi, Engraver, No. 207 
Piceadilly, near St James’s Church. Tuer No. 1481. 
Very fine impression with the inscription and with 
large margin. 
Companion to No. 21. 
HERCULES PRESENTED TO JUPITER AND JUNO. 


Painted by G. B. Cipriani. Publish’d June 2d 1788, 
by John and Josiah Boydell, No. 90, Cheapside, London. 
Tuer No. 1490. Very brilliant impression with the in- 
scription; printed in dark brown. With small margin 
lacking the plate-mark. 

Companion to No. 72. 


17. 


72 MINERVA AND THE MUSES. 


Painted by G. B. Cipriani. Publish’d June 2d 1788 
ye art by John & Josiah Boydell, No. 90 Cheapside London. 
9 Tuer No. 1525. Very brilliant impression with the in- 
A any scription; printed in dark brown. With small margin 
lacking the plate-mark. 
‘Companion to No. 71. 


73. NYMPHS BATHING. 


Drawn by G. B. Cipriani. London Pubd- 25 March, 
G Uta 1822 by R. Ackermann at his Repository of the Arts, 
101 Strand. Tuer No. 1536. Brilliant impression with 
Yyv/’- — the inscription; printed in colors. With very large 
margin. 


74 ANOTHER IMPRESSION OF THE SAME. 


Cans Very fine proof before all letters and before the en- 

8 graved border; printed in bistre and delicately colored 

4 xr . by hand. With margin lacking the plate-mark and 
skilfully inlaid in folio size. 


73 JUPITER AND IO. 


Drawn by M. Benedetti after a painting by A. Allegri 
sis: da Corregio, Publish’d March 1st 1785 by Torre & Co. 
No. 28 Hay Market et a Vienne chez Artaria Co. Tuer 
haa ~ No. 1540. Fine impression with the inscription ; printed 
in bistre. With margin trimmed to the plate-mark. 


76 PERSEUS CAUTIOUSLY RELATING TO ANDROM- 
EDA the transforming power of Medusa’s Head. 


Ke Drawn by I. B. Cipriani. London Published May 1st 
1798, by E. M. Diemar No. 114 Strand. Tuer No. 1546. 
Fine impression with the inscription ; printed in bistre. 
With margin trimmed to the plate-mark. A crease 
skilfully pressed out. 


Companion to No. 77. 


77 PERSEUS HAVING RESCUED ANDROMEDA 
FROM imminent danger is enamoured with her 
Teak) ar AME 
[0 Drawn by I, B. Cipriani’, ‘London, Publeiedsh sate 
1789, by E. M. Diemar. No. 114 Strand. Tuer No. 
qyw. 1547. Fine impression with the inscription ; printed in 
; bistre. With large margin. 
Companion to No. 76. 


18 


80 


AY — 
jt ¥o 


81 


y- 


PSYCHE GOING TO DRESS. 


Drawn by I. G. Cipriani. Published as the Act directs 
December the 12. 1786, by E. M. Diemar No. 114 Strand 
London. Tuer No. 1550. Superb impression with the 
inscription; printed in colors. With untrimmed mar- 
gin (deckel edges). 


Companion to No. 79. 


PSYCHE GOING TO BATH. 


Drawn by I. G. Cipriani. Published as the Act directs, 
December the 12, 1786, by E. M. Diemar No. 114 Strand 
London. Tuer No. 1551. Superb impression with the 
inscription; printed in colors. With untrimmed mar- 
gin (deckel edges). 


Companion to No. 78. 


TRIUMPH OF CUPID AND LOVE. 


Drawn by I. B. Cipriani. Tuer No. 1577. Very fine 
impression; printed in colors. With the margin 
trimmed to the oval, leaving only the names of the 
artists. 

Companion to No. 62. 


VENUS ATTIRED BY THE GRACES. 


Drawn by G. B. Cipriani. John Boydell excudit 1785. 
Publish’d May 1st 1785, by John Boydell, Engraver, in 
Cheapside London. Tuer No. 1594. Impression with 
the inscription colored by hand. With margin showing 
the plate-mark. Slightly rubbed. 


82 VENUS CHIDING CUPID. 


ae 


Drawn by Sir Joshua Reynolds. Tuer No. 1597. Very 
fine proof with the artists’ names in traced letters, but 
before the title; printed in bistre, tinted with the brush. 
With large margin trimmed to the plate-mark. 


83 ANOTHER IMPRESSION OF THE SAME. 


— 


84 


Sf 
4.. 


ag 
404 


Very fine proof with the artists’ names, but before the 
title; printed in reddish brown. With margin lacking 
the plate-mark. 


VENUS, CUPID AND SATYR. 


Drawn by Rich. Earlom after a painting by Luca 
Giordano etching finished with the graver. Tuer No. 


on 
rs 1599. Very fine proof before all letters, but with the 


coat-of-arms. With margin lacking the plate-mark. 
19 


85 
tice 
re». 


86 


OF 
ah. 


87 


oe 


88 
je 
39 

st 
7 
4 ¥5 


90 


yp 


4.t8 


v1 


go = 


Ro. 


VENUS SURROUNDED BY CUPIDS. 
Drawn by G. B. Cipriani. Tuer No. 1609. Very fine 
trial proof, only the drapery and the satyr are finished; 
printed in bistre. With large margin. 


LADY CATHERINE P. BEAUCLERC. 
Painted by F. Cotes. Published April the 15th 1778 
by W. Shropshire, No 138 New Bond Street. Tuer No. 
1627. Superb proof before the title, but with the 
artists’ names and the publication line in traced letters; 
printed in brown. With large margin. 


MISS ANN BINGHAM. Daughter of Lord Lucan. 
Painted by Sir Joshua Reynolds. London published 
Dec. 2nd 1785, by E. M. Diemar No. 114 Strand. Tuer 
No. 1631. Superb proof before the title, but with the 
coat-of-arms and with the names of the artists and the 
publication line in traced letters; printed in bistre. 
With large margin. In one-inch rose wood frame with 
offset corners and bronze ornaments. 

Companion to No. 107. 


ANGELICA CATALANI. 
Drawn by Gaetano Basteris. London Published May 
Ist 1802. Tuer No. 1636. Superb impression with the 
inscription and with large margin. 


CATHARINE II, EMPRESS OF RUSSIA. 
Painted by M. Benedetti 1783. Pubd. as the Act directs 
Feb. 10. 1785 by G. Bartolozzi No. 5 John Street Oxford 
Street. Tuer No. 1637. Superb proof, with the in- 
scription in traced letters. With large margin. 


THE Rt HONble ANNE COUNTESS COWPER. 
Painted by W. Hamilton. London Pubd. Jan 12th by 
Anth. Molteno Printseller to Her Royal Highness the 
Dutchess of York No 76 St James’s Street. Tuer No. 
1647. Superb impression with the inscription ; printed 
in brown. With large margin. 


JANE COUNTESS OF HARRINGTON, LORD VIS- 
COUNT PETERSHAM, and HONble LINCOLN 
STANHOPE. 


Painted by Sir Joshua Reynolds. Tuer No. 1649. 
Superb impression with the inscription; printed in 
bistre. With margin showing the plate-mark at the 
sides, but lacking it at the top and bottom. The publi- 
cation line is lost. A small scratch in the upper left 
margin. . 
Companion to No. 104. 
20 


92 COUNTESS OF WESTMORLAND. 


L Tuer No. 1650 bis. Very fine proof before all letters; 
delicately colored by hand. With large margin. Small 
oval, | 


93 MRS. CROUCH. 


Painted by George Romney. Tuer No. 1651. Impres- 

/6 — sion with the inscription; colored by hand. Closely 
trimmed to the engraved border leaving only the names 
of the artists. Inlaid to folio size. 


94 LADY JANE DUNDAS. 


Painted by John Hoppner. Published London 1802 by 

/4% — John Jeffreys. Tuer No. 1654 bis. Very fine proof 
: before all letters. With margin showing the plate- 
fod~~ mark only at the bottom. 


95 IPHIGENNIA. A Celebrated Dutchess (the Duchess 
of Kingston) in the Character as she appeared at a 
Masqued Ball June the 3d 1749. 


y2 ~ #£«‘¥From an Original Drawing taken on the spot. Pub. 
Dec. 20 1781 at the Ancient & Modern Print Warehouse 
No. 23 in the Hay Market by A. Torre & I. Thane. 
Tuer No. 1655. Superb impression with the inscription ; 
printed in red. With large margin. 


96 SIMPLICITY (Portrait of Theophilia Gwatkin). 
Painted by Sir Joshua Reynolds Publish’d May 12 1789. 
Gg 4— by F. Bartolozzi & Co. No. 81, Great Titchfield Street. 


Tuer No. 1666. Superb proof before the title was com- 
hep pleted and with ‘‘& Co.’’ added in the publication line. 
With untrimmed margin (deckel edges). 
A magnificent impression of this charming plate. 


97 HER MAJESTY (Portrait of Queen Charlotte). 


Painted by B. Livesey. London Published May 26th 

eee oy walker & Co. No. 7 Cornhill. Tuer No. 1671. 
Proof with the artists’ names and the publication line 
only; colored by hand. With margin lacking the plate- 
mark. Inlaid to quarto size. 


98 PORTRAIT OF A MAN. 


Painted by Sir T. Lawrence. Superb proof before the 
gs inscription but with the artists’ names, printed in light 
bistre with large margin showing the plate-mark. 


21 


99 LADY B. FOSTER. 


ue 


Drawn by Lady Diana Beauclere. Tuer No. 1662 bis. 
Very fine proof before title and before the artist’s but 
with the publisher’s name printed in bistre. With 
small margin lacking the plate-mark and the publica- 
tion line. Inlaid to folio. 


THE PRINCESS MARY WITH HER TWO SISTERS, 
SOPHIA AND AMELIA. 


Painted by J. 8. Copley. London Publ4 as the Act 
directs Octt 12 1791 by J. S. Copley. Tuer No. 1683. 
Superb proof before the title and the artists’ names, but 
with the publication line in traced letters. With large 
margin, lacking the plate-mark. 


MISS FARREN. 


Painted by Sir Thomas Lawrence. Publish’d Jany. 2 
1792 by Bull and Jeffreys Ludgate Hill London. Tuer 
No. 1695. Superb impression with the inscription; 
printed in colors. With margin lacking the plate-mark 
at top and bottom, trimmed closely to the engraved sur- 
face at the sides and skilfully remargined. 


(See Frontispiece. ) 


ANOTHER IMPRESSION OF THE SAME. 


Published Jany. 1. 1792 by Bull & Jeffryes Ludgate Hill 
London. Superb proof before the title, but with the 
names of the artists and with the publication line. The 
name of Knight has been replaced by that of Bartolozzi. 
With large margin. 


ANOTHER IMPRESSION OF THE SAME. 


This impression (possibly an essay) of the upper part 
of the figure has been obtained by covering the plate 
with a paper mask. Delicately colored by hand. With 
small margin and inlaid to folio size. 


LADY SMITH and her Children. 


Painted by Sir Joshua Reynolds. [Two verses Vin- 
cenzo da Filicaga.| Published May 15 1789 by F. 
Bartolozzi & Co. Tuer No. 1708. Very fine impression 
with the inscription but before the correction in the 
name of Smith; printed in bistre. With margin lack- 
ing the plate-mark at the bottom; trimmed closely to 
the engraved border at the top and the sides and skil- 
fully remargined. 


22 


110 


Ao — 


ANOTHER IMPRESSION OF THE SAME. 
As fine as the foregoing, but with margin lacking the 
plate-mark; the publication line is lost. Framed in a 
21% inches rosewood frame with bronze beading. 


THE Rt. HONble. COUNTESS SPENCER. 

Painted by Sir Joshua Reynolds. London Published 
February 21st 1787, by E. M. Diemar, No. 114 Strand. 
Tuer No. 1712. Superb impression with the inscrip- 
tion; printed in bistre. With very large margin. 


ANOTHER IMPRESSION OF THE SAME. 
Very fine proof before the title, but with the artists’ 
names and the coat-of-arms; printed in reddish brown. 
With margin lacking the plate-mark and the publication 


line. In black frame with bronze ornaments. 
Companion to No. 87. 


THE RIGHT HONBIle. 
BULKELEY. 
Drawn by R. Cosway. Publish’d May 1st 1785, by S. 
Watts, No. 50, (opposite Old Round Court). Strand. 
Tuer No. 1721. Superb impression with the inscrip- 
tion; printed in red. With small margin lacking the 
plate-mark. Inlaid to folio size. 
Companion to No. 91. 


HENRIETTA FRANCES VISCOUNTESS DUNCAN- 
NON. 
Drawn by Lavinia Countess Spencer. London Pub- 
lish’d May 13, 1787 by W. Dickinson New Bond Street. 
Tuer No. 1722. Very fine impression with the inscrip- 
tion; printed in colors. With large margin. 


MISS WALLIS. 
After his own design, 1795. Published Jan. 1st 1796, 
by Eliz. Walker, No. 7. Cornhill, London. Tuer No. 
1723. Very fine impression with the inscription. With 
margin trimmed to the plate-mark. In 2-inch rose- 
wood frame with Louis XV bronze ornaments. 


JEAN EDOUARD ACTON. 
Painted by C. Marsili. [Three lines of titles.] Tuer 
No. 1725. Very fine impression with the title in open 
letters. With margin lacking the plate-mark and the 
publication line. 


LORD ASHBURTON. 


Painted by Sir Joshua Reynolds. London Pub. June 
15 1790 by T. Macklin Poets Gallery Fleet Street. 
Tuer No. 1733. Very fine proof with the inscription in 
traced letters. With large margin. 


23 


HARRIET VISCOUNTESS 


113 


114 


118 
oe 
Jv 


WILLIAM BECKFORD ESQ. TWICE LORD MAYOR 


OF LONDON. 


Drawn by Biagio Rebeca from the original model by 
Aug Carlini. Publish’d according to Act of Parlt. 4 
April 1772. Tuer No. 1739. Good impression with the 
inscription ; printed in bistre. With small margin lack- 
ing the plate-mark and the lower part of the publica- 
tion line. Torn and repaired in the inscription margin. 
Laid down on strong paper. 


CHE L’U0M TRAE DAL SEPOLCRO E A MORTE 


IL FURA. 

tona. | 
Drawn by Carlo Maratta. Tuer No. 1742. Very fine 
impression with the inscription; printed in brown. 
With large margin. 


[Portrait of Pietro Berrettino da Cor- 


DR. BLAIR. | 


Painted by Sir Henry Raeburn. London Published 
July 1st 1802 by Colnaghi & Co Cockspur Street, Char- 
ing Cross, & Mr. Becket Pall Mall. Tuer No. 1748. Very 
fine open letter proof. With very large margin, at the 
top, bottom and left side, trimmed closely to it on the 
right side. 


LORD BURGHERSH. 


Painted by Sir Joshua Reynolds. Tuer No. 1747. Very 
fine impression with the inscription; printed in bistre. 
With small margin lacking the plate-mark; the inscrip- 
tion except the artists’ names is lost. Brilliant im- 
pression of this charming plate. 


CHARLES BURNEY. 


Painted by Sir Joshua Reynolds. Tuer No. 1748. 
Superb proof before the title, but with the artists’ 
names; printed in bistre. With large margin. 


JOHN STUART. Viscount Mountstuart Baron Cardiff. 


Painted by G. Romney. Published as the Act directs 
Nov. 17th 1790. Tuer No. 1749. Very fine impression 
with the inscription and with large margin. 


CHARLOTTE JANE WINDSOR. Viscountess Mount- 


stuart Baroness Cardiff. Painted by G. Romney. Pub- 
lished as the Act directs Nov. 17th 1790. Tuer No. 
1646. Very fine impression with the inscription and 
with large margin. A very fine pair. (2) 


24 


961 UwadWAN 


OOld “U “M UWALAV AMUANA “SOHL 


SUADVLLOO AHL 


YOTONVIL INA NO vO 


= 


Siobvyoo ay] 
el. 


vee 


119 LIEUTENANT-COLONEL COX. 


se Painted by G. Hounsom. Tuer No. 1770. Very fine 
vd eae impression with the inscription ; printed in colors. With 
small margin lacking the plate-mark. The inscription 

is lost with the exception of the artists’ names. 


120 O. CROMWELL. 


Painted by R. Walker. London Published Oct. 1802 

oe ata by H. W. Mortimer No. 6 Hertford Street. Fitzroy 
Square. Tuer No. 1771. Very fine open letter proof 
with the date 1st Nov. 1802 added below the name of 
Bartolozzi. With very large margin. 


121 MR. W. DIMOND AND MRS. WALLIS. 


Painted by Chs. Sherriff. Publish’d as the Act aipects 

ie) eens by C. Sherrif. May 1st 1796. Tuer No 1774. Very fine 

proof before the title, but with the artists’ names and 

or 4. the publication-line in traced letters. With margin 
: trimmed to the plate-mark. 


122 THOMAS GAINSBOROUGH R.A. 


Painted by himself. Pub. Jan. 1. 1796. by J. & J. Boy- 

7 - dell No. 90 Cheapside. & at the Shakspeare Gallery. 

Pall Mall London. As the Act Directs. Tuer No. 

x4 1792. Very fine impression with the inscription; 
4. printed in bistre. With large margin. 


123 GEORGE III. 


Painted by W. Hamilton. To Sir Joseph Banks Bar 
President of the Royal Society This plate from the 

J- transparency Exhibited at his house on the 10th of 
- Mareh 1789 On the general illumination for His 
Majesty’s recovery. Pub. June 4 1790 by C. Ansell 

No. 5. Upper John Street, Fitzroy Chappel. I. Mat- 

thews No. 441 Strand & Molteno Colnaghi & Co No. 132 

Pall Mall. Tuer No. 1795. Very fine impression with 

the inscription; printed in bistre. With large margin. 


124 JAMES HARRIS MDCCLXXVI. 
Line engraving after his own design. Tuer No. 1805. 
iO nd Impression with the inscription. The margin trimmed 
to the engraved border, leaving only the name of the 
artist. Laid down on strong drawing paper. 


125 GIUSEPPE HAYDN. 


Painted by A. M. Ott. London Pub as the Act directs 
3- — April.4 1791 by H. Humphrey No. 18 Old Bond Street, 
Tuer No. 1806. Very fine impression with the inscrip- 

RX tion; printed in bistre. With large margin. 


if 25 


126 


MR. HENDERSON IN THE CHARACTER OF 
IAGO. 

Drawn by Stuart. Tuer No. 1808. Impression with 

the inscription; printed in bistre. With large margin, 

but a somewhat late impression. 


ANDREW KIPPIS, D. D. F. BR. 8. &S. A. 

Painted by W. Artaud. London Publish’d Oct. 20th 
1792 by Tho. Macklin. Poets Gallery, Fleet Street. 
Tuer No. 1826. Fine impression with the inscription. 
With untrimmed margin (deckel edges). 


LORD HEATHFIELD. : 

Painted by A. Poggi. Publish’d Sept. 10 1788 by 
the proprietor St Georges Row, Hyde Park. Tuer No. 
1832. Very fine proof with the title in open letters, 
printed in bistre. With large margin lacking the plate 
mark and the publication line. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine proof before the title. Printed in bistre. 
With large margin showing the plate-mark. 


LORD ALEXANDRE LOUGHBOROUGH. 

Painted by T. J. Northcote. London Published 1st 
Feb 1800 by Jeffryes & Co Ludgate Hill. Tuer No. 
1834. Fine impression with the margin trimmed to 
the engraved surface and laid down. 


ANOTHER IMPRESSION OF THE SAME. 

Very fine proof before the title but with the artists’ 
names and the coat-of-arms. With margin trimmed 
to the plate-mark. 


LORD CLIVE. 
Painted by N. Dance. Tuer No. 1835. Very fine im- 
pression with the inscription; printed in bistre. With 
large margin. A tear in the inscription space carefully 
repaired. 


EDWARD LORD THURLOW. 3 
Painted by Sir Joshua Reynolds. Published the 15th 
April 1782 by Anthony Poggi No 4 Orchard Street 
Portman Square, London. Tuer No. 1836. Very fine 
proof with the title in open letters. With large margin 
showing the plate-mark. Printed on India paper. 


26 


b- 


PETER THE WILD BOY, as he appeared in the year 
1782 when this portrait was painted by Alesounder. 


[Nine line of description] London Published as the 
Act directs March 1st 1784, by John Alesounder, No 17 
Bow Street. Covent Garden. Tuer No. 1861. Very 
fine impression with the name of the personage in 
open letters; printed in brown. With margin trimmed 
to the plate-mark. Inlaid in quarto size. 


THE RIGHT HON. WILLIAM PITT. 


Painted by Thomas Gainsborough. Pub. by Rob 
Bowyer. No 80 Pall Mall, June 4 1808. Tuer No. 1866. 
Very fine open letter proof. With small margin lack- 
ing the plate-mark. A tear in the upper part of the 
engraving repaired. 


SIR GEORGE ROOKE. 


Drawn by J. Faber. London Pub. Nov. 1. 1794. by 
R. Faulder Bond Street. Tuer No. 1893. Very fine 
impression with the title in open letters. With small 
margin showing the plate-mark. 


ANOTHER IMPRESSION OF THE SAME. 


Superb impression with the inscription; printed in 
colors. With large margin showing the plate-mark. 


HENRI CHARLES NICOLAS VAN DER NOOT. 


Painted by P. de Olim. Publish’d as the Act directs 
London 1787. Tuer No. 1908. Very fine proof before 
the title; printed in bistre. With large margin. 


DR. WAIDE. 
After his own drawing. Tuer No. 1910. Very fine 
proof with the artist’s name only; printed in bistre. 
With large margin. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine trial proof. The face is not yet engraved. 
With large margin. C2) 


140 INVICTO WELLINGTON LUSITANIA GRATA. 


Ye 


? 


ye 


Painted by D. Pellegrini. Engraved by Bartolozzi in 
1810 at the age of 83. Tuer No. 1915. Very fine im- 

ression with the inscription. With margin, but lack- 
ing the plate-mark. A few creases carefully pressed 
out. 


27 


boy Bronbey 


141 


144 


ple. 


THE RIGHT HON. SIR JOHN EARDLEY WILMOT 
KN. AETAT. 75. 

Painted by Sir J. Reynolds, 1785. London Published 

July Ist 1801. Tuer No. 1918. Good impression with 

the inscription. With margin but lacking the plate- 

mark. 


PHILIP YORKE. Ist LORD HARDWICK. 


Painted by Sir J. Reynolds. Tuer No. 1923. Very 
fine proof before all letters printed in bistre. With 
margin but lacking the plate-mark. Mounted on ecard- 
board. 


PHILIP YORKE. VISCOUNT ROYSTON. 

Painted by Sir Joshua Reynolds. Tuer No. 1923 bis. 
Very fine impression with the inscription; printed in 
bistre. With margin but lacking the plate-mark and 
the inscription, leaving only the artists’ names. 


PRINCE OCTAVIUS. 
Tuer No. 1923 ter. Very fine proof before all letters 


fob with large margin showing the plate-mark. 


145 


47 
ve 


ADAM AND EVE IN PARADISE. Drawn by J. B. 
Cipriani & T. Hearne. The figure engraved by 
Bartolozzi the landscape by W. Byrne & B. T. Puney. 
London Pub. July 1. 1794 by Darling & Thompson Gt 
Newport Street and T. Simpson, St Paul’s Chureh 
Yard. (Seven verses Milton, Book 5th.) Tuer No. 
1983. Very fine impression with the inscription. With 


large margin showing the plate-mark. 
With the collector’s stamp J. L. enclosed in a C, which is 
inscribed with the motto INSPERATA FLORUIT. 


TICKET FOR THE BENEFIT OF Mr.BORGHI. 
Free Masons Hall Great Queen Street Lincoln Inn 
Fields, the 21st of May Drawn by I. B. C. Tuer No. 
2127. Very fine impression with the inscription and 
with margin showing the plate-mark. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine proof before the inscription but with the 
artists’ names and ‘‘Printed by W. Hinton St James’s 
Street.’’ With margin trimmed to the plate-mark but 
showing it at the bottom. (2) 


TICKET FOR THE BENEFIT OF Mr TENDUCCI. 


Drawn by G. B. Cipriani. Tuer No. 21383. Very fine 
impression with the inscription. With margin but 
lacking the plate-mark. Inlaid to quarto size. 


28 


LADY HAMILTON AS THE SEAMSTRESS 
T. CHEESMAN AFTER G. ROMNEY 


NUMBER 225 


148 


149 


151 
50 
oa 


RA - 


« 


TICKET FOR SUBS MASQ. RANELAGH. XIIII 
JUNE MDCCLXXVI. 


Drawn by G. B. Cipriani. Tuer No. 2166. Impres- 
sion with the inscription; colored by hand. With 
small margin lacking the plate-mark. 


ANOTHER IMPRESSION OF THE SAME. 

Proof before all letters printed in bistre. With large 
margin trimmed to plate-mark and inlaid to small 
quarto. (2) 


TICKETS FOR THE BENEFIT OF MR. GIARDINI. 


APOLLO AND MERCURY Drawn by G. B. Cipriani. 

Tuer No. 2188. Very fine impression with the inscrip- 

tion removed and replaced by Plate 11 in the upper 
right corner. With large margin. 


APOLLO AND THE MUSES. Drawn by G. B. cipriani. 
Tuer No. 2189. Very fine impression with the in- 
scription. With small margin lacking the plate-mark 
and inlaid. 


ORPHEUS AND EURYDICE. Drawn by G. B. 
Cipriani. Tuer No. 2192. 


VENUS ANADYOMENE. Drawn by Cipriani. Tuer 
No. 2193. 


MERCURY STRINGING A LYRE. Drawn by Cipriani. 
Tuer No. 2194 bis. 


VENUS AND CUPID Drawn by Cipriani. Tuer No. 
2194 ter. All in the same condition as the second. 


(6) 


CHARITY. 


After his own design. London Publish’d as the Act 
directs by F. Bartolozzi No 717 Bentwick St. near 
Berwick Street Soho Oct. 24 1778. Beautiful proof 
before the title. The artist’s name and the publication 
line in traced letters; printed in reddish brown. With 
large margin. 


ORIGINAL DRAWING. 


Head of a Bacchant with wreath of vine leaves on her 
head. Enclosed in an oval. 
From the collection of the Earl of Dartmouth. 


29 


JOHANN FREDERICH BAUSE. 
1738-1814. 
German engraver, a pupil of Wille, whose style and technic he imitated. 


152 LA PETITE RUSEE. 
Painted by Sir J. Reynolds. Stipple and line engray- 
is pa ing. London Published 1 Januy- 1785. by W. Dickinson 
Nee No 158 New Bond Street. Very fine impression with 


the inscription and large margin showing the plate- 
mark, 


C. W. BESTLAND. 


Engraver who was working in London at the end of the XVIIIth 
Century. 


1538 THE ROYAL ACADEMICIANS. 
To the King’s most excellent Majesty, this print of the 
pie Royal Academicians Assembled in their Council Cham- 
I ber To Adjuge the medals to the successful students in 
ay a Painting, Sculpture, Architecture and Drawing, Is 
/ d humbly Dedicated by his Majesty’s most Devoted Ser- 
vant & faithful Subject C. Bestland. Painted H. 
Singleton. Pub. May 1st 1802, by C. Bestland, West 
End. Hampstead. Very fine impression with the in- 
scription; printed in two tints. With large margin. 
Also the key. (2) 


154 ANOTHER IMPRESSION OF THE SAME. 


Brillant proof before all letters (No 2) with large 
q - margin showing the plate-mark at top and sides, but 


be lacking it at the bottom. 
BELVEDERE. 


155 A GIRL GATHERING MUSHROOMS. 


at er Painted by Westal. (Title in French.) Very fine im- 
pression with the inscription; printed in colors. With 


mot large margin. 


MICHAELLE BENEDETTI. 


English engraver born in Rome in 1745. He worked in Rome and 
London, and was a pupil of Bartolozzi. . 


156 THE RIGHT HONble EDMUND BURKE. 


Painted by Sir Joshua Reynolds. Publish’d Aug 24 
Ake “1791, by M. Benedetti No 92 Norton Street, Marybone. 
Superb impression with the inscription; printed in 
ys bistre. With untrimmed margin (deckel edges). 
A. ae 


30 


L. BENOIST. 


A French engraver who was working in Bartolozzi’s manner between 
1800 and 1840, 


157 LOVE ASLEEP. 
A 5° Painted by Sir Joshua Reynolds. Fine proof with the 
engraver’s name in traced letters. With very small 
margin lacking the plate-mark. 


PIETRO BETTELINI. 
1763-1828. 


An eminent Italian engraver. He received instruction from Gandolfi 
and Bartolozzi, whose style he imitated. 


158 AMUSEMENT. 
Drawn by G. B. Cipriani. London Pub. April 12 1788 
ee by Molteno Colnaghi & Co. No 132 Pall Mall—A Paris 
/ chez Tessari Zana Quay des Augustins No 42. Very 
fine impression in bistre; with margin trimmed to the 


Jo plate-mark. 
DIVERSION. 
Drawn by G. B. Cipriani. In the same condition as the 
foregoing, but with margin showing the plate-mark. (2) 


159 URANIA. 


Painted by G. B. Cipriani. London publish’d as the 

_— Act directs Feb. 3. 1786 by Torre & Co. No 132 Pall 

Mall. Very fine impression with the title in open let- 
ters; printed in bistre. With large margin. 


ANDRO BIRRELL. 


English engraver who was working between 1786 and 1800. 


160 JOHN HOME ESQr. Author of the Tragedy of Doug- 
las &e &e. 

ae Painted by H. Raeburn. Pub: According to Act of 

~ Parliament, May 9th 1799, by A: Birrell, No 53 Roso- 

x. man Street, Clerkenwell. Very fine impression with 

4 -, * the inscription and margin trimmed to the plate-mark. 


31 


Celebrated English painter and engraver. 


WILLIAM BLAKE. 


1757-1827. ; 
He was a pupil of James 


Basire. 


164 


CHILD AND DOG. Ado Ruch 


Very fine impression printed in colors. 
margin lacking the plate-mark. The inscription is lost. 


MASTER AUSTIN. 


Very fine proof before 
With margin showing the plate-mark. 


After the artist’s own design. 
all letters. 


MRS. Q. (Wife of Colonel Quentin of the 10th Hussars; 


said to have been the only Lady who resisted the 
advances of the Prince of Wales, afterwards George 
IV). 
Drawn by Huet Villiers. London Published 1st June 
1820, by I. Barrow. Weston Place, St. Pancras. Superb 
impression with the inscription; printed in colors. 
With good margin but lacking the plate-mark. — 
(See Illustration.) 


BOILLET. 


LE MOMENT DE L’IMAGINATION. 


Drawn by Countess Spencer. A Paris chez Mme Breton 
Mds D’Estampes. Very fine impression with the in- 
scription; printed in colors. With large margin, cut 


oval. 
Companion to No. 165. 


LE MOMENT DE LA REFLEXION (sie). 


Drawn by Countess Spencer. A Paris chez Mme 
Breton, Mds d’Estampes. Very fine impression with _ 
the inscription; printed in colors. With large margin, 


eut oval. 
Companion to No. 164. 


WILLIAM BOND. 


Engraved many of the portraits by Sir Joshua Reynolds and is be- 
lieved to have died early in the XIXth century. Governor of the Society 
of Engravers. 


166 MISS EMILY DEVISON, a young girl as ‘The Wood- 


— 


50 
Mes 


land Maid.’’ 
Painted by T. Lawrence. Very fine proof with the 
artists’ names only. With very small margin lacking 
the plate-mark. 
32 


ne tan tera, 
ith small 


GEORGIANA, DUCHESS OF DEVONSHIRE 
F. BARTOLOZZI AFTER J. DOWNMAN 


NUMBER 266 
Companion to Number 267 


j 


167 


ha 


ae 


171 


-_ 


K bo 


172 


Ib — 


rr. 


173 


4) Fog 


sv 


EDUCATION. 


Painted by H. Singleton. Publish’d Feb. 1. 1793, by 
W. Bond & C. Knight No 15 Poland Street London. 
Superb impression with the inscription; printed in 
colors. With large margin. 


JOHN GRAY ESQr. F.R.S. 


Painted by J. Hudson. Very fine impression with the 
inscription and with large margin. 


THE REVd. RICHARD KEATS, A.M. Aetatis 56. 
Head Master of Blundell’s Free Grammar School. 


Painted by Miss Foulstone. (et. tanquam..... cap. 
13.) Impression with the inscription and with small 
margin lacking the plate-mark and the publication line. 


A KNIGHT OF THE GARTER. In the Habit and 
Collar of that Most Noble Order. 19th July, 1821. 


Drawn by Jas. Stephanoff. London, Published as the 
Act directs, Jany, 1824. by Sir George Nayler, Garter. 
Superb open letter proof, printed in colors and re- 
touched with the brush. With untrimmed margin 
(deckel edges). 


This is supposed to be a portrait of Robert Stewart, 2d 
Marquis of Londonderry. 


LOVE RETURN’D. 


Painted by H. Singleton. Very fine impression in 
colors, with margin trimmed to the engraved border. 


FRANCIS PLOWDEN ESQr. 


Painted by S. Woodforde A. Published March 15. 
1803 by T. Egerton, Charing Cross. Very fine open 
letter proof printed in colors. With margin trimmed 
to the plate-mark. A small stain in the inscription 
space. 


GEORGE ROMNEY. PAINTER. 


Painted by Martin Archer Shee Esq. R.A... . Class I. 
Painting for the Fine Arts of the English School (three 
lines of dedication). London Publish’d March 1, 1810, 
by Longman & Co. Paternoster Row, J. Taylor, High 
Holborn & W. Bond, Newman Str. Printed by Bell & 
Wright. Impression with the inscription with margin 
but lacking the plate-mark. 


33 


| oe 
174 ST. CECILIA. (700 


hardes 


ge K 


Painted by J. Russell. Published Feby 2d 1795 by W. 
Bond No 98 Charlotte Street Rathbone Place. Superb 
proof before the title, but with the artists’ names and 
the publication line in traced letters; printed in colors. 
With large margin. 


175 MADAME TALLIEN. 


es 
aa 


Painted by I. J. Masquellier. Publish’d May 10th 
1803, by Willm. Miller. Old Bond Street London— 
Depose a la Biblioteque Nationale. Magnificent impres- 
sion with the inscription and with large margin, bear- 
ing an autograph dedication by the engraver. A small 
stain in the lower margin. In 34 Louis XVI gold frame 
decorated with bowknot and laurel wreath. 


176 RICHARD WILSON, ESQ. R.A. Landscape Painter. 


oe 


Painted by J. Taylor after a portrait by R. Mengs. 
Class I, Painting for ‘‘the Fine Arts of the English 
School’’ (five lines of dedication). London: Published 
Jan: 20. 1812, by Longman & Co. Paternoster Row, J. 
Taylor, High Holborn, & W. Bond, Newman St. 
Printed by Bell & Wright. Very fine open letter proof. 
With large margin. 


177 MRS. YOUNG, in the character of Cora, from the 


bax 
Werk . 


Tragedy of Pizarro. 
Painted by W. Hobday. Published Feb. 15. 1804, by 
W. Hobday, No 9, Holles Street, Cavendish Square, & 
W. Bond, No 87. Newman Street. Very fine impres- 
sion with the inscription and with large margin. 


34 


LADY DUNCANNON 
F. BARTOLOZZI AFTER J. DOWNMAN 


NUMBER 267 
Companion to Number 266 


SECOND SESSION 
Tuesday Evening, January 9, 1917, at 8:15 o'clock 
LOTS 178-355 


MARIA ANNE BOURLIER. 


French engraver who began work in London in 1806. 


178 HIS ROYAL HIGHNESS THE DUKE OF SUSSEX. 
Painted by Sir W. Beechy. London Publish’d by 
(ee K. Harding May 19, 1806. Very fine impression with 
the inscription; printed in colors. With large margin 

4 yd. showing the plate-mark. 


MARIANO BOVI. 
1740 (?) — 


Bovi became an engraver of acknowledged talent and describes him- 
self on his plates as a pupil of Bartolozzi. 


179 Mrs. BATEMAN. 
4 al Painted by Guttenbrun. Fine open letter proof, 
printed in colors. With small margin, lacking the 
gy: plate-mark and the publication line. Inlaid to folio. 


180 COMEDY. COMMERCE. FINE ARTS. HISTORY. 
- NATURE. 

ao Drawn by Bartolozzi after drawings by J. B. Cipriani. 

5: London, Published as the Act directs Jany. 1. 1795, 

oy 0: by Mno Bovi. No 207, Piccadilly. Very fine proofs 

before the border; printed in bistre. With large 

margins. | (5) 


181 NATURE. 

Drawn by Bartolozzi after a drawing by G. B. Cipriani. 
io. London Published, as the Act directs Jany. 1. 1795, 
by Mno. Bovi No 207 Piccadilly. Very fine impres- 
gt. sion with the engraved border (probably by Pergolesi) ; 
JA”: printed in colors. With small margin lacking the 

plate-mark. 

35 


182 DANCING. 


Drawn by J. B. Cipriani. London Published May Ist, 
2 8 re 1796, by Mno. Bovi No 207 Piccadilly, near St James’s 
) Chureh. Proof. before all letters, printed in two tints. 
S y5 i With margin, trimmed to the engraved border at top 
ae and sides, a little larger at the bottom. 
Companion to No. 183. 


183 MUSIC. 


Drawn by J. B. Cipriani. London Published Octr. 1. 
Ny Best 1796, No 207 Piccadilly, near St James’s Church. Very 
fine impression with the inscription; printed in colors. 
od With small margin trimmed to the plate mark at the 
44. ies sides, a little larger at the top and bottom. Slightly 
torn on the right side and repaired. 
Companion to No. 182. 


184 ALEXANDER POPE. 
Drawn by J. Brown after the bust by Rysbrack. Im- 
ae pression with the inscription. With small margin 
4 yt lacking the plate-mark and the publication line. 


WILLIAM BROMLEY. 
1769-1842. 


He was apprenticed to an engraver named Wooding in London, and 
soon attracted favorable notice. He was elected an associate engraver 
of the Royal Academy in 1819. 


185 THE DEATH OF CAPTAIN FAULKNOR—Mort du 
Capitaine Faulknor. 

oe Etched by W. Bromley and finished with the graver. 
by Blackbend after T. Stothard [Five lines of descrip- 
4 94, tion in English and in French]. Published by R. 
‘9 Bowyer, Historie Gallery Pall Mall 1801, Proprietor 
of the Splendid Edition of Hume’s History of England. 
Impression with the inscription. With large margin, 

but lacking the plate-mark. 


186 THE RIGHT HONOURABLE CHARLES JAMES 
FOX. 


af ot Meet Painted by R. Bowyer. London, Pub, by R. Bowyer, 
80, Pall Mall, Jany, 2. 1815. Very fine open letter 
proof, printed on India paper. With large margin. 


36 


187 GEORGE THE THIRD. 


50 Drawn by E. F. Burney after the Original Model by 

7. oo Agostino Carlini. Impression with the inscription; 
yd printed in colors. With the margin trimmed to the: 

ah o, engraved border at the top and sides, at the bottom 


only the publication line is lost. 


188 LA COMTESSE DE LIEVEN, Ambassadrice de Russie: 
a la cour d’Angleterre. 

a Drawn by Sir T. Lawrence. London, Published July 

ot Ist 1823, by Hurst Robinson & Co Printsellers to His: 

Der Majesty. 90 Cheapside & 8 Pall Mall. Very fine script 

letter proof, printed on India paper; with very large 


margin. 
I. BRYDON. 
189 A YOUNG SPARTAN. 
50 After the engraver’s own design [Four verses of 


Ay Horace]. Very fine impression with the inscription; 
yoo printed in colors. With small margin lacking the 
plate-mark and the publication line. 
Companion to No. 190. 


190 A YOUNG VIRGIN. 


b0- After the engraver’s own design. In the same condi-. 
tion as the foregoing. 
K Companion to No. 189. 


THOMAS BURKE. 


1749-1815. 
Pupil of Dixon who afterwards adopted the style of Bartolozzi in the- 
chalk manner. Engraved chiefly after the works of contemporary artists,. 
particularly Cipriani and A. Kauffmann. 


1904 MRS. BILLINGTON. 
Drawn by S. De Koster, 1801. Published by S. De: 
5 - Koster, 15 Suffolk Street, Charing Cross, Feby 10th, 
yi 1802. Impression with the inscription; printed in 
4 ¥.° colors. With small margin lacking the plate-mark. A 
seratch crosses half of the face. 


191 THE CHILDREN IN THE WOOD LI. 


Drawn by J. H. Benwell. Very fine impression, printed’ 
AY an in colors. The margin trimmed to the engraved border.. 
Companion to No. 192. 


te” 37 


192 


194 


THE CHILDREN IN THE WOOD IL. 


Painted by J. H. Benwell. Fine impression, printed 
in colors. The margin trimmed to the engraved sur- 


face. 
Companion to No, 191. 


THE CURATE OF THE PARISH RETURN’D 
FROM DUTY. 


Painted by H. Singleton. London Pubd, Octr. 31 1793 
by J. Brydon at his Looking Glass & Print Warehouse 
Charing Cross. Superb impression with the inscrip- 
tion printed in bistre. With large margin showing the 
plate-mark. 

Companion to No. 199. 


HAPPINESS. 


Painted by I. F. Rigaud. Pubd Septr. 29. 1799, by J. 
& J. Boydell, No 90 Cheapside And at the Shakspeare 
Gallery, Pall Mall, London. Impression with the in- 
scription, the margin trimmed to the engraved surface, 
and replaced. Laid down on thin paper. 


OH! CHE BOCCONE! 


Drawn by Sicardi. A Paris chez 1’Auteur, Rue Notre 
Dame des Victoires No 19 Et chez Jeaufrot Md 
d’estampes sous les Arcades du Palais Royal No 146. 
Very fine impression with the inscription. With large 
margin but lacking the plate-mark. 


MRS. ROBINSON. 


Painted by Sir J. Reynolds. Impression with the in- 
seription and with small margin lacking the plate-mark 
and the publication line. Inlaid to quarto size. 


MRS. ROBINSON as PERDITA. 


Painted by Sir J. Reynolds. Very fine impression 
printed in red. The margin trimmed to the engraved 
border. Inlaid to quarto size. 


SATURDAY MORNING, OR THE COTTAGERS 
MERCHANDIZE. 
Painted by W. R. Bigg. London Published Jany: 4th, 
1797 by J. Brydon, Charing Cross. Magnificent im- 
pression with the inscription; printed in colors. With 
large margin. 
(See Illustration.) 


38 


MISS FARREN (COUNTESS OF DERBY) 


DOWNMAN 


NUMBER 269] 
Number 272 


COLLYER AFTER J 
Companion to 


J. 


‘io 
" 


x 
¥9 


199 THE VICAR OF THE PARISH RECEIVING HIS 
TITHES. 
42-— Painted by H. Singleton. London Pubd. Octr 31 1793. 
by I. Broydon at his Looking Glass and Print Ware- 
gw - house, Charing Cross. Superb impression with the in- 
scription ; printed in bistre. With large margin. 
Companion to No. 193. 


ANTOINE CARDON. 
1772-1813. 


Celebrated engraver. He was the son of A. J. Cardon and was in- 
structed in art by his father. Amongst his numerous plates, chiefly 
executed in stipple, may be mentioned: ‘‘The Presentation of Catherine 
of France to Henry V. of England after Stothard.’’—Bryan. 


200 DUCHESS OF BEAUFORT. 
9—- Painted by Anne Mee [Six lines of biographic notes 
( ~.and dedication]. Pubd. Feby. 1. 1812, by Anne Mee, 


ee” 66, Upper Berkley Street. Very fine impression with 
the inscription and with large margin. 


201 ROBERT BLAKE ESQR. 
ua Painted by A. J. Oliver. Very fine open letter proof. 
3 With small margin lacking the plate-mark at top and 
sides, but showing it at the bottom. 


202 MR. BRAHAM. 
IS Drawn by In. G. Wood. Very fine impression with the 
ia inscription ; printed in colors. With large margin, but 
lacking the plate-mark and the publication line. 


203 DUCHESS OF BUCCLEUCH. 


17 7 Painted by Edridge. Superb proof before all letters 
with large margin. 


204 CALCULATION. 


Painted by B. Westall. London Publish’d Augt Ist 

4a 1798 By Colnaghi Sala & Co, late Torre, No 132 Pall 

Mall. Very fine impression with the inscription, 

Qyo printed in colors. With large margin showing the plate- 

K mark at top and sides, at the bottom it is lost with half 
of the publication line. 


39 


205 ANGELICA CATALANI. 


Drawn by Clara Maria Pope, 1812. Very fine impres- 

32 sion with the inscription. The margin trimmed nearly 
to the engraved border, except at the bottom, where 
only the publication line is missing. 


206 THE PRINCESS CATHERINE OF FRANCE PRE- 
SENTED TO HENRY THE VTH. OF ENGLAND, 
by the Queen Mother & the Duke of Burgundy at the 

)d a treaty of Troy in 1419. 
Painted by J. Stothard. London Published as the Acts 
directs Septr 15th 1797 by Colnaghi Sala & Co (late 
Torre) No 132 Pall Mall. Very fine impression with 
the inscription and with margin showing the plate- 
mark. The lower margin is foxed. 


207 CHASTITY. 


Painted by H. Singleton. London Published May 29. 

74 1805. by James Daniell, 480 Strand. Very fine impres- 
sion with the inscription; slightly tinted by hand. 
With margin showing the plate-mark. 


208 THE FORTUNE TELLER. Portraits of the Mar- 
chioness of Donegal, Mrs. May, Miss May and the 
Earl of Belfast. 


on Painted by I. J. Masquerier. London Published Septr 
ry 1. 1801, by I. J. Masquerier No 6 New Road opposite 
4 eS J Fitzroy Square. Fine impression with the inscription. 
The margin trimmed to the plate-mark at top and sides, 
but showing it at the bottom. A slight tear in the left 

margin not affecting the engraving. 


209 LA DISEUSE DE BONNE AVENTURE. 


Painted by I. J. Masquerier. A Paris chez Tessari & 

507 Co. Quai des Augustins No 35. Very fine impression 

) of the foregoing plate in a later state. The inscription 

we and coat-of-arms have been burnished out and the 

5 *-° ‘French title is substituted. Beautifully printed in 
colors and with large margin. 


210 GEORGE III. 


Drawn by H. Edrige 1803. Superb proof with the 
vata artists’ names in traced letters only; printed on India 
paper. With large margin. 


4 40 


DUCHESS OF DEVONSHIRE 


LADY ELIZABETH FOSTER, 


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211 
A Si 


217 


ALEXANDRE SINCLAIR GORDON ESQ". 


Painted by A. W. Davis. London Published 1805. and 
sold by Anthy Cardon, 31 Clipstone Street. Fitzroy 
Square. Very fine impression with the inscription and 
with small margin lacking the plate-mark. 


THE HUSBANDMAN’S REFRESHMENT. 


Painted by H. Singleton. London Published Septr 15th 
1799. by Anthy Cardon, No 31 Clipstone Street. Fine 
impression with the inscription and with margin show- 
ing the plate-mark at the bottom only. 

Companion to No. 219. 


INNOCENT CAPTIVATION. 


Painted by H. Singleton. London Published Novy. 1. 
1801, by Anthy Cardon. No 31 Clipstone Street Fitzroy 
Square. Very fine impression with the inscription. 
With untrimmed margin (deckel edges). 

Companion to No. 216. 


ANTHONY LAMBERT, ESQ: 


Painted by R. Home. London Publish’d 1806 by 
Messrs Blacks & Parry Leadenhall Street. Very fine 
impression with the inscription in traced letters. With 
large margin. 


PROGRESS OF FEMALE VIRTUE. 


From original drawings by Mrs. Cosway. Pub April 
10 1800 at Ackermann’s Repository of Arts. Not 101 
Strand. London. A charming set of eight plates with 
title printed on brown paper tinted with the brush. In 
original boards. 


THE RUSTIC MINSTREL. 
Painted by H. Singleton. London Published Novr 1 
1801, by Anthy Cardon No 31 Clipstone Fitzroy Square. 
Very fine impression with the inscription. With large 
margin. A slight tear in the lower margin outside of 
the plate-mark. 
Companion to No. 213. 


JOHN EARL OF St VINCENT. 


Drawn by W. Evans after the painting by Sir W. 
Beechey. Published March 1. 1809, by T Cadell & W. 
Davies, Strand. London. Open letter proof with mar- 
gin lacking the plate-mark. 


41 


218 MARIE ANNE SHOTTE. 
Painted by A. van Dyke. London Published. Jany 1 
Re 1798, by Anthy Cardon & Colnaghi Sala & Co No 132 
Pall Mall. Very fine open letter proof, before the dedi- 
cation on the tablet with untrimmed margin (deckel 
edges). 


219 THE SHELTER’D PEASANTS. 


A) Painted by H. Singleton. London Published Septr. 
(2: +7 15th. 1799, by Anthy Cardon, No 31 Clipstone Street. 
|. Fine impression with the inscription and with margin 
by: showing the plate-mark at the bottom only. 
Companion to No. 212. 


220 THE SAME. 
xe Copy by H. Cardon (1812) of the engraving by A. 
Pa a Cardon after H. Singleton. Very fine proof with the 
engraver’s name only. With margin lacking the plate- 
mark. 


221 THE EARL AND COUNTESS OF STAMFORD. 


ic Drawn by H. Edridge. Superb proof before all let- 
oP ters, delicately colored by hand. With large margin. 


J. CHAPMAN. 


French engraver who was working in London at the end of the 
XVIIIth Century. 


222 CLEOPATRA, Queen of Egypt. QUEEN ELIZA- 
BETH. THALESTRIS, Queen of the Amazons. 

J 4 ~ London published as the act directs by J. Wilkes. Very 

fine impressions with the inscriptions ; printed in colors. 

With margins showing the plate-mark. (3) 


ALEXANDRE CHAPONNIER. 


Painter-engraver. Born in Geneva in 1753. He was working in Paris 
until 1824, 


223 WILLIAM BOWYER. Dr. SAMUEL JOHNSON. 
GEORGE THE III. 


- , : 
40 London Published by Wilkes. Very fine impressions 
with the inscriptions; printed in colors. With large 
margins. The last one framed in a 1% inch gold frame. 


42 


224 LE VILLAGE ABANDONNE. 


Painted by J. K. Shervin. A Paris chez Bance, Rue du 

at hr petit Pont, au Grand Balecon. Quartier St Jacques. 
No 179. Very fine impression with the inscription; 
printed in colors. With large margin and showing a 
few stains in the upper part of the engraving. Laid 
down. 


THOMAS CHEESMAN. 
1760-1820. 


He was a well-known engraver and recognized as one of Bartolozzi’s 
best pupils.—A. W. Tuer. 


229 LADY HAMILTON as THE SEAMSTRESS. 
ee Painted by G. Romney. Pubd. April 15th 1787 by J. 
ue 2 and Josh Boydell. Cheapside London. Very fine proof 
yj. with the artists’ names and the publication line only in 
4, : traced letters. With large margin. 
(See Illustration.) 


226 MRS. MONTAGU. 
Drawn by W. Evans after the painting by Sir Joshua 
4 ~ Reynolds. Published May 26. 1809, by T. Cadell & M. 
Davis, Strand. London. Fine impression with the in- 
scription ; printed in bistre. With margin showing the 
plate-mark. 


227 MISS O’NEIL as ISABELLA. 
Drawn by I. Boaden. London Published by W. Cribb, 
/ ‘ag Tavistock St, Covent Garden, Octr 2 1855. Very fine 
proof with the inscription; printed in colors. With 
A: . large margin. 
Companion to No. 256. 


228 ROXALANA. (Vide Marmontel Tales.) 
ray After his own drawing. London, Published May 25 
47 2- ~=—s« 1792. by J. F. Tomkins. No. 49. New Bond Street. Very 


fine impression with the inscription; printed in colors. 
With margin lacking the plate-mark. 


JOHN HEAVISIDE CLARKE. 


Better known as Waterloo Clarke. He was born in Edinburgh in 
1770 and died in 1863. 


229 JENNY CAMERON. 

Painted by Hogarth. Published as the Act directs by 
J. Clarke. No 291 Strand. February 8th 1788. Fine 
impression with the inscription; the margin trimmed 
to the plate-mark. 


io 


43 


W. CLAUGHTON. 


230 ERMINIA ASSISTED BY HER HANDMAID steals 
the Armour of Clorinda, in order to escape undis- 
os covered to Tancred, whom she has just heard is 
Le wounded. ‘Tasso’s Jer. lib. 7. 
Drawn by Anna Maria Countess of Lincoln. Impres- 
4L ps. sion with the inscription; printed in colors. With mar- 
: gin trimmed to the plate-mark. 


COLINET. 


French engraver who was working in Bartolozzi’s style at the end of 
the XVIIIth Century. 


231 COMTESS AMELIE DE BOUFFLERS. 


Dediee a Madame la Comtesse Amelie de Boufflers. Par 

ee son tres humble et tres obeissant Serviteur, Julien 

» Fatou. Au Licee et au Sallon, Boulevard de la Comedie 

Italienne, No 17 A Poitiers, Place Royale. Fine im- 

ome pression with the inscription; printed in two tints. 
With margin but lacking the plate-mark. 


232 ANOTHER IMPRESSION OF THE SAME. 


5e Impression with the inscription; printed in bistre. 
ed _ With margin showing the plate-mark. 


JOSEPH COLLYER. 


Born in London in 1748, and became a pupil of A. Walker. He en- 
graved ‘‘The Girl with a Cat,’’ ‘‘Miss Palmer,’’ ‘‘ Reynolds’s Niece,’ 
ete. He died in 1827. 


233 THE RIGHT HONORABLE CONOLLY. 


7 Painted by R. Bull. Beautiful impression with the in- 
4 . seription; printed in colors. With small margin lack- 
nw ing the plate-mark and the publication line. 


234 FELINA. 


Painted by Sir. Joshua Reynolds. London. Published - 
7 1 March 1790 by W. Dickinson, New Bond street. J. 
1 Cary, Strand, M. Darling Newport Street, T. Simpson, 
St Paul Church Yard & J. Collyer. No 16 Dorrington 
Street, Cold Bath Field. (Hight verses by Collings.) 
Superb proof with the inscription in traced letters; 
printed on India paper. With large margin showing 
-the plate-mark. 
From the collections of A. A. Weston and R. Balmanno. 


44 


£ 
LEP EL O TE. 


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a £ s fx SF 
PRE A ELIULEG DS EGS 


SENSIBILITY (LADY HAMILTON) 
R. EARLOM AFTER G. ROMNEY 


NUMBER 283 


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239 


241 
(5 - 


242 


7) ed 


MRS. FITZHERBERT. 


Painted by J. Russell. Published as the Act directs, 
1 Feby. 1793. Very fine impression with the inscrip- 
tion; printed in a bluish-black ink. With small mar- 


gin lacking the plate-mark. 
Companion to No. 237. 


ANOTHER IMPRESSION OF THE SAME. 

Very fine open letter proof with small margin on the 
left side and at the bottom showing only the artists’ 
names; closely trimmed to the engraved surface at the 


top and right side. 
Companion to No. 238. 


HIS ROYAL HIGHNESS GEORGE PRINCE OF 
WALKS. 
Painted by J. Russell. Published as the Act directs, 
19 May 1792, & sold by W. Faden Charing Cross, M. 
Ryland Bond str & J. Collyer, Dorrington Street. Cold 
Bath Field. Very fine open letter proof with very 
large margin. 
Companion to No. 235. 


ANOTHER IMPRESSION OF THE SAME. 


In the same condition as the foregoing one, but the 


margin trimmed closely to the engraved surface. 
Companion to No. 236. 


MADAM MARA as ARMIDA. 
Painted by P. Jean. (Eight verses.) Published as the 
act directs 4 June 1794. Sold by Darling & Thompson 
Newport Street, T. Simpson St Pauls Church Yard M. 
Ryland Bond Street & J. Collyer Constitution Row 
Gray’s Inn Road. Impression with the inscription and 
with margin lacking the plate-mark. 


MR. JOHN PALMER. 
Painted by J. Russell. Published as the Act directs 
June 11th 1787. (Four lines of dedication.) Sold by 
W. Dickinson, Bond Str. Cary Strand. W. Darling 
Newport Str. T. Simpson, St Paul’s Church Yard & J. 
Collyer White Lion Row, Islington. Very fine impres- 
sion with the inscription; printed in colors. With 
small margin lacking the plate-mark. 

ANOTHER IMPRESSION OF THE SAME. 
Impression with the inscription; printed in bistre and 
colored by hand. With small margin trimmed oval. 

ANOTHER IMPRESSION OF THE SAME. 
Published as the Act directs by J. Collyer. May 1787. 
Fine proof before the title, but with the publication 


line. With large margin trimmed closely to the plate- 


mark. 
45 


JOHN CONDE. 


An engraver who lived in the latter years of the XVIIIth century. 
He executed tastefully in the dotted style whole length portraits of Mrs. 
Bouverie, Mrs. Fitzherbert, and other ladies after R. Cosway. 


243 


he eh a 


MRS. FITZHERBERT. 


Painted by R. Cosway. London Published Feby. 7. 
1792, by J. Conde, No. 63, Queen Ann Street Hast, and 
Mrs. Lay, No 38, Dean Street, Soho. Magnificent im- 
pression with the inscription; printed in colors. With 
very large margin showing the plate-mark. In 114-inch 
gold frame with offset corners. 


MADEMOISELLE HILIGSBERG in the ballet of Le 
Jaloux Puni. 


Painted by H. de Janvry. London published by J. 
Conde. May 12th 1794 & Darling & Thompson, Print- 
sellers to the Duke and Dutchess of York, Great New- 
port Street. Charming impression with the inscrip- 
tion; delicately colored by hand. With margin show- 
ing the plate-mark. The margin is slightly foxed. 


MDE. HILLIGSBERG, in the ballet of Ken-Si & Tao, 

Performed for her benefit the 14th of May 1801. 
Painted by H. de Janvry. Published. by Thompson, 
Great Newport Street. May 18. 1801. Brilliant im- 
pression with the inscription; printed in colors and 
touched up with the brush. With margin showing the 
plate-mark. 


CHARLES MACKLIN Comedian in his 93d Year. 
Painted by Opie. Printed for the author by John 
Bell, British Library London July 1792. Fine impres- 
sion with the inscription printed in bluish-black ink. 
With margin showing the plate-mark. 


VENUS. 
After his own drawing. Publish’d Augt 1st, 1792 by 
J. Conde & Colnaghi & Co Pall Mall. Very fine impres- 
sion with the inscription; delicately printed in colors 
and touched up with the brush. With margin lacking 
the plate-mark. Has been folded and pressed out. 


LE BARON DE WENZEL. Oculiste du Roy d’Angle- 
terre et de 1’Empereur. 
After his own design. Pubd. Sepr. 10th 1789 for J. 
Conde by S W Tores Piccadilly & E. M. Diemar 114 
Strand. Very fine impression with the inscription; 
printed in bistre. With large margin. 


46 


RICHARD COOPER. 


1730-1820. 


Portrait engraver, born in London. He studied the art of engraving 
in Paris under LeBas. 


249 
cv 

250 
4, v3. 

251 


ao 


256 


$57 


THE RIGHT HONble. JANE ELIZABETH VIS- 
COUNTESS ANDOVER. 

Painted by J. Hoppner. Very fine open letter proof, 

printed on India paper; with margin lacking the plate- 

mark. 


H. W. BUNBURY ESQ. 
Painted by T. Lawrence. Publish’d Octr. 31. 1812 by 
I. Wheble Warwick Sqr. London. Impression with the 
inscription and with small margin showing the plate- 
mark at the top and bottom only. 


CHARLES I. 
Painted by Van Dyck. Very fine proof with the name 
of the engraver only in traced letters; printed on India 
paper. With large margin. 


LORD COCHRANE. 
Painted by W. Walton. Published February lst 1819, 
by T. & H. Rodd 17. Little Newport St. Leicester Sq. 
Impression with the inscription. The margin trimmed 
to the engraved border at the top and the sides but 
showing the inscription. 


THE CONDE DE GONDOMAR. Embassador from 
Philip K. of Spain, to K. James Ist, of England. 
Painted by Velasquez. Superb open letter proof. 
With large margin. 


MRS. RUSSELL MANNERS. 
Painted by Stroehling. _Edwr Orme, Execudit. Pub- 
lish’d Jany. 1 1807 by Edwr Orme Bond Street London. 
Very fine proof with the artists’ names only. With 
margin lacking the plate-mark. 


MLLE. NOBLET. 
Painted by F. Waldeck. Published by H. Berthoud. 
Junr. March 14th 1822. Open letter proof printed on 
India paper. With margin lacking the plate-mark 


MISS STEPHENS. 
London published by W. Cribb Tawistock Street. 
Covent Garden. Jany. 1, 1818. Very fine lettered proof 
printed in colors. With large margin. 
Companion to No. 227. 


47 


257 CHARLES EDWARD STUART. 
i Drawn by Ozias Humphrey. Published March 31 
| 1815. by T. Cadell & M. Davies, Strand, London. Fine 
y. impression with the inscription and with margin lack- 
Ay. ; ing the plate-mark. 


258 LADY G. VILLIERS. 
Painted by J. Hoppner. Very fine proof with the 
name of the engraver and the coat-of-arms only traced 
| rag with the needle; printed on India paper. With large 


margin. 

4”. LADY LANGHAM. 
Painted by J. Hoppner. Very fine open letter proof. 
With margin trimmed to the plate-mark. (2) 


CORNOROTTO. 


259 THE RIGHT HONble CHARLES FOX. Member in 
the House of Common. 

10 Painted by F. Sloane. Published May 20. 1800 by Ant. 

Suntach. Very fine impression with the inscription ~ 

and with large margin showing the plate-mark. 


x 


R. CRIBB. 
Engraver and publisher who was living in London at the end of the 
XVIIIth Century. . 


260 PRINCE WILLIAM HENRY. 

Publish’d Novr: 8th: 1787 by R. Cribb No 288 High 
ae Holborn. Impression with the inscription; printed in 
4 5. bistre. With large margin. 

JO, ; 
WILLIAM DICKINSON. 
1746-1823. 


English engraver; he obtained a premium from the Society of Arts 
in 1767. In his later years he lived in France, still pursuing his pro- 
fession. He died in Paris. 


261 THE GARDEN OF CARLETON HOUSE with 
Neapolitan Ballad Singers Design’d 18th May 1784. 
— Drawn by H. Bunbury. (One line of dedication) 
[10: London, Publish’d May 10th; 1785 by W. Dickinson 
ko No 158 Bond Street, & W. Austin, Drawing master, St 
It James’s Street. Very fine impression with the inscrip- 
tion; printed in bistre. With margin trimmed to the 
engraved surface, leaving only the inscription space at 
the bottom. The lower left corner is repaired, also a 
small tear in the upper part of the engraving. In 314 

inches stained oak with bronze ornaments. 

48 


vg Jaquin\y 03 uotueduios 
[tof udaWaNn 


SHAVG “da UALAV NIVONVYD ‘L 
WuUVd AGAH NI ONIVIV NV 


[eo OG UNVI SGA SAY Vv . 


262 LOVE AND JEALOUSY. LOVE AND HONOUR. 
LOVE AND HOPE. 

40- Drawn by H. Bunbury. Pubd. Decr. Ist 1794 by 

W. Dickinson No 24 Bond Street. Impressions with 

pee ; the inscriptions and with margins lacking the plate- 

marks. (3) 


DOL. 


263 ARIADNE. ATALANTE. 
se Painted by Westall. Very fine impressions with the 
17 et inscriptions; printed in colors. With margins showing 
the plate-mark at the bottom only. (2) 


JOHN DOWNMAN. 
1750-1840. 


Celebrated English portrait painter. His most famous work was the 
decoration of the theatre of the Duchess of Richmond. 


264 MISS BOYD. 
ea Engraved by P. W. Tomkins. Publish’d As the Act 
q : directs Decr. 10 1780. Very fine proof with the artists’ 
y, Ly ban~ names and the publication line only in traced letters; 
printed in dark bistre and delicately colored by hand. 
With margin trimmed to the plate-mark. 


265 LADY GEORGIANA BUCKLEY. 
po — Engraved by ? Superb impression; printed in 
i colors. The margin trimmed to the engraved border. 
Or THE GREATEST RARITY WHEN PRINTED IN COLORS. 


266 GEORGIANA, DUTCHESS OF DEVONSHIRE. 
= Engraved by F. Bartolozzi. Published by Lawson 
7s 1788. Magnificent impression; printed in colors. The 
grok margin trimmed almost to the engraved surface. 
Companion to No. 267. 
(See Illustration.) 


267 LADY DUNCANNON. 

Engraved by F. Bartolozzi. 1797. Magnificent impres- 

sion; printed in colors. The margin trimmed almost 
¢ to the engraved surface. Extremely rare. 


wa 


Companion to No. 266. 
(See Illustration.) 


49 


268 


MR. EDWIN and MRS. WELLS in the characters of 
Lingo and Cowslip. 

Engraved by H. Downmann. Published according to 

act of Parliament. June 17 1789 by H. Downmann, 

Walmorth. Very fine impression with the inscription 

and with large margin. 


MISS FARREN. 


Engraved by J. Collyer. Published by Lawsen 1788. 
Magnificent impression ; printed in colors. The margin 
trimmed almost to the engraved surface. 
Companion to No. 271. 
(See Illustration. ) 


MRS. FARREN AND MR. KING. 


Engraved by J. Jones. Pubd as the Act directs May 
ye Ist 1787 by J. Jones No 63 Great Portland Street. 
Superb proof before the title. With margin lacking 
the plate-mark. 


LADY ELIZABETH FOSTER. 


Engraved by C. Watson. London: Printed for M. 
Lawson, No 168 Strand Feby 14 1788. Very fine in 
proof with the inscription in traced letters; printed in 
bistre. With margin lacking the plate-mark. Inlaid 
to folio size. 


ANOTHER IMPRESSION OF THE SAME. 


Magnificent impression printed in colors. The margin 
trimmed almost to the engraved border. Extremely 


rare. 
Companion to No. 269. 


(See Illustration.) 


THE HONble MARIA AND LOUISA HOLROYD. 
Engraved by J. Baldrey. Impression with the in- 
scription; colored by hand. With small margin lack- 
ing the plate-mark. 


THE Rt HONble LADY ELIZABETH LAMBART. 
Engraved by J. Baldrey. London, Pubd. Jany. Ist. 
1783 by J. Baldrey No 60 Hay Market. Very fine im- 
pression with the inscription; printed in bistre. With 
margin lacking the plate-mark. 


GEORGE JAMES RIDDEL. 
Engraved by F. Bartolozzi. Tuer No. 1889. Superb 
proof before all letters; printed in red. With large 
margin. 

50 


276 MRS. SIDDONS. 


Ae Engraved by P. W. Tomkins. London, Pubd by R. 

ie Cribb, 238 Holborn. Jany 1 1797. Superb impression 

Was with the inscription; printed in bistre. With large 
margin showing the plate-mark. Scarce. 


277 TOM JONES. The Philosopher Square, discover’d in 
Molly Seagrim’s Garret. 
3 50 f Engraved by P. Simon. Superb impression with the 
inscription; printed in colors. With margin lacking 
er the plate-mark and the publication line. 
Companion to No. 278. 


278 TOM JONES. The Interview of Tom Jones and Sophia, 
after the Reconciliation. 
go - Engraved by P. Simon. Superb impression with the 
/ yf inscription; printed in colors. With margin lacking 
vs . the plate-mark and the publication line. 
: Companion to No. 277. 


E. J. DUMEE. 
He was working in London at the end of the XVIIIth Century. 


279 CONNUBIAL HAPPINESS. 
50 Painted by J. Northcote. London Published August 
“ve — 26th. 1786. by J. R. Smith No 83: Oxford Street. 
Superb impression with the inscription; printed in 
bistre. With margin trimmed to the plate-mark. A 
late impression. 


RICHARD EARLOM. 
1743-1822. 


He was born in Somersetshire in 1743 and died in London in 1822. 
He was at first a pupil of Cipriani, but later devoted himself to mezzo- 
tint engraving. He executed few works in stipple, but they are of a 
quality which entitles him to rank as one of the greatest engravers in 
that manner. 


280 GIOVAN BATTISTA CIPRIANI, ESQ’. R.A. 
Painted by Rigaud. Publish’d Sepr 29th 1789 by John 
-) & Josiah Boydell Cheapside and at the Shakspeare 
Gallery Pall Mall London. Very fine proof with the 
5. title in traced letters; printed in dark bistre. With 
4, ‘ large margin. 


dl 


281 


285 


1% 
he 


GIRL WITH A WATTEAU HAT HOLDING 
FLOWERS. 


Painted by G. B. Cipriani. Published Sepr. 2d. 1787 
by John and Josiah Boydell No 90 Cheapside London. 
Very fine impression with the inscription; printed in 
two tints and touched up with the brush. With margin 
showing the plate-mark. 


THE SAME. 
Reversed copy by an unknown engraver. Very fine 
proof before all letters; printed in colors. With large 


margin trimmed to the plate-mark at the top and sides. 
Somewhat repaired. 


SENSIBILITY (Portrait of Lady Hamilton). 
Painted by G. Romney. (Four lines of dedication.) 
Publish’d March 25d 1789, by John & Josiah Boydell 
No 90 Cheapside London. Magnificent impression with 
the inscription; printed in colors. With large margin 
(deckel edge at the bottom). 
(See Illustration.) 


ANOTHER IMPRESSION OF THE SAME. 


Superb proof with the title in open letters but before 
the dedication; printed in bistre. With very large 
margin. 


EK. A. EZEKIEL. 


MAJOR GENERAL STRINGER LAWRENCH. 
Painted by Sir Joshua Reynolds. [Four lines of dedi- 
eation.] London Published January Ist 1795 by E. A. 
Ezekiel. Very fine proof with the inscription in traced 
letters. With margin lacking the plate-mark. 


GEORG SIEGMUND & JOHANN GOTTLIEB FACIUS. 
Both were born in Ratisbon about the middle of the XVIIIth century, 


and learned the art of engraving in Brussels. 
London, where they worked for Josiah Boydell. 


From there they went to 
Johann G. died about 


1802 and George S. about 1814. 


286 


iy 


GEORGE THE THIRD. KING OF GREAT BRITAIN. 


Painted by W. Berozy. Published Novr. Ist 1791 by 
Messrs Molteno, Colnaghi & Co No 132 Pall Mall. 
Very fine proof with title in traced letters; printed in 
bistre. With large margin. Slightly foxed. 


52 


287 JUSTICE. 

Painted by Sir J. Reynolds. Publish’d June 1st 1782 
by John Boydell Engraver in Cheapside London. Very 
yt : fine proof with the inscription in traced letters. With 
4 : margin showing the plate-mark. 


288 THOMAS KERRICH. M.A. Principal Librarian of 
the University of Cambridge. 
at Painted by H. P. Briggs. Published June 12. 1815, 
by G. 8. Facius, No 23, Castle Street Leicester Square. 
A x4 ; Good impression with the inscription and margin show- 
ing the plate-mark. 


289 SIR WILLIAM MUSGRAVE. 


fay Painted by L. F. Abbot. (Three lines of titles.) Good 
or impression with the inscription; printed on India 


|x paper. With margin showing the plate-mark. 
R. FIELD. 
290 THE COUNTRY CLERGYMAN—LE CURE DE 
CAMPAGNE. 
se Painted by R. Westall. [Four lines of description in 
5) English and in French]. London Published March 1 


1801, by Anthy Cardon, No 31 Clipstone Street Fitzroy 
Square. Very fine impression with the inscription and 
with margin showing the plate-mark at the top and 
the sides, trimmed closely to it at the bottom. Laid 
down. 


SAMUEL FREEMAN. 
1773-1857. 


291 ANNETTE. LUBIN. 
After his own designs. London Publish’d 1st March, 


a a 792, by Freeman & Co No 95 Corner Beaufort Build- 
pis Strand. Very fine impressions with the inscrip- 
tions; printed in bistre. With margins showing the 
plate-marks. (2) 


292 THE LITTLE BUSY BODY. 
Painted by W. Derby. [Four verses.] London Pub- 
oe lished June 1st 1821, by John Hudson 85. Cheapside. 
3 Beautiful impression with the inscription; delicately 
printed in colors. With margin trimmed to the plate- 


We” : mark. 


53 


293 


294 


297 


298 


A. FRESCHI. 


THE LATE LORD PETRE. 

Painted by G. Romney. Edwd Orme excudit. Pub- 
lished & Sold, May 1 1803 by Edwd. Orme Printseller 
to His Majesty. No 59 New Bond Street, London. 
Very fine open letter proof. The margin trimmed to 
the engraved surface at top and sides but leaving the 
inscription space. 


THE HONble MRS. STEPHENSON. 

Painted by S. Woodforde. Edwd Orme Excut. Im- 
pression with the inscription. With small margin, 
lacking the plate-mark and the publication line. 


WILLIAM THOMAS FRY. 
1789-1843. 
JAMES CURRIE, M.D. F.R.S. 
Painted by T. Hargreaves. Published Novy. 1. 1816, by 
T. Cadell & W. Davies, Strand, London. Proof with 
the inscription in traced letters; printed in bistre. 
With large margin. 


SIR WILLIAM HAMILTON, K.B.F.R. 8. 

Drawn by C. Grignon. Published Mareh 27, 1817 by 
T. Cadell & W. Davies, Strand. London. Open letter 
proof printed in bistre. With margin trimmed to the 
plate-mark at the top and sides but showing it at the 
bottom. 


MR. JOHN SCOTT. 
Drawn by J. Jackson. London Published Jany 1826, 
by Mrs Scott, 5, Caldogan Street Sloane Street. Open 
letter proof on India paper. With large margin show- 
ing the plate-mark at the bottom only. 


ANOTHER IMPRESSION OF THE SAME. 
In the same state, but with untrimmed margin (deckel 
edges). 


WILLIAM NELSON GARDINER. 
1766-1814. 


An Irish engraver, who became an assistant to Bartolozzi, studied art, 
made portraits and at last became a bookseller. 


299 
oe 


4,9? 


JOHN MILTON. <Aet. 10. 
Painted by Cornelius Jansen. Superb proof before all 
letters with untrimmed margin (deckel edges). 


5k 


300 


302 


English engraver born at Abbeville, France. 
Houston. 


JOHN MILTON. 


Painted by Cornelius Janssens. Superb proof before 
all letters with untrimmed margin (deckel edges). 


JOHN MILTON AXtat 62. 


Drawn by Vertue. Superb proof before all letters with 
untrimmed margin (deckel edges). 


HELLYER GAUGAIN. 


A BOY MENDING HIS NET. 

Painted by R. Westall. Pub. May 1 1802 by J. & J. 
Boydell No 90 Cheapside & Shakapeare Gallery Pall 
Mall London. Very fine impression with the inscrip- 
tion; printed in colors. With margin trimmed to the 
plate-mark. 


THOMAS GAUGAIN. 

1748-1805. 
Studied his art under 
He engraved many plates after Reynolds, Cosway, Northcote , 


and others, mostly in stipple. 


303 


4ob 


xii 


304 


joo ~ 


an 


AN AIRING IN HYDE PARK. | 
Painted by E. Dayes. London Publish’d Jany 1796 by 
T. Gaugain No 4 Little Compton Street Soho. Very 
fine impression with the inscription. With margin 
showing the plate-mark. In 314-inch ornamented oak 
frame. | 
Companion to No. 694. 
(See Illustration.) 


A BOY RETURNING FROM FISHING. 
Painted by Barker. London, Published April 20 1800, 
by G. Testolini, 73 Cornhill. Very fine impression with 
the inscription; printed in colors. With large margin. 
Slightly foxed in the margin. 


CAKES. 


Painted by W. Artaud. London, Published April 17938, 
by T. Gaugain, No 15 Five Fields Row, Chelsea. Very 
fine impression with the inscription and with large 
margin showing the plate-mark. 


55 


THE CLOAK. 
Painted by W. Artaud. Impression in bistre; with 
margin trimmed to the engraved surface, leaving only a 
small space at the bottom showing the artists’ names. 
With the collector’s mark Fagan No. 343. 


COURTSHIP. MATRIMONY. 

Painted by J. Milbourn. [Four verses.] Pub. Jany 

1789 by I. White No 38 Tavistock Street, Covent 

Garden, London. Very fine impression with the in- 

scription. The margin trimmed to the plate-mark. (2) 
A most charming pair. 


THE RIGHT HONble CHARLES JAMES FOX. 
Drawn by S. De Koster after a bust by J. Nollekens. 
Published January 1st 1798 by J. Bryden, at his Print 
Warehouse, Charing Cross London, and Sold by Mr. 
Debrett Picecadily. Brilliant open letter proof with 
large margin. 


JAMES HAMILTON, M.D.F.R.S.E. 

Painted by John Watson. (Three lines of dedication.) 
Pubd Jan. 1825 by T. Gaugain 14 Waterloo Place. 
Edinburgh. Very fine open letter proof on India. 
paper. With large margin. 


WARREN HASTING ESQr-. 
Drawn by 8. De Koster after a bust by Thos Banks. 
(One line of dedication.) Published Feby 1. 1798, by 
J. Brydon, at His Looking Glass & Print Warehouse. 
Charing Cross, London. Very fine open letter proof. 
With small margin lacking the plate-mark. 


JANUARY AND MAY. 


After the engraver’s own design. [Two verses.| Im- 
pression with the inscription; charmingly printed in 
colors. With small margin lacking the plate-mark and 
the publication line. 

Companion to No. 323. 


THE LAST INTERVIEW BETWEEN KING 
CHARLES THE FIRST & HIS CHILDREN 
(Princess Elizabeth & the Duke of Gloucester) the 
day before his Martyrdom. 

Painted by Benazech. [The title in French.] Pub. 
April 1788, by Jane White, No 38 Tavistock Street, 
London. Very fine impression with the inscription and 
with very large margin. 


56 


THE SHOW MAN 


T. GAUGAIN AFTER J. BARNEY 


NUMBER 318 
Companion to Number 321 


THE MILKMAID. 
Painted by James Northcote. 
printed in colors. 
engraved surface. 
Companion to No. 315. 


LA PETITE LAITIERE ANGLAISE. 
Painted by James Northcote. Publish’d June 1786 by 
T. Gaugain, No 4 Little Compton Street, Soho, London. 
Very fine impression with the inscription. The margin 
trimmed to the plate-mark. 


Superb impression 
The margin trimmed closely to the 


THE FRUIT GIRL. 


Painted by James Northcote. 
the companion. 
Companion to No, 313. 


In the same condition as 


THE Rt. HONble. WILLIAM PITT. 

Painted by Gainsborough. Edwd Orme Excut. Pub- 
lished & Sold, June 4th 1805, by Edwd. Orme, Print- 
seller to the King. 59 Bond Street London. Brilliant 
open letter proof. With small margin lacking the plate- 
mark. 


A SHIPWRECKED SAILOR BOY, TELLING HIS 
STORY AT A COTTAGE DOOR. 
Painted by W. R. Bigg. Very fine impression in bistre. 
The margin trimmed to the engraved border at the top 
and sides but leaving the artists’ names at the bottom. 
Laid down. 


THE SHOW MAN—LA PIECE CURIEUSE. 
Painted by J. Barney. London. Published Aug. Ist 
1802. by S. Morgan. No 32 Clipstone Street, Fitzroy 
Square. Superb impression with the inscription; 
printed in colors and slightly touched up with the brush 
and with large margin showing the plate-mark at the 
bottom, trimmed closely to it at the top and sides. 

Companion to No. 321. 
(See Dlustration.) 


ANOTHER IMPRESSION OF THE SAME. 
Very fine open letter proof, with large margin. 
Companion to No. 322. 


THE STORY BOOK. 
Painted by R. Westall. Superb proof with the artists’ 
names only; printed on India paper. With large mar- 


gin. 
57 


321 THE YOUNG PEDLAR—LE MERCIER AMBU- 
LANT. 


sf in Painted by J. Barney. London Published Augt 1st 
1802, by S. Morgan, No 32 Clipstone Street, Fitzroy 
Square. Superb impression with the inscription; 
printed in colors and shghtly touched up with the brush. 
With large margin showing the plate-mark at the bot- 
tom, but trimmed closely to it at the top and sides. 
Companion to No. 318. 


(See Illustration.) 


322 ANOTHER IMPRESSION OF THE SAME. 
Very fine open letter proof with large margin. On the: 
right side a part of Oe margin outside the plate-mark 
has been torn. 

Companion to No. 319. 


Pad 


his 


323 THE WIFE OF BATH. 
e After the engraver’s own design. Impression with the 
ae inscription; delicately printed in colors. With margin 
plo lacking the plate-mark and the publication line. 
K Companion to No. 311. 


I. GEREMIA. 
324 HER ROYAL HIGHNESS PRINCESS pet Siti 


es Painted by Sr Wm. Beechy. London. Pubd. by E. 
of . Harding 19 May 1806. Very fine impression with the: 
A inscription. With large margin. 


325 THE FAVORITE LAMB—L’AGNEAU FAVORI. 


Painted by J. J. Ibbertson. Very fine impression with 
the inscription; printed in colors. With margin but: 
“44 . lacking the plate-mark and the publication line. 

; Companion to No. 326. 


a 


326 GOING TO THE HAY FIELD—ALLANT AU (sic) 
iA) FENAISON. 
{> Painted by J. J. Ibbertson. Very fine impression with 
the inscription; printed in colors. With margin lack- 
JA i ing the plate-mark and the publication line. 
Companion to No. 325. 


58 


JAMES GODBY. 


An English engraver. Was living at the end of the XVIIIth century.. 
He prepared the illustrations for ‘‘The Fine Arts of the English 
School.’’ 


327 THE DEPARTURE OF CAIN. 


4 _ 


328 


331 


Painted by H. Singleton. [One verse.] London Pub- 
lished Jany 2 1800 by John Murphy No 19 Howland 
Street. Fitzroy Square. Fine impression with the in-. 
scription ; printed in colors. With margin showing the 
plate-mark. The edges are fringed and there are a few 
small creases in the engraving. 


CALEB AND ACHSAH HIS DAUGHTER—Caleb et 
Axa sa Fille. 


Painted by H. Singleton. J. Murphy excudit. London 
Published Feby 3d 1801 by John Murphy No 19 How- 
land Street, Fitzroy Square. Very fine impression with 
the inscription. With large margin. Slightly foxed 
in the upper margin. 


THE DRINKING WELL IN HYDE PARK—Le Puits: 


a Boire a Hyde Park. 


Painted by Maria Spilsbury. J. Murphy Excudit 1802. 
London Published July 3d 1802 by John Murphy No: 
19 Howland Street. Fitzroy Square. Very fine impres-. 
sion with the inscription. With margin showing the: 
plate-mark. 


NURTURE. | 
Painted by H. Singleton. Publish’d Feby 1. 1793 by 
C. Knight & W. Bond No 15 Poland Street London.. 
Superb impression with the inscription; printed in: 
colors. The margin trimmed to the plate-mark. 

JOSEPH GROZER. 
1755-about 17098. 
THE AGE OF INNOCENCE. 


Painted by Sir Joshua Reynolds. Impression with the 
inscription. The margin trimmed to the engraved 
border except at the bottom, where it shows the artists” 
names. 


59 


B. GRANGER. 


332 THE GIPSY FORTUNE TELLER. 
Drawn by T. Stothard. London Published Deer 14 
( ke 1795, by B. Granger, 23, Wood street Mr Jeffereyes, 
ub Printseller, Ludgate Hill and West, 15. Paternoster 
(ve Row. Beautiful open letter proof printed in colors. 
MN With margin lacking the plate-mark. 


C. GUISAN. 


3338 LORENZO CIPRIANI. 
Drawn by P. Violet. [Two lines of text.] Publish’d 
5 “ Decr. 24. 1791 by I. F. Tomkins No 49 New Bond Street. 
Very fine impression with the inscription; printed in 
bistre. With untrimmed margin (deckel edges). 


WILLIAM HAMILTON. 
1751-1801. 


An historical painter born of Scottish parentage in Chelsea. When 
very young he accompanied A. Zucchi to Italy, and after a residence of 
some years at Rome he returned to England and soon distinguished him- 
self as a painter. 


334 THE ANTIENT ENGLISH WAKE. 
Engraved by J. Chapman. [Fourteen verses.| Pub- 
cua lish’d May 10th 1794, by Thos Macklin Poets Gallery, 
Fleet Street, London. Superb impression with the in- 
scription; printed in dark bistre. With very large 
margin. 


335 APPLE GATHERERS. HOP PICKERS. 


pies Engraved by J. Barney. London publish’d June Ist; 
33 1787 by W. Dickinson Engraver, Bond Street. Very 
fine impressions with the inscriptions; printed in bistre. 

With margin showing the plate-mark. (2) 


336 AS YOU LIKE IT. 


ii Engraved by I. P. Simon. Publish’d Sepr 29; 1791. 
Kee a by John & Josiah Boydell at the Shakspeare Gallery 
A _ Pall Mall & No 90 Cheapside. Superb impression with 
b. : the inscription ; printed in colors. With large margin. 


60 


PEDLAR 


(oe) 
Loe) 
ST 

ae a 

a & 

CaS 

wo ea 

wo 
fea Sod 
Sc 
5s 
ne 

Qo, 

= 

(s, 

O 


THE YOUNG 


> 
fx] 
Zz 
aa 
< 
aa) 
ae 
oa 
(x) 
fH 
fo 
< 
s 
< 
So) 
~ 
< 
©) 
ES 


pritinntcetiyPencv tee Meer Moby 


337 THE BLACKBERRY GATHERER. 


Engraved by A. Foge. Published as the Act directs 
| ies Dec. 24 1799 by A. Fogg No 50 New Bond Street & 
Testolini 73 Cornhill. Fine open letter proof. The 
margin trimmed to the engraved surface at the top and 
sides, at the bottom only the lower part of the title is 
lost. 
Companion to No. 338. 


338 THE COWSLIP GATHERER. 


lo — Engraved by A. Fogg. In the same condition and state 
as the foregoing. 
Companion to No. 337. 


339 DIANA. 
Engraved by Facius. Publish’d Augt. Ist 1788, by 


(oe John & Josiah Boydell No 90 Cheapside London. 
pene paper impression with the inscription; printed in 
bistre. With very large margin. . 


Companion to No, 341. 


340 THE SHEPHERDKESS, (portrait of Elizabeth Gunning, 
Dutchess of Hamilton). 
Aoe Engraved by I. Eginton. Very fine impression, prob- 
ably with the inscription; printed in colors. With 
small margin leaving only one inch at the bottom. 


341 HEBE. 
Engraved by Facius. Publish’d Augst 1st 1788 by 
oe John & Josiah Boydell, No 90 Cheapside. London. 
x Superb impression with the inscription; printed in 
Jb.” bistre. With very large margin. 


Companion to No. 339. 


342 LEAP FROG. 


- Engraved by Delatre(?) Very fine impression printed 
AS in colors. With margin trimmed closely to the en- 
oy ; graved oval border. Mounted on a French mat. 


343 HEBE. 


2, Engraved by I. Eginton. Very fine impression, prob- 
a) py ably with the inscription; printed in colors. With 
small margin at the bottom, just enough to show the 


qu? : artists’ names. 


61 


344 


JANE GREY RENOUNCING THE CROWN. 
Engraved by John Ogborne. Pub. Octr 1st 1789 by 
J. Thane Rupert Street Hay Market Superb proof 
before letters. With untrimmed margin (deckel edges). 

Companion to Nos. 345-346. 


JANE GREY COMMITED TO THE TOWER. 
Engraved by Mary Ogborne. London Pubd May, 1, 
1789 by John Thane Rupert Street Hay Market. 
Superb proof before letters with very large margin. 

Companion to Nos. 344-346. 


JANE GREY GOING TO HER EXECUTION. 
Engraved by John Ogborne. London Pubd June 1 
1788 by John Thane Rupert Street. Hay Market. 
Superb proof before letters. With very large margin. 

Companion to Nos, 344-345, 


THE MASQUERADE. 

Engraved by W. Nutter, Published Jany 1st 1793, by 
EK. M. Diemar No 114 Strand London. -Superb impres- 
sion with the inscription; printed in bistre. With 
large margin. 


SIR THOMAS MOORE. 

Engraved by R. Meadows. Pub Octr 1 1789 by J. 
Thane, Rupert Street. Hay Market. Very fine proof 
before the title but with the artists’ names and the 
publication line in traced letters. With large margin. 


MUCH ADO ABOUT NOTHING. 
Engraved by P. Simon. Published June 4th 1790 by 
John & Josiah Boydell at the Shakspeare Gallery Pall 
Mall & at No 90 Cheapside London. Superb impres- 
sion with the inscription; printed in colors. With 
large margin showing the plate-mark. 


PALLAS AND ULYSSES. 
Engraved by J. J. Van Den Berghe. Very fine impres- 
sion with the inscription; printed in colors. With large 
margin. The publication line erased from the impres- 
sion. 


PRIAMS PRAYER ON HIS 

THE GRECIAN CAMP. | 
Engraved by A. Fogg. London Pubd as the Act 
directs, May 15. 1801, by A. Fogg No 55 New Bond 
Street. Magnificent impression with the inscription; 
printed in colors. With large margin. 


62 


DEPARTURE FOR 


SPRING. WINTER. 
Engraved by A. Zaffonato. 
scriptions. With small margins lacking the plate- 


marks. The upper parts of the engraved ovals have 
been cut off and the inscriptions are lost. Co) 


Impressions with the in- 


A VISIT TO CHLOE. 


Engraved by T. Gaugain. Pub: Jan: 1 1789 by I. 
White No 38 Tavistock Street, Covent Garden London. 
Very fine impression with the inscription; printed in 
colors. With large margin showing the plate-mark 
at the top and bottom, but trimmed closely to it at 
the sides. 

Companion to No. 354. 


A VISIT TO PUSS. 


Engraved by T.. Gaugain. In the same condition and 

state as the foregoing. This and the foregoing are a 

charming pair of Hamilton’s children scenes. 
Companion to No. 353. 


THE WATERCRESS GIRL. THE REAPER. 


Engraved by F. Bartolozzi. Magnificent proof before 
all letters with large margins showing the plate-mark 
at top and sides. A most charming pair and very 
scarce in such fine condition. (2) 


63 


THIRD SESSION 
Wednesday Evening, January 10, 1917, at 8:15 o’clock 
LOTS 356-510 


ROBERT HANCOCK. 
7731-1637. 
He was employed in the pottery works at Battersea, where he pos- 


sibly learned engraving from Brooks or Fry. His as are worked 
either in mezzotint or stipple. 


356 THE REVD. EDWD. BURN. 
5 oe After the engraver’s own drawing. London publish’d 
May 15. 1805 by R. Hancock No 22 Pall Mall. Very 
fine proof with the inscription; printed in colors. With 
Py pit margin showing the plate-mark. 


357 MR. RAUZZINI. 
, Painted by I. Hutchinson. Bath Publish’d as the 
5 Acts directs Feby 1st 1800. Very fine impression 
with the inscription; printed in colors. With margin 
4p - showing the plate-mark. 


J. HARDY. 


An English portrait painter and engraver who flourished about the 
end of the XVIIIth century. 


358 JOSEPH BARETTI. Secretary for Foreign Corre- 
spondence to the Royal Academy. 


Dur Painted by Sir J. Reynolds. Very fine impression with 
the inscription; printed in bistre. With margin show- 
ing the plate-mark. 


359 EDMUND BURKE ESQ. 


Painted by Sir J. Reynolds. Pubd March 1791 by 

a I. Eginton North Audley Street. & I. F. Tomkins New 

3 yy Bond Street. Very fine impression with the inscrip- 

tion; printed in bistre. With the margin lacking the 

P| plate-mark at the bottom and trimmed closely to the 

ys) 7 engraved surface at top and sides. Remargined with 

R modern paper. 

A VERY SCARCE PLATE, 


64 


Cc 


~~ 


PIT 


SCN 


ROk 


Pr 
Li 


THE BROKEN PITCHER 


—_BOPPNER 


385] 


[NUMBER 


DRAWN AND: ETCHED BY: J 


R. B. HARRADEN. 


A draughtsman and engraver who practised in the first half of the 
XIXth century. He engraved in aquatint four of Girtin’s views of 
Paris, which work gave to Turner the idea of his Liber Studiorum. 


360 MOTHER’S DARLING. 


Yeerks Drawn by Emma Smith. Very fine impression with 

a the inscription; printed in colors. With margin show- 

¥ yf ing the plate-mark at the top and sides, at the bottom 
it is lost with the title. 


INIGO HARRIS. 


361. THE MERRY STORY. 


hey Drawn by J. R. Smith. [Six verses.] London Pub- 
4 lish’d Apr 2 1802 by I. Harris, No 3 Sweetings Alley 
pyr’ Cornhill & 8 Old Broad street. Fine impression with 
p the inscription. With untrimmed margin (deckel 
edges). 
Companion to No. 362. 


362 THE SAD STORY. 


Drawn by H. Bunbury. London. Publish’d Aprl 2 
1802 by I. Harris No 3 Sweetings Alley Cornhill & 8 
Old Broad Street. Fine impression with the inscrip- 
tion. With untrimmed margin (deckel edges). 
Companion to No. 361. 


ee 


363 THE SONGSTRESS. 


Painted by H. Bunbury. [Two verses.| London Pub- 
y —  lish’d Apl 5. 1802. by Ino Harris No 3 Sweetings Alley, 
Cornhill & 8 Old Broad Street. Fine impression with 
gw” the inscription. With untrimmed margin (deckel 
edges). 


FRANCIS HAWARD. 
1759—1797- 

An English engraver. He entered the school of the Royal Academy in 
1776, and was elected an Associate Engraver in 1783. Amongst his 
best works are ‘‘The Infant Academy,’’ 1783, and ‘‘George IV when 
Prince of Wales,’’ 1793. 


364 THE INFANT ACADEMY. 


Painted by Sir Joshua Reynolds. Superb proof be- 
fore letters printed in red. With very large margin. 


gi’ 65 


Pad 


365 HIS ROYAL HIGHNESS GEORGE PRINCE OF 


yy 
cyt 


WALES. 


Painted by Sir Joshua Reynolds. [Two lines of text. ] 
London Published Jany 18 1793 by Francis Haward 
No 29 Marsh Street, Lambeth, near the Turnpike. 
Very fine impression with the inscription; printed in 
colors. With small margin lacking the plate-mark and 
the publication line. The inscription space has been 
folded and pressed out. 


366 ANOTHER IMPRESSION OF THE SAME. 


ie 


yy 


tad 


Historical engraver. 


Very fine open letter proof; printed in bistre. With 


large margin. 


JAMES HEATH. 
1757-1834. 
He was apprenticed to Joseph Collyer. His 


works are numerous and his earlier productions are much esteemed. He 
was elected an Associate Engraver of the Royal Academy in 1791 and 
was appointed Engraver to the King in 1794. 


367 PORTRAIT OF THE ARTIST. 


[ec 
HU 


368 


Engraved in stipple by Picart after Chinney. 
fine proof before all letters. 
the plate-mark. 


Very 
With margin showing 


JAMES HEATH A.R. A. 


Engraved in Mezzotint by S. W. Reynolds after T. 
Kearsley. London, Published Jan. 1, 1796 by J. Man- 
son, Pall Mall No 6. Good impression. With the 
margin trimmed to the plate-mark. 


LADY BAKER. 


Painted by Sir J. Reynolds. Very fine proof with the 
artists’ names only. With very large margin. The 
ornamental border of the portrait of Limnzus by 
H. Meyer, from which the portrait has been cut out, 
is used as a passepartout. 


ERASMUS DARWIN. 


Painted by J. Rawlinson. [Four verses.]| London, 
Published May 14 1804 by J. Norman, No 441 Strand. 
Very fine open letter proof, with margin lacking the 
plate-mark. 


MRS. JORDAN. 


Engraved after his own design. Very fine proof be- 
fore all letters, with large margin. 


66 


THE DUCHESS OF DEVONSHIRE AND VISCOUNTESS DUNCANNON 
W. DICKINSON AFTER A. KAUFFMANN 


NUMBER 417 


MRS. JORDAN. 


From an Original Picture Published Feby 2d 1787, by 
S. Watts No 50 Strand. Very fine impression with 
the inscription ; printed in colors. With margin lack- 
ing the plate-mark. 


Mk. LOYD OF PORTSMOUTH. 


Superb proof before all letters; printed on India paper. 
With large margin. 
From the collection of the Rev. J. Burleigh James, M.A. 


THOMAS MORTON ESQ. 


Painted by J. R. Smith. Published Jany 1st 1804 by 
J. Heath, 15 Russell Place Fitzroy Square, and I P. 
Thompson, Great New Port Street, London. Very fine 
impression with the inscription ; printed in colors. With 
the margin trimmed to the plate-mark. 


PHILANTHROPY DISPENSING HER BENEFITS 
TO SOCIETY. 


Drawn by Mather Brown. Very fine impression with 
the inscription; printed in colors. With margin lack- 
ing the plate-mark and the publication line. The title 
printed from a separate plate. 


SIR JOHN WILLES. Chief Justice of the Common 
Pleas. 

Painted by T. Gainsborough. Superb proof with the 

artists’ names and the coat-of-arms only traced with 

the needle. With large margin, but trimmed closely 

to the plate-mark. The publication line is missing. 


HENRI. 


PSYCHE GOING TO DRESS. 


Drawn by I. G. Cipriani. London Published by Tessari 
& Co Pall Mall. Impression with the inscription; 
printed in colors. With margin trimmed to the plate- 
mark. A tear in the inscription space repaired. 


W. HESELTINE. 
PLEASURE. 


Drawn by I. B. Cipriani. London Published July 1st 
1801. by M. Bovi. No 12 Piccadilly. Superb impression 
with the inscription; printed in colors and touched up 
with the brush. With large margin. 


67 


KARL ERNST CHRISTOPH HESS. 
1755-1828. 


Engraver born in Darmstadt in 1755. He worked in Munich and died 
there in 1828. 


379 RUBENS AND HIS FIRST WIFE. Rubens et sa 


ie 
bY 


gy 


premiere femme. 

Painted by Rubens. [Two lines of dedication.] [Ch. 
Leblane 22] In Monsr Pigage’s Catalogue of the 
Dusseldorf Gallery, this subject is No 286. Publish’d 
July lst 1797 by V. & R. Green No 14 Perey Street 
London. Very fine impression with the inscription; 
printed in colors. With margin showing the plate- 
mark. Laid down on cardboard. 


WILLIAM HINCKS. 


An Irish painter and engraver born in the middle of the XVIIIth cen- 
tury. He went to London and occasionally exhibited portraits, historical 
subjects, and miniatures at the Royal Academy. 


380 DR. HUSSEY. 


aot 


ye 


Painted by F. Collopy. Publish’d as the Act directs, 
by Ty Collopy, No 4, Little Maddox Street. Hanover 
Square. Jany 1788. Very fine proof before letters. 
The margin trimmed closely to the plate-mark. 


JACOB HOGG. 


An English engraver who flourished in the latter half of the X VIIIth 
century. There are several plates in the dotted manner by him after A. 
Kauffman, Kirk, and others. 


381 THE HAND MAID. 


Bsa 


, 
. 
a 


Painted by H. Walton. London Publish’d Deer. 7th 
1785 by J. R. Smith No 83 Oxford Street. Superb im- 
pression with the inscription but before the verses; 
printed in bistre and delicately colored by hand. With 
large margin. In 1-inch ornamented mahogany frame 


with offset corners. 
Companion to No. 693. 


WILLIAM HOLL. 
1771-1838. 


English engraver who studied under Benjamin Smith and was em- 
ployed in this capacity by the British Museum. 


382 HIS MOST GRACIOUS MAJESTY GEORGE IV. 


] a 


Drawn by A. Wivell. [Three lines of dedication. ] 
Published March 1829 by W. Sams, Royal Library 1. St 
James’s Street. Very fine impression with the inscrip- 
tion; printed on India paper. With large margin. 


68 


383 HIS ROYAL HIGHNESS THE DUKE OF CLAR- 
ENCE. 
! Drawn by A. Wivell. Published March 1829 by W. 
WF! Sams. Royal Library, 1. St James’s Street. Very fine 
: open letter proof; printed on India paper. With large 
margin. 


JAMES HOLMES. 
1777-2 


Painter and engraver, born in 1777. He had a large practice and was 
a great favorite with George IV. 


384 GEORGE FOX Attat 30. Founder of the Sect of the 
Pe People called Quakers. 

14 ees Painted by Honthorst. Published May 1799 by T. C. 
Rickman No 7 Upper Marylebone Street, London, as 
the Act directs. Fine open letter proof. With margin 
showing the plate-mark. 


JOHN HOPPNER. 
1758-1815. 


English engraver, better known as a painter and a pupil of Reynolds. 
His engravings are very scarce and are seldom offered for sale. 


385 THE BROKEN PITCHER. 


Etched after his own design and finished in aquatint by 
al EK. Jukes. Superb impression with the inscription; 


J23 printed in bistre. With margin, but lacking the plate- 
“XK LH mark and the publication line. Or THE GREATEST 
RARITY. 


(See Illustration.) 


JAMES HOPWOOD. 
1752-18109. 
A self-taught engraver who went to London in 1797 and worked with 
James Heath. 


386 THE RIGHT HONble THOMAS LORD ERSKINE. 
Painted by A. Robertson. [Two lines of titles and 
150: three lines of dedication.] London published June 


28th 1806 by John Wallis No 188 Strand. Superb im- 
pression with the inscription; printed in colors. With 
margin showing the plate-mark. 


69 


JEAN BAPTISTE HUET. 
1745-1811. 
Celebrated French painter whose skill with the graver was considerable. 


ALEXANDRE CHAPONNIER. 
1753-1824. 


A Swiss engraver born at Geneva. He settled in Paris and executed 
in the dotted manner many mythological and fancy subjects. 


387 FAMILLE DE CAMPAGNE. 
4- Painted by Stothard. Engraved by Huet. Fine im- 
: pression with the inscription. With margin, showing 
OO a the plate-mark, but lacking the publication line. 
Companion to No. 388. 


388 FAMILLE DE VILLE. 


ps Painted by Stothard and Chaponnier. In the same 
b state and condition as the foregoing. 
- Companion to No. 387. 


WILLIAM HUMPHREY. 
1740-1795. 


An engraver in mezzotint and stipple who worked in London after 
Reynolds. 


389 THE SLIGHT RESISTANCE. 
Drawn by Bonnet. London Pubd as the Act directs 
pede? ces Jan. 28 1785 by W. Humphrey. Very fine proof before 
: letters, with small margin lacking the plate-mark. 


JOHN JONES. 
1740-1797. 
Celebrated engraver whose works in mezzotint and stipple are highly 


appreciated. He practised in London and was appointed engraver to 
the Prince of Wales and the Duke of York. 


390 EMMA (Lady Hamilton). 


Painted by G. Romney. London Pub. as the Act di- 

7° af rects. Decr. 29. 1789 by J. Jones No 65 Grand Portland 

Street, Marylebone. Nice impression with the inscrip- 

3 tion; printed in bistre and colored by hand. With 

A, pets margin showing the plate-mark. Not an early impres- 
sion. 


70 


(61) uaaWan| 


NNVWAANVYA “V UALAV LHOINA ‘O 
VuOdISNN GNV NOWVd 


FELICE SN 2G AOE 


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= : ¥>% z Cn 
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wo 
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MUSCIPULA. 


Painted by Sir Joshua Reynolds. [Five lines of text 
and dedication in French and in English.] London 
Publish’d as the Act directs March 10th 1786 By J. 
Jones. No 63 Great Portland Street, Marylebone. Fine 
impression with the inscription. With large margin. 


ROBINETTA. 
Painted by Sir Joshua Reynolds. [Four lines of dedi- 
cation.| London Publish’d as the Act directs March 


24th 1787, by J. Jones. No 63 Great Portland Street. 
Marylebone. Very fine impression with the inscription. 
With large margin. 


SERENA (Honora Sneyd). 


Painted by G. Romney. Pubd as the Act directs, 
March 1. 1790, by J. Jones No 75 Great Portland Street. 
Very fine impression with the inscription; printed in 
sepia. With margin, but lacking the plate-mark. In 
2-inch ornamented oak frame. 


LORD SHEFFIELD. 


Painted by Sir Joshua Reynolds. Publish’d as the Act 
directs, April 6 1789, by J. Jones No 75 Great Portland 
Street. Very fine impression with the inscription and 
with margin showing the plate-mark. 


SYLVIA (Lady Ann Fitzpatrick). 


Painted by Sir Joshua Reynolds. Published as the Act 
directs, Nov 1. 1791, by J. Jones No 75 Great Portland 
Street. Superb impression with the inscription. With 
untrimmed margin. 


CHRISTIAN JOSI. 


?-1828. 


A Dutch engraver who came to London in 1791 with a travelling 
scholarship and worked for five years under J. R. Smith. 


396 


eo 


INNOCENT REVENGE. 


Painted by R. Westall. Very fine impression with the 
inscription. With margin, lacking the plate-mark and 
the publication line. 


71 


M. A. ANGELICA KAUFFMANN. 
1741-1807. 
Celebrated painter born in Switzerland. At an early age she attained 
great proficiency in music and languages, and showed a marked disposi- 


tion for painting, in which she was instructed by her father. She was 
one of the original members of the Royal Academy. 


397 PORTRAIT OF A. KAUFFMANN. 


Line engraving by Morace after Sir Joshua Reynolds. 
th - Superb proof before all letters. With margin showing 
the plate-mark at the top, bottom and left side, but 
gor” trimmed closely to it on the right side. 
- With a collector’s mark, Fagan No. 381. 


398 PORTRAIT OF A. KAUFFMANN. 


ve Stipple and line engraving by J. F. Bausse after 

ye Moeglich. Very fine impression with the inscription ; 

tts printed in brown. With margin lacking the plate- 
er mark and the publication line. 


399 ANGELICA KAUFFMANN WITH THE MUSE 
CLIO. 
Be Engraved by Thomas Burke. Publish’d Jany 5th 1787. 
by by Thos Burke No 5, Great College Street, West- 
minster. Superb open letter proof; printed in bistre. 
With large margin. 


400 ABELARD OFFERING HYMEN TO ELOISA. 
Engraved by John Ogborne. London. Publish’d March 
py) — 25 1785, by the proprietor J. Thane Rupert Street, Hay 
Market.—Se vend a Paris chez Basan et Poignant rue 
4A, et Hotel Serpente. A.P.D.R. Superb impression with 
Ay. ©: the inscription ; printed in reddish brown. With margin 
showing the plate-mark at the bottom only. 


401 AGLAIA BOUND BY CUPID—Aglaia enchaine par 
]’Amour. 


~ Engraved by Scorodomoff. Publish’d according to the 

act. May lst 1778 by H. Bryer St Martins Lane. 
. Superb open letter proof; printed in red. With margin 
Ay ®. trimmed just to the plate-mark. 


402 ANGELICA. 


Engraved by F. Bartolozzi. F. Vivares excudit. Tuer 

15 No. 1620. Impression with the inscription. The mar- 
gin trimmed closely to the oval, showing only the 
artists’ names. Inlaid to quarto size. 


72 


gore 


we ; 


<itke BATRA PO eMac nscrapad : 
Se ARE dati P 


Mare. 


¥ 
% 
7 
3 
& 


On uonies 


rare 


SYATAR 


easy, 


at 


THE FAIR ALSACIEN 


BARTOLOZZI AFTER A 


. KAUFFMANN 


NUMBER 429 


iy 


| 


ig 


403 


THE BATHERS. 


Engraved by F. Bartolozzi. Publish’d July 27th 1785 
by I. M. Diemar. No 114 Strand. Tuer No. 1350 bis. 
Very fine proof before letters; printed in bistre. With 
margin trimmed to the plate-mark. 


THE BIRTH OF SHAKESPEARE. 

Engraved by F. Bartolozzi. [Eight verses and two 
lines of dedication.| Published as the Act directs 
Feby Ist 1782 by A. Poggi. No 4 Orchard Street Lon- 
don. Tuer No. 276. Fine impression with the inscrip- 
tion; printed in red. With small margin lacking the 
plate-mark. 


THE TOMB OF EMMA CORBET. 

Engraved by Thos Burke. Fine impression with the 
inscription; printed in bistre. With margin trimmed 
to the engraved surface and inlaid to quarto. 


CUPID BINDING AGLAIA TO A LAUREL. 
Engraved by Thos Burke. Publish’d Nov 21st 1784 
by T. Burke, No 3 Barton Street Westminster. Very 
fine impression with the inscription; printed in red. 
With margin trimmed almost to the engraved border. 

Companion to No. 410. 


ANOTHER IMPRESSION OF THE SAME. 
Very fine open letter proof; printed in bistre. With 
margin trimmed to the plate-mark. In 3-inch gilded 
oak frame. 
Companion to No. 411. 


CUPID BOUND TO A TREE. 

Engraved by F. Bartolozzi. Tuer No. 1442 bis. Very 
fine impression; printed in red. The margin trimmed 
to engraved border and inlaid to folio. 


CLIPPING CUPID’S WINGS (?) 
Engraved by T. Burke. Very fine impression; printed 


in colors. With the margin trimmed to the engraved 
border. 


CUPID DISARM’D BY EUPHROSINE. 
Engraved by T. Burke. Published Nov 21st 1784 by 
T. Burke, No 3 Barton Street Westminster. Very fine 
impression with the inscription; printed in red. With 
margin trimmed nearly to the engraved border. 
Companion to No. 406. 


73 


ANOTHER IMPRESSION OF THE SAME. 
Engraved by T. Burke. Very fine open letter proof; 
printed in bistre. The margin trimmed to the plate- 
mark at the sides but showing it at top and bottom. In 


38-inch gilded oak frame. 
Companion to No. 407. 


CUPID DISARMED BY THE GRACES. 

Engraved by G. Scorodomoff. Published according to 
Act of Parliament March 31, 1777 by H. Bryer, St 
Martin’s Lane London. Very fine impression with the 
inscription; printed in red. With margin showing the 
plate-mark. A teas stain in the lower margin care- 
fully erased. 


CUPID AND NYMPHS. 

Engraved by W. W. Ryland. Very fine impression; 
printed in bistre. With the margin trimmed to the 
engraved border. 


CUPID SLEEPING. 


Engraved by W. W. Ryland. Impression with the in- 
scription; printed in two tints and touched up with 
the brush. The margin trimmed almost closely to the 
circular border, only showing the artists’ names. In 
l-inch ornamented gold frame. 


HONble ANNE DAMER. 
Engraved by T. Ryder. London. Publish’d as the Act 
directs Feby 1st 1792 by S. Watts. No 9 Kennington 
Cross Lambeth. & to be had at T. Ryder, No 43 Great 
Titchfield St. Very fine open letter proof with margin 
showing the plate-mark. 


THE DANCING NYMPHS. 
Engraved by J. M. Delatre. Fine open letter proof; 
printed in bistre. With margin trimmed to the en- 
graved surface except at bottom, where it shows the 
title. Inlaid to quarto size. 


HER GRACE THE DUTCHESS OF DEVONSHIRE 
AND VISCOUNTESS DUNCANNON. 
Engraved by W. Dickinson. London Published Novr. 
20th 1782 by W. Dickinson, Engraver & Printseller, 
No 158 New Bond Street. Impression with the inscrip- 
tion. The margin trimmed to the plate-mark and the 
lower left corner repaired. 
(See Illustration.) 


ANOTHER IMPRESSION OF THE SAME. 


Very fine open letter proof; printed in reddish brown. 
With margin just showing the plate-mark. 


74 


49° 


A25 


yo 
4s 


DAMON AND MUSIDORA. 
Engraved by C. Knight. Superb impression with the 
inscription; printed in colors. With margin but lack- 
ing the plate-mark and the publication line. 
(See Illustration.) 


DAMON AND DELIA. 
Engraved by F. Bartolozzi. (Four verses.) Publish’d 
Octr. 10th 1780 by Francis Vivares Great Newport 
Street London. Tuer No. 214. Very fine impression 
with the inscription; printed in colors. With large 
margin showing the plate-mark. 


From a collection marked with a dry-stamp unknown to 
Fagan. 


DESIGN. 
Engraved by F. Bartolozzi. Tuer No. 29. Impression 
with the inscription; printed in bistre. The margin 
trimmed to the engraved border, just showing the 
artists’ names at the bottom. Inlaid to folio. 
Companion to No. 447. 


ELOISA. 
Engraved by W. W. Ryland. (Two verses.) Pub- 
lished Nov. 28. 1779 by W. W. Ryland No. 159 Strand, 
London. Superb impression with the inscription; 
printed in reddish brown. With large margin. 


ERATO. 
Engraved by Kirk. [Four verses.] Published April. 
1. 1794, by A. C. de Poggi, No 91 New Bond Street, 
London. Very fine impression with the inscription ; 
printed in colors. With large margin. 
Companion to No. 458. 


ERMINIA. 

Engraved by J. K. Sherwin. Macklin excudit. [Four 
verses and two lines of dedication.] London Publ. 
Augt 20 1781, by Thos Macklin. No. 39, Fleet Street. 
Very fine impression with the inscription; printed in 
reddish brown. With margin showing the plate-mark. 


Pea LE. 
Engraved by W. W. Ryland. [Two verses.] Publish’d 
April 2d 1776 by W. W. Ryland Engraver to his 
Majesty, No, 159. Strand London. Very fine impres- 
sion with the inscription; printed in red. With margin 
trimmed to the plate-mark. 


75 


FATIMA, THE FAIR SULTANA. 
Engraved by F. Bartolozzi. Pubd. Deer. 14th 1799, 
by J. Walker, No 28 Hay Market. Tuer No. 1317. 
Superb proof before letters; printed in red. With large 
margin. 


THE FAIR ALSACIEN. 
Engraved by F. Bartolozzi. Publish’d as the Act di- 
rects. April 14 1779, by J. Walker Carver and Gilder, 
No 148 near Somerset House, Strand. Tuer No. 1359. 
Superb impression with the inscription; printed in red. 
With large margin. 


ANOTHER IMPRESSION OF THE SAME. 
Published as the act Directs April ye 14 1779 by F. 
Bartolozzi No 1 Bentinck Str. Berwick Str. Soho. 
Superb proof with the inscription in traced letters; 
printed in red. With margin trimmed to the plate- 
mark. 


ANOTHER IMPRESSION OF THE SAME. 


Magnificent proof before letters; printed in colors. 
With margin showing the plate-mark. 


(See Illustration.) 


THE FINE ARTS. 


Engraved by F. Bartolozzi. Pubd Augt. 6th, 1782 by 
Ay. Poggi. Tuer No. 996. Superb proof before the 
title but with the artists’ names and the publication 
line in traced letters; printed in bistre. With un- 
trimmed margin (deckel edges). 


GRISELDA. 

Engraved by F. Bartolozzi. Tuer No. 226. Impression 
with the inscription; printed in bistre. The margin 
trimmed almost to the engraved border, but showing 
the artists’ names at the bottom. Inlaid to folio. 


With two collectors’ marks: ‘‘B. J.’’ in ornamented circle 
and ‘‘SV’’; both unknown to Fagan. 


LOUISA HAMMOND. 
Engraved by F. Bartolozzi. Published according to 
Act of Parliament 15th Septbr 1781 by Mrs Vivares 
London. Tuer No. 1667. Superb proof with the 
artists’ names and the publication line only in traced 
letters; printed in red. With large margin. 


76 


Sec oe 


RS 
< 


s 
cs K 
RES 
ee 


NE eens 


THE MARCHIONESS OF TOWNSHEND 
T. CHEESMAN AFTER A. KAUFFMANN 


NUMBER 465 


433 


roland 
436 


es as 


3. 


437 


6 Aaa 
jor 


438 
es 


ae 


439 


4b 


THE HONble ELIZABETH VERNON COUNTESS 
OF HARCOURT. 


Engraved by C. Ruotte. Impression with the inscrip- 
tion; printed in red. With small margin lacking the 
plate-mark and part of the inscription. 


HARMONY. 


Engraved by T. Bettelini. Publish’d as the Act di- 
rects. May 15. 1785. by Torre & Co No 28 Hay Market. 
Superb impression with the inscription; printed in 
colors. With very large margin. 


THE LAST INTERVIEW OF HECTOR AND 
ANDROMAQUE. 


Engraved by Schiavonetti. Fine impression with the 
inscription; printed in colors. With margin lacking 
the plate-mark and the publication line. 


INDUSTRY ATTENDED BY PATIENCE and as- 
sisted by Perseverance is crowned by Honour and 
rewarded by Plenty. 


Engraved by G. 8. & I. G. Facius. John Boydell ex- 
cudit. Published March 25th 1779 by John Boydell, 
Engraver in Cheapside. London. Very fine impres- 
sion with the inscription ; printed in colors and touched 
up with the brush. With large margin. 


JUNO CESTUM A VENERE POSTULAT. 


Engraved by Guilielmus Wynne Ryland [two lines of 
dedication]. Published Jan. 1st 1777, by the proprietor 
No 159 near Sommerset House in the Strand. Fine 
impression with the inscription; printed in red. With 
margin trimmed to the plate-mark. A small tear in 
the inscription space and other small repairs. 


JUPITER AND CALISTO. 


Engraved by T. Burke. Very fine impression; printed 
in colors. With margin trimmed to the engraved 
border. 

Companion to No. 445. 


THE JUDGMENT OF PARIS. 


Engraved by W. W. Ryland. Impression in red, with 
the margin trimmed to the engraved border. 


17 


446 
Srratonrd 
447 


A ee 


1,493 


THE JUDGMENT OF PARIS. 

Engraved by F. Bartolozzi. London Publish’d as the 

Act directs 30 July 1788, by S. Watts No 28 Walcot 

place Lambeth. Tuer No. 1501. Superb open letter 

proof; printed in bistre. With very large margin. 
Companion to No. 472. 


ANOTHER IMPRESSION OF THE SAME. 

Tuer No. 1501. Magnificent proof before all letters; 
printed in red. With very large margin showing the 
plate-mark. 


LUDIT AMABILITER. 
Engraved by W. W. Ryland. Publish’d May I2a779 
for the Proprietor No 159 Strand London Se vend a 
Londres chez les freres Torri. Marchands d’Estampes. 
Very fine impression with the inscription; printed in 
red. With large margin trimmed closely to the plate- 
mark. 


ANOTHER IMPRESSION OF THE SAME. 


Superb proof before letters; printed in red. With very 
large margin. 


MARIA OF MOULINES. , 
Engraved by W. W. Ryland. Published April 12 177 9 
by W. W. Ryland London. Superb open letter proof ; 
printed in red. With large margin. 


ORPHEUS AND EURYDICE. 
Engraved by T. Burke. Very fine impression ; printed 
in colors. The margin trimmed to the engraved border. 
Companion to No. 438. 


AN OFFERING TO LOVE—U’Offrande a |’ Amour. 
Engraved by G. Scrodomoff. London Publish’d ac- 
cording to Act of Parliament March 10th 1778 for the 
proprietor No 159 Strand. Very fine impression with 
the inscription; printed in colors. With large margin. 


PAINTING. 
Engraved by F. Bartolozzi. John and Josiah Boydell 
execudit 1787. Tuer No. 176. Impression with the 


inscription; printed in bistre. With the margin 
trimmed to engraved border, just showing the artists’ 
names at the bottom. Inlaid to folio. 

Companion to No, 421. 


78 


448 


453 


os ame 


Somer” 


454 
i 


455 


[se x. 


PENELOPE TAKING DOWN THE BOW OF 
ULYSSES. 
Engraved by J. Ryder. 
names only in traced letters; printed in bistre. 
very large margin. 


PAINTING. 

Engraved by H. Sintzenich. Published according to 
Act of Parliament June 1779. Superb proof with the 
inscription in traced letters; printed in red. With 
small margin lacking the plate-mark. 


PRUDENCE. 

Engraved by G. Scorodomoff. London: printed for 
R. Sayer and J. Bennett No 53 in Fleet Street, as 
the Act directs 20 Feb 1777. Very fine impression 
with the inscription; printed in red. With margin 
trimmed to the plate-mark. 


RELIGION. 
Engraved by F. Bartolozzi. Tuer No. 2036. Impres- 
sion with the inscription; printed in red. With small 
margin lacking the plate-mark. The title and the publi- 
cation line are lost. 


THE BEAUTIFUL RHODOPE IN LOVE WITH 
AEHSOP—La belle Rhodope amoureuse d’Aesope. 
Engraved by F. Bartolozzi (three lines of text in Eng- 
lish and in French). See the history and amours of 
Rhodope, sold by E. M. Diemar No 377 in the Strand. 
Very fine impression with the inscription; printed in 
colors. With small margin lacking the plate-mark and 

the publication line. 


HER GRACE THE DUTCHESS OF RICHMOND. 
Engraved by W. W. Ryland. Publish’d Novr the 21st 
1775 By the Proprietor No 159 near Somerset House 
Strand. Very fine impression with the inscription. 
With large margin. 


ANOTHER IMPRESSION OF THE SAME. 
Beautifully printed in red, the margin trimmed to 
the engraved border. In 2-inch oval mahogany frame 
with gilded ornaments. 


Superb proof with the artists’ 
With 


LADY RUSHOUT AND HER DAUGHTER. 


Engraved by T. Burke. Very fine impression; printed 
in bistre. The margin trimmed to the engraved oval 
surface. Remargined. In 11-inch gold frame with bow- 
knot. 

19 


461 


SAPPHO. 

Engraved by G. W. Ryland. Impression with the 
inscription; printed in red. The margin trimmed 
almost closely to the engraved border, just showing 
the artists’ names at the bottom. 


SAPPHO. : 
Engraved by Pye. Published July 1st 1774 by John 
Boydell Engraver in Cheapside London. Very fine 
impression with the inscription ; printed in red. With 
very large margin. 


SAPPHO. 
Engraved by Kirk. [Four verses. ] Published Apr. 1. 
1794 by A. C. de Poggi, No 91 New Bond Street, 
London. Very fine impression with the inscription ; 
printed in colors. With margin showing the plate- 
mark. . 

Companion to No, 423. 


SAPPHO, INSPIRED BY LOVE, COMPOSES AN 
ODE TO VENUS. 

Engraved by G. 8. & I. G. Facius. John Boydell 

excudit. Published May 1st 1778 by John Boydell 

Engraver in Cheapside, London. Open letter proof 

with small margin lacking the plate-mark. Laid down. 


THE SHEPHERDESS OF THE ALPS. 

Engraved by F. Bartolozzi. London Publish’d Feby 
20th 1785, by W. Dickinson, Engraver & Printseller 
No 158 Bond Street. Tuer No. 280. Superb open 
letter proof; printed in bistre. With very large margin. 


SQOPHONISBA. Queen of Carthage. 

Engraved by G. 8. & I. G. Facius. John Boydell ex- 
cudit, Publish’d Novr. 2d; 1778 by John Boydell 
Engraver, in Cheapside London. Very fine impression 
with the inscription; printed in colors. With small 
margin lacking the plate-mark. 


THE SNUFF BOX. 

Engraved by J. M. Delattre. F. Bartolozzi direxit. 
Published according to Act, 25 March 1781, for the 
Proprietor, No 5, Poland Street, Soho. Very fine proof 
before the title, but with the artists’ names and the 
publication line; printed in red. With margin, but 
lacking the plate-mark. 

80 


ee ~ Deon zu 


SY DAN CIN G DOGS 


DANCING DOGS 
T. GAUGAIN AFTER G. MORLAND 


NUMBER 532 
Companion to Number 538 


463 
aa 


Lalb— 


4 aaa 


466 


is — 
467 

ao. 
ax 


468 
2 eg 


469 


eg 


THE FOUR SEASONS. 
Engraved by F. Bartolozzi. Tuer Nos. 154-155-156-157. 
Impressions printed in colors and touched up with the 
brush. With the margins trimmed almost to the en- 
graved border, just showing the artists’ names. (4) 


SELIM OR THE SHEPHERD’S MORAL. 
Engraved by F. Bartolozzi. London Publish’d April 
4th 1788 by Thos Macklin No 39 Fleet Street. Tuer 
No. 716. Very fine open letter proof; printed in bistre. 
With large margin. A small tear on the outside of the 
left margin carefully repaired. 


THE RIGHT HONble THE MARCHIONESS OF 
TOWNSHEND. 
Engraved by Cheesman. Pub’d May 16 1792 by P. 
Borgnis, No 49 Oxford Street. Very fine open letter 
proof. With small margin lacking the plate-mark and 
a part of the publication line. 
(See Illustration.) 


TRIUMPH OF LOVE. 
Engraved by W. W. Ryland. Publishd Septembre ye 
7th 1778 by W. W. Ryland. London. Very fine proof 
before the title, but with the artists’ names and the 
publication line in traced letters; printed in red. With 
large margin. 
From the R. Hoe Collection. 


LADY IN A TURKISH DRESS. 
Engraved and published May 10th 1775 by W. Wynne 
Ryland London. Very fine proof before the title, but 
with the publication line in traced letters; printed in 
red. With margin showing the plate-mark. 
From the R. Hoe Collection. 


UNA AND THE LION. 
Engraved by T. Burke. Impression in reddish brown. 
The margin trimmed to the engraved surface and inlaid 
to folio. 


VIRGIL. 
Engraved by F. Bartolozzi. [Four verses.] London. 
Published as the Act directs 16 March 1797 for the 
proprietor, by T. Ryder No 43 Titchfield Street, Messrs 
Colnaghi & Co No 132 Pall Mall & M Bovi No 207 
Piccadilly. Tuer No. 288. Very fine impression with 
the inscription and with margin showing the plate- 
mark. 
From the collection with the mark Fagan No, 321. 


81 


47@ VENUS INSTRUCTING CUPID. 
Engraved by F. Bartolozzi. [Two verses.] London 
Phi Published Jany 1st 1794, by A. C. de Poggi, No. 91, 
New Bond Street. Tuer No. 1602. Very fine impres- 
/ sion with the ornamental frame by Pergolesi and with 
4 - the inscription. With small margin lacking the plate- 
mark. The plate has been folded and pressed out. 


471 ANOTHER IMPRESSION OF THE SAME. 
The border by Pergolesi is burnished out and the en- 


| oe graving made rectangular. The address is changed to 
‘‘Published by R. Jackson & Co No 130 New Bond 
Street.’ 


472 VENUS ATTIRED BY THE GRACES. 
Engraved by F. Bartolozzi. [One line of dedication. ] 
il London Publish’d as the Act directs May 1 1784 by 8. 
eM Watts No 30 opposite Round Court Strand.—printed 
XR by V. Acoulon. Tuer No. 1595. Magnificent open let- 
x. ‘ter proof; printed in red. With untrimmed margin 

(deckel edges). 
Companion to No. 440. 


473 PSYCHE ATTIRED BY THE GRACES. 
Engraved by Dumee. Fine impression; printed in 
/0 ie bistre. With margin trimmed to the engraved border, 
just showing the artists’ names at the bottom. Laid 


Bf bom down. 


G. KELLAWAY. 


English illustrator who was working in London at the beginning of 
the XVIIIth century. 


474 CLEOPATRA. 
% Painted by Guido Reni. London Published Dee 1 
h 1823, by W. L. White. 14 Bronlow Street Holborn. 
a _ Very fine impression with the inscription; printed in 
J. a colors. With large margin showing the plate-mark. 


J. KENNERLY. 


475 JOHN HAIGHTON, M.D.F.R.S. Lecturer on Mid- 
wifery and Physiology at Guy’s Hospital. 
We Painted by H. Ashby. London. Published July Ist 
i 1818 by Elizabeth Cox & Son St Thomas Street, South- 
ph. wark. Very fine open letter proof with very large 
Jy. = margin. 
82 


HENRY KINGSBURY. 


English engraver who practised in London in the latter half of the 
XVIIIth century. 


476 DELIA OR RURAL EMPLOYMENT. 


Painted by Ramberg. London, Pubd. June ye 4 1788 
4 ih by Jas Birchall No 473 Strand. Good impression with 
the inscription; printed in bistre. With margin but 

lacking the plate-mark. 

Companion to No. 477. 


477 LAURA OR THOUGHTS ON MATRIMONY. 


50 Painted by Ramberg. In the same condition and state 
4 b et as the foregoing. A tear in the left margin repaired. 
Companion to No. 476. 


CHARLES KNIGHT. 
1743-about 1825. 


He was born in London, practised towards the end of the XVIIIth 
century and was living in 1803. He was one of the best pupils of 
Bartolozzi. 


478 AS YOU LIKE IT. 


as Painted by H. Bunbury. [Six verses and two lines of 

jo dedication.] London, Published December 20th 1788, 

x : by W. Dickinson, Engraver, Bond Street. Very fine 

4. & impression with the inscription ; printed in bistre. With 
margin showing the plate-mark. Slightly foxed. 


An interesting plate with the portraits of Mrs. Mattocks, 
Mr. Bensley, Mr. Quick, Mrs. Jordan and Miss Pope. 


479 ATTENTION. INATTENTION. 


107 Painted by S. D. Kostar. London Published Jany 1. 
1800, by J. Brydon, Charing Cross. Very fine open 
gity’ letter proofs, with large margins. (2) 


480 BATH OF DIANA. 


ys Painted by A. Carrache. London Published June the 
2Y pi 1st 1800, by Randon Stainbank & Sayer. 17 Old Bond 
Street & C. Knight Stoke Bucks. Very fine impression 
ros with the inscription; printed in colors and touched up 
%>+ with the brush. With large margin showing the plate- 

f mark, 


83 


486 
ce 


Li 
job 


487 


Faas 
quar 


BRITISH PLENTY. 


Painted by H. Singleton. London, Publish’d Jan. 1st. 
1794. by C. Knight at Wm. Bonds. No 98 Charlotte 
Street Rathbone Place. Impression with the inscrip- 
tion; printed in colors. With large margin showing 
the plate-mark. Not an early impression. 


A DANCING BEAR. 


Painted by H. Bunbury. Impression with the inscrip- 
tion; printed in bistre. The margin trimmed to the 
engraved surface at the top and sides, just showing the 
title and the artists’ names at the bottom. The plate- 
mark and the publication lines are missing. 


THE ELOPEMENT. 
Painted by I. Opie. Published by R. Bowyer Historic 
Gallery. Pall Mall Septr 1806. Fine impression with 
the inscription and with margin lacking the plate-mark. 
Companion to No. 497. . 


THE FAVORITE RABBIT. 


Painted by J. Russell. London Published June 1: 1792 
by C. Knight Engraver Boston Row Brompton. Very 
fine impression with the inscription; printed in colors 
and touched up with the brush. With margin showing 
the plate-mark. 

Companion to No. 498. 


BUST OF THE RIGHT HONble CHARLES JAMES 
FOX. 

Drawnn & engraved after a sculpture by Nollekens. 

Published Augt 1 1808 by C. Knight at Tabart’s 

Library Bond Street. Very fine lettered proof. With 

margin showing the plate-mark. 


GLEANERS I. 
Painted by H. Bunbury. London Published March 
Ist, 1787, by W. Dickinson, Engraver & Printseller No 
158 New Bond Street. Very fine impression with the 
inscription; printed in bistre. With large margin 
showing the plate-mark. 

Companion to No. 487. 


GLEANERS II. 


Painted by H. Bunbury. In the same state and con- 
dition as the foregoing. 
Companion to No. 486. 


84 


488 LOVE AND HOPE. 
j 4 40 Painted by H. Bunbury. London Publish’d Decr. 1st 
ae 1785 by W. Dickinson, Engraver and Printseller No 
B? xf. 158 New Bond Street. Very fine proof before letters ; 
printed in bistre. With margin trimmed to the plate- 


mark at the top and bottom but showing it at the sides. 
Companion to No. 489. 


489 LOVE AND JEALOUSY. 
_— Painted by H. Bunbury. In the same state and condi- 
Be) If tion as the foregoing. 
A Bist Companion to No. 488. 


490 THE MATCH BOY. | 

5° Drawn by J. R. Smith. (Four verses.) London Pub- 
22— lish’d J any 1st 1786 by C. Knight Queens Row Bromp- 
4 rt. ton & W. Dickinson New Bond Street. Very fine i1m- 

‘pression with the inscription; printed in red. With 

large margin showing the plate-mark. A small stain 
in the lower right side corner. 

Companion to No. 494. 


491 THE RIGHT HONble LADY LOUISA MANNERS. 
are Painted by Sir Joshua Reynolds. Publish’d Jany. 21 

45 1800 by Anthy Molteno, Printseller to her Royal High- 
xf ness the Dutchess of York No 29 Pall Mall London. 
Ay Me Impression with the inscription and with margin show- 


ing the plate-mark. Not an early impression. 


492 MODERN GRACES. 
5? London Published May 1st 1791, by S. W. Fores No 3 
a Piccadilly. Very fine impression with the inscription ; 
f, [~.. printed in bistre. With large margin, but lacking the 
plate-mark. | 


493 NARCISSA AND MISS WILLIAMS find ye Miniature 
Picture. 

= 2 Painted by A. Trewingard. (Three lines in English 
. and French.) London Pubd May 1 1787 by Jas Birch- 
Jo all No 473 Strand. Very fine impression with the in- 
scription; printed in bistre. With margin showing the 

plate-mark. 

Companion to No. 495 


494 THE PRIMEROSE GIRL. 
Drawn by J. R. Smith. London Publish’d Jany Ist 
Ada 1786 by C. Knight Queens Row Brompton and W. 
Dickinson New Bond Street. Very fine impression with 
ror the inscription; printed in red. With large margin. 
Companion to No. 490. 
85 


RODERICK RANDOM Discovers himself to Narcissa. 
Painted by A. Trewingard. (Three lines in English 
and French.) London Pubd May 1 1787 by Jas Birch- 
all No 473 Strand. Very fine impression with the in- 
scription; printed in bistre. With margin showing the 
plate-mark. 

Companion to No. 493. 


TANTALISING. 

Painted by Revd Peters. London. Publish’d Jan: 1. 
1795 by C. Knight No 53 Picadilly. Very fine proof 
before letters; colored by hand. With large margin. 


THE TIRED SOLDIER. 
Painted by John Opie. Published by R. Bowyer His- 
toric Gallery Pall Mall. Septr 1806. Very fine impres- 
sion with the inscription. With margin lacking the 
plate-mark. 
Companion to No. 483. 


TOM AND HIS PIDGEONS. 
Painted by J. Russell. London Published June 1 1792 
by C. Knight Engraver Boston Row Brompton. Very 
fine impression with the inscription; printed in colors 
and touched up with the brush. With margin showing 
the plate-mark. 
Companion to No. 484. 


THE SAME. 
A reversed copy by an unknown engraver. Impression 
printed in colors, the margin trimmed to the engraved 
border, just showing the painter’s name. 


THE DUCHESS OF YORK. 
Painted by Sir W. Beechey. [Three lines of dedica- 
tion.| Published March 1 1802 by C. Knight Stoke 
Bucks & Random & Stainbank No 17 Old Bond Street 
London. Fine impression with the inscription. With 
margin showing the plate-mark. 


G. LAZARETTI. 


An Italian engraver who learned his art from Bartolozzi and prac- 
tised it afterwards in France. 


501 A FERN CUTTER’S CHILD—Jeune bergere. 


607 
Opal 


Painted by Westal. Very fine impression with the in- 
scription; printed in colors. With large margin. 
Companion to No. 155. 


86 


WILLIAM S. LENEY. 
?—-1808. 


An English engraver born in London towards the end of the XVIIIth 
century. He was a pupil of Tomkins. He emigrated to America, where 
he died in 1808. 


502 THE Rt. HON. THE EARL OF BARRYMORE & 
CAPt. WATHEN. — 
4 sia Painted by De Wilde. [Four lines of dedication.] Im- 
pression with the inscription; printed in bistre. With 
Gy . margin trimmed to the engraved border at the top and 
att sides; at the bottom the plate-mark and the publication 
line are missing. 


FREDERICK CHRISTIAN LEWIS. 
1779-1850. 


English engraver and landscape painter, born in London in 1779. He 
was a pupil of the German engraver Stadler and of the school of the 
Royal Academy; he died in 1856. 


503 RICHARD COBDEN, ESQre. M.P. 


Ne Drawn by C. A. Du Val. Published Augt 12th 1842 

by Thomas Agnew, Repository of Arts, Manchester. 

L pd and Messrs Ackermann & Co Strand London. Printed 

ae ee by Brooker & Harrison. Very fine open letter proof ; 
printed on India paper. With very large margin. 


504 L. NORTHCOTE, the painter. 
6 — Painted by G. H. Harlow. Superb proof with the 
artists’ names only in traced letters. With very large 
margin. 


505 PRINCESS OF HOHENLOHE. 7 
_— Drawn by Behnes. Beautiful proof before letters, 
/ 6 printed in colors, slightly touched up with the brush. 
er With small margin, lacking the plate-mark. Inlaid to 
quarto. The engraver’s name is erased from the im- 
pression. 


506 LADY APSLEY. 


Painted by Sir T. Lawrence. Superb proof before all 
JS — letters. With large margin showing the plate-mark. 


87 


JOHN FREDERICK LEWIS. 


Eldest son of F. C. Lewis, the engraver, from whom he received his 
first instruction in art. 


007 JOHN BIRCH Esa. 
Painted by T. Philipps. Very fine proof with the in- 
ya scription in traced letters. With margin showing the 
ope” plate-mark at the bottom only. 


ROBERT SAMUEL MARCUARD. 
1751-1792. 


An English designer and engraver. He was a pupil of Bartolozzi, 
whose manner he followed. | 


508 THE BATHERS SURPRISED—Surprise au bain. 
y? London Pub. June 6 1787 by Torre & Co No 132 Pall 
lf a Mall—A Paris ches Noseda Palais Royal No 93 
x} A.P.D.R. Very fine impression with the inscription; 
4 he printed in bistre. With margin showing the plate- 

eras mark. 


509 THE NUT BROWN MAID. 


— Drawn by R. Smirke. London Publish’d 20 Sepr 1785 

4 by Ed. Hedges. No 92 Cornhill. Very fine impression 
with the inscription; printed in red. With margin, 

lacking the plate-mark. 


510 PIERSON. 


A) After the artist’s own design. Very fine proof before 
j 5 7 letters, the engraver’s name in traced letters; printed 
in red. With large margin showing the plate-mark. 


88 


GUINEA PIGS 


T. GAUGAIN AFTER G. MORLAND 


NUMBER 538 
Companion to Number 532 


FOURTH SESSION 


Thursday Evening, January Il, 1917, at 8:15 o’clock 


LOTS 511-693 


CECILE MARECHAL. 


511 PSYCHE GOING TO BATHE. 


Bc 
RL - 


. 


A Swedish painter and engraver. 


Drawn by I. G. Cipriani. London Publish’d by Tessari 
& Co Pall Mall. Fine impression with the inscription ; 
printed in colors. With margin trimmed to the plate- 
mark, 


ELIAS MARTIN. 
1739-1818. 


He went to London in 1769 and be- 


came an Associate of the Royal Academy. 


o12 


THE LIFE OF A YOUNG LADY. 
Engraved after the artist’s own design. Publish’d as 
the Act directs 1st April 1774. by E. Martin Leicester 
Street, Leicester Fields & Mr Boydell No 90 Cheapside. 
Very fine impressions with the inscriptions; printed in 
red. With margins trimmed to the plate-marks. (6) 


J. B. MARTIN. 
1743-1793- 
Probably Jean Marin Bonnet. 


ADRIENNE LECOUVREUR. 
Painted by Coypel. Very fine proof before all letters; 


printed in colors. With margin lacking the plate- 
mark. The face has been slightly rubbed and is re- 
touched. 


SOPHIA WESTERN. 
Painted by J. Hoppner. Very fine impression with the 
inscription; printed in colors and slightly touched up 
with the brush. With margin showing the plate-mark. 


THE WIFE OF BATH. 
Drawn by T. Gaugain. [Two verses.] Very fine im- 
pression with the inscription ; printed in colors. With 
margin lacking the plate-mark and the publication line. 
The plate is numbered 874 in Bonnet’s manner. 
89 


E. MARTIN. 


516 GEORGE AUGUSTUS ELIOTT. LORD HHEATH- 
FIELD. 
G Painted by De Glim. Very fine proof with the artists’ 
names and the coat-of-arms only. With small margin 
4 y¥ . lacking the plate-mark and the publication line. 


I. HENRY MEYER. 
Born in London, 1782(?); died there, 1847. 


517 JOHN BOYDELL Es4. 
Oe After the artist’s own design. Published June 21 1814, 
} by T. Cadell & W. Davies Strand. London. Very fine 
Ae : open letter proof; printed in bistre. With large margin. 


518 CAROLINE, QUEEN OF ENGLAND. | 
_ Painted by Jams Londsdale. [One line of dedication]. 
| London Published for the Proprietor by H. Meyer 
A sf - Novr 27th 1820. Very fine open letter proof; printed 
‘ on India paper. With large margin. 


519 THE HONble Mrs CARPENTER. 
-7, Painted by H. Edridge. Superb proof before all letters. 
2 _ With small margin lacking the plate-mark. 
/) 520 CAPTAIN GEORGE NICHOLAS HARDINGE. 
es Painted by Miss Jones. (Four lines of dedication.) 
| Very fine proof with the inscription but before the 
sf publication line. With large margin. 
JA, U7 From the Latta Collection. 


021 MRS. JERNINGHAM. 
-y Painted by John Hoppner. [Two lines of dedication. | 
py) Published April 14th 1809 by Reeve & Jones No 7 Vere 
_ Street Bond Street London. Very fine proof with the 
/ inscription and with margin lacking the plate-mark. 


022 LADY LEICESTER represented as Hope. 
_ Painted by Sir Th. Lawrence. [Ten verses]. London 
ot “ Published June 19 1823 for the Proprietor, by Henry 
Meyer 3 Red Lion Sqr. Very fine open letter proof; 
; printed on India paper. With margin showing the 
q plate-mark. 
90 


523 MRS. MEE. 
~ Painted by Anne Mee. Pubd June 1st 1812 by Anne 
Cee Mee 64 Upper Berkley St Portman Square. Superb 
ake. open letter proof; printed on India paper. With large 
jbo margin. 


524 THE PICTURE OF THE LOVER. 
_— Painted by Sir T. Lawrence. London Published May 
b Ist 1821 by S. Brooker Southampto Row Rusl Square 
abt . and By S. Folker Royal Colonade, Brighton. Very 
fine proof before the title and the artists’ names, with 
the publication line in traced letters only; printed on 
India paper. With margin but lacking the plate-mark. 


525 MRS. ANNE PLUMPTRE. 
Painted by James Northcote. Published by Henry 
Colburn Conduit Street London 1816. Very fine im- 
pression, with the inscription and margin showing the 
plate-mark. 


yo! 
526 THE CELEBRATED WALKING STEWART. 
_— Drawn by I. E. H. Robinson. Published April 22d 
S 1815 by Robert Smith 7 Cookspur Street. Very fine 
Aa proof with the inscription, but before the publication 
é line. With large margin. 


527 RICHARD WATSON, D.D. Lord Bishop of Landaff. 
Drawn by W. Evans after a painting by G. Romney. 
ie Published Oct. 11. 1809 by T. Cadell & M. Davies, 
Strand, London. Impression with the inscription; 
4 yt printed in bistre. With small margin lacking the plate- 
mark. 


528 HER ROYAL HIGHNESS PRINCESS CHARLOTTE 
OF WALES. 
i Painted by A. E. Chalon Published Octr 21st 1816 by 
R. Ackermann’s 101 Strand London. Superb impres- 
Wake : sion with the inscription; printed in colors, slightly 
touched up with the brush. With margin showing the 
plate-mark. 


GEORGE MORLAND. 
1763-1804. 
Celebrated English painter. ‘‘In all the range of British Art there 
are few things better than a good Morland.’’—KE. Henley. 


529 PORTRAIT OF THE ARTIST. 
Engraved by Mackenzie after a drawing by Mrs S. 
pre Jones. Pubd by J. Cundee Albion Press, London. 
Fine impression with the inscription and small margin 
4£. _ lacking the plate-mark. 
91 


5380 L’AFRICAIN HOSPITALIER. 

se Engraved by Ruotte. A Paris chez Depeuille, Rue Fran- 
17 ciade, Section de Bon Conseil No 52. Impression with 

- the inscription; printed in colors. With large margin. 


Jor Companion to No. 551. 


531 BOYS SKATING. Garcons patinant. 
Engraved by E. Scott. London Publish’d Decr 9th 
fom 1790 by J. R. Smith King Street Covent Garden. Very 
fine impression with the inscription; printed in bistre. 
With margin lacking the plate-mark. A small tear in 
the lower margin. 


5382. DANCING DOGS. ) 
a Engraved by T. Gaugain. London Publish’d Feby 
or 1790 by T. Gaugain Manor Street Chelsea. Superb 
impression with the inscription ; printed in colors. 
With large margin. A stain in the lower margin. 
Companion to No. 538. 
(See Illustration.) 


533. DRESSING FOR THE MASQUERADE. 
ce Engraved by J. R. Smith. London. Publishd Jan Is 
£o 1789 by J. R. Smith. No 31 King Street. Covt Garden. 
Very fine open letter proof; printed in bistre. With 
‘ small margin showing the plate-mark at the bottom 
Jot only. The inscription space had been folded and 
pressed out. 


534 EXPECTATION. 
Engraved by J. R. Smith. Impression in bistre and — 
colored by hand. Trimmed to the engraved surface 
and remargined. 


535 THE FARMER’S VISIT TO HIS MARRIED 
DAUGHTER. 

) yb ma Engraved by W. Bond. Impression with the inscrip- 
tion; printed in colors. With margin showing a part 
of the inscription. In 2-inch ornamented mahogany 
frame; circular. 

Companion to No. 552. 


5386 THE FLEECY CHARGE. 
3 Engraved by G. Shepheard. Impression with the in- 
| scription. With small margin just showing the artists” 
names at the bottom. 


yw 
de ee 


— AUSTIC EMPLOYMENT, 


RUSTIC EMPLOYMENT 
J. R. SMITH AFTER G. MORLAND 
NUMBER 545 
Companion to Number 546 


ar 


O37 
at 


538 


043 


G0 


— 


FRIENDSHIP. 
Engraved by Adam. London Publish’d August 15 
1795 by J. Read 133 Pall Mall. Fine impression with 
the inscription; printed in bistre. With margin show- 
ing the plate-mark. 


GUINEA PIGS. 
Engraved by T. Gaugain. London Publish’d Septr 
1789 by T. Gaugain, Manor Street Chelsea. Printed 
by P. Gaugain, Little Compton Street Soho. Splendid 
impression with the inscription; printed in colors. 
With margin lacking the plate-mark. 
Companion to No. 532. 


(See Illustration.) 


INDUSTRY. 
Engraved by C. Knight. Fine impression. 
gin trimmed to the engraved border. 
Companion to No. 541. 


The mar- 


L’INDUSTRIE. 


Engraved by Victoire le Veau. A Paris chez Basset 
Md D’Estampes, rue Jacques, au coin de celle des 
Mathurins, No 670. Impression with the inscription; 
colored by hand. With margin showing the plate- 
mark. A tear in the right margin. Not an early im- 
pression. 

Companion to No. 542. 


IDLENESS. 


Engraved by C. Knight. Fine impression. 
gin trimmed to the engraved border. 
Companion to No. 539. 


L’INDOLENCE. 


Engraved by Victoire le Veau. A Paris chez Basset. 
Md d’Estampes, rue Jacques, au coin celle des 
Mathurins, No 670. Impression with the inscription; 
printed in colors. With margin showing the plate- 
mark, 

Companion to No. 540. 


The mar- 


LABORERS RESTING. 
Engraved by C. Josi. Impression with the inscription; 
printed in colors and touched up by hand. With small 
margin lacking the plate-mark. The title is lost and a 
few small tears repaired. 
Companion to No. 544. 


93 


546 


550 


ee 


NOON. 
Engraved by C. Josi. 
going. Laid down. 
Companion to No. 543. 


In the same state as the fore- 


RUSTIC EMPLOYMENT. 
Engraved by J. R. Smith. London Publish’d Feby 
11th 1788 by J. R. Smith No 31 King Street Covent 
Garden. Superb impression with the inscription; 
printed in bistre. With margin lacking the plate-mark. 
Companion to No. 546. . 


(See Illustration.) 


RURAL AMUSEMENT. 


Engraved by J. R. Smith. In the same state as the 
foregoing. Part of the publication line is missing. 
Companion to No. 545. | 


(See Illustration.) 


REST FROM LABOUR. 


Engraved by T. Burke. Published May 1st 1808 by 
Richard Lambe, Poets Gallery No 39 Fleet Street. Im- 
pression with the inscription. With small margin 
lacking the plate-mark. 


RETURN FROM HUNTING. 


Superb proof before all letters, with untrimmed margin 
(deckel edges). 


SHEPHERDS REPOSING. 


Engraved by W. Bond. Very fine impression with the 
inscription; printed in colors and slightly touched up 
by hand. With small margin lacking the plate-mark ; 
the inscription is lost. 

Companion to No. 553. 


ST. JAMES’S PARK. 


Engraved by F. D. Soiron. Good impression before 
the engraving was made oval; printed in bistre. With 
small margin lacking the plate-mark; the inscription is 
lost. A part of the lower margin replaced and a large 
tear into the engraving on the left skilfully repaired. 


94. 


Sol TRAITE DES NEGRES. 


50 Engraved by Ruotte. A Paris chez Depeuille Rue St 
| " ae Denis Section Bon Conseil. Impression with the in- 
rf, scription ; printed in colors with large margin showing 

A, the plate-mark. 


Companion to No. 530. 


552 THE VISIT pea jf i 
Engraved by . Impression with the inscrip- 


oe 
3 oo tion; printed in colors. With margin showing a part 
of the inscription. In 2-inch ornamented mahogany 
frame; circular. 
Companion to No. 535. 


503 THE WEARY SPORTSMAN. 
Engraved by W. Bond. Very fine impression with the 
37S ~ inscription; printed in colors and slightly touched up 
by hand. With small margin lacking the plate-mark. 
The inscription is lost. 
Companion to No, 549. 


504 WOODCUTTERS AT DINNER. 


so Engraved by T. Williamson. Superb impression with 
3 the inscription; printed in colors. With large margin 

; showing the plate-mark at top and sides but lacking it 
aa at the bottom. The publication line is missing. 


W. NICHOLLS. 
An English engraver who resided in London in the XVIIIth century. 


550 MRS. SIDDONS. 


Drawn by Sir T. Lawrence. London Published Dee. 1. 

2 7 ne 1810. By J. Hassell No 11 Clements Inn. Fine impres- 
sion with the inscription; slightly tinted by hand. With 
small margin lacking the plate-mark. 


THOMAS NUGENT. 


556 MRS. SHERIDAN & SON. 
Painted by J. Hoppner. London Published April 2 
/O°~ 1800 No 21 Charles Street Middlesex Hospital. Superb 
proof with the inscription in traced letters. With large 
a tty margin showing the plate-mark. 


95 


WILLIAM NUTTER. 
1754-1802. 


An English engraver who studied under J. Smith and Bartolozzi and 
practiced in the stipple manner. 


507 


390 — 


go- 
ew 


4 


THE AGE OF BLISS. THE CAKE IN DANGER. | 
Painted by J. Russell. London. publish’d as the Act 
directs, 1 of Jany 1790 by Bull & Jeffreys, Ludgate Hill. 
Very fine impressions with the inscriptions; printed in 
colors. With large margin trimmed to the plate-mark. 

| (2) 

THE ALE HOUSE DOOR. 

Painted by Singleton. London Publish’d June 20th 
1790 By W. Dickinson Engraver Bond Street. Superb 
impression with the inscription; printed in bistre. 
With large margin showing the plate-mark. 

Companion to No. 562. 


MRS. BRYAN AND CHILDREN. : 
Painted by S. Shelley. Fine impression with the in- 
scription and with margin lacking the plate-mark and 
the publication line. 


CUPID SLEEPING. 
Painted by R. Westall. Very fine impression with the 
inscription; printed in colors. The margi ntrimmed to 
the engraved border, just showing the artists’ names. 


THE EVENING PRAYER. 
Painted by T. Stothard. London Published 11 Jany 
1792 by Bull & Jeffryes Ludgate Hill. Impression with 
the inscription and with small margin lacking the plate- — 
mark. 


THE FARM YARD. 
Painted by Singleton. London Publish’d June 20th 
1790 by W. Dickinson Engraver Bond Street. Superb 
impression with the inscription; printed in bistre. 
With large margin showing the plate-mark. 
Companion to No. 558. 


HER ROYAL HIGHNESS THE PRINCESS MARY. 
Painted by H. Ramberg. [Two lines of dedication. ] 
Publish’d Deer 11 1788 by T. Harmar Map engraver 
No 164 Piceadilly London. Superb open letter proof; 
printed in bistre; with large margin. 


(See Illustration.) 
96 


RURAL AMUSEMENT 


J. R. SMITH AFTER G. MORLAND 


NUMBER 546 
Companion to Number 545 


569 


THE MORALISTE. 


Painted by J. R. Smith. [Hight verses.] London 
Publish’d Feby 12th 1787 by J. R. Smith No 31 King 
Street Covent Garden. Superb impression with the 
inscription; printed in bistre. With large margin 
showing the plate-mark. 


ANOTHER IMPRESSION OF THE SAME. 


The plate is reduced in size on the sides and the in- 
scription reengraved; printed in colors. With margin 
lacking the plate-mark. Not an early impression. 


THE ROSE BUD. 


Painted by R. Westall. [Sixteen verses.] London 
Pub 1 Jany 1801 by R. Ackermann 101 Strand. Very 
fine impression with the inscription; printed in colors. 
With margin lacking the plate-mark. 


SATURDAY EVENING. 


Painted by W. R. Bigg. Superb proof with the in- 

scription in traced letters. With small margin showing 

the plate-mark on both sides, trimmed closely to it at 

the top and at the bottom, just showing the inscription. 
Companion to No. 568. 


SUNDAY MORNING. 


Painted by W. R. Bigg. Very fine impression in the 
same condition as the foregoing, only the margin on 
the sides is trimmed to the plate-mark. A small tear 
in the upper and one in the lower margin. 

Companion to No. 567. 


SIR HENRY TROLLOPE KNt. 


Drawn by T. Braine. Very fine open letter proof; 
printed in colors. With small margin lacking the 
plate-mark. The publication line is lost. 


MARTHA GUNN the Brighton Bather. 


Painted by J. Russell. [Three lines of dedication. | 
London, Published as the Act directs, June 1st 1797 by 
Diemar No 114 Strand. Very fine impression with the 
inscription and with large margin showing the plate- 
mark. 


97 


JOHN OGBORNE. 
1725-1795- 


571 CHARLES PRATT EARL CAMDEN. 
Drawn by G. Dance. Published as the Act directs 
H- Novr. 1. 1794 No 29 Upper Gower Street. Fine im--. 
: pression with the inscription and with large margin 
WY showing the plate-mark. 


- 


572 CAROLINE OF LINDORF. 


Painted by Stothard. Very fine impression ; printed in 

G0 — eolors and slightly touched up with the brush. With 
margin trimmed to the engraved surface. In 1-inch 
ornamented gold frame. 


573 A GIRL LEARNING HER LESSON. 
i Painted by J. F. Rigaud. London Published April 1 
2 1798, by T. Simpson St Paul Church Yard; and Dar- 
ling & Thompson Gt Newport Street. Impression with 
the inscription and with small margin lacking the plate- 
mark. a 


574 MRS. JORDAN, in the Character of the Country Girl. 


Painted by G. Romney. Publish’d June 24th 1788 by 
J 4°~ John and Josiah Boydell No 90 Cheapside London. In- 

pression with the inscription; colored by hand. With — 

small margin lacking the plate-mark and inlaid to folio. 


DANIEL ORME. 


An engraver and miniature painter who worked about 1800. 


575 ORME FIRST ATTEMPT dedicated to William Blake. 
Drawn by the artist. [Two verses and two lines of dedi- 

J 4~ — eation.] London Published Feby. 28th 1786, by D. 
Orme No 13 Suffolk Street Charing Cross & Jno Acret 

x3 : No 44 Wardour Street Soho. Impression with the in- ~ 
4, : scription. With the margin trimmed to the engraved 
border, leaving only the inscription space at the bottom. 


576 MISS LUCY METCALFE. 
Painted by Barbier. [Two lines of quotation.] Very 
"| e fine proof with the title, but before the publication line, 
te With untrimmed margin (deckel edges). 


ANOTHER IMPRESSION OF THE SAME. 
Proof with the artists’ names only and with untrimmed 
margin (deckel edges). (2) 


98 


apes soentnonteecs 
“ay Saar 


Sie 


Parhx eee 
RSE ca sosere rs sekiomena ROOT 


§ the PRU 


PRINCESS MARY 
W. NUTTER AFTER H. RAMBERG 


NUMBER 563 


? 


577 CHARLES JAMES FOX. 
After the artist’s own design. Impression printed in 
{0 -— _ colors, with the margin trimmed almost to the engraved 
border, just showing part of the artist’s name at the 


7 hace ; bottom. 


578 STANISLAUS AUGUSTUS, KING OF POLAND. 
Painted by Le Brun. Sold & Pubd Augt Ist, 1792; by 
&— D. Orme & Co No 14 Old Bond Street. Impression 
phy with the inscription; printed in bistre. With large 
2 margin. 


579 THE SAILOR BOY’S RETURN from a Prosperous 
Voyage. 
J cal Painted by W. R. Bigg. [Six verses.] London Pub- 
lish’d April 24th 1794 by Walker & Brackenbury, 7 
er Cornhill & engraved from the original Picture now in 
their Possession. Very fine impression with the inscrip- 
tion and with margin showing the plate-mark. 
580 ADMIRAL DE WINTER. 
After the artist’s own painting. [Three lines of dedi- 
G- eation.]| Sold & Pub Accord to Act of Parliament 
/ Jany 10th 1798 by D. Orme 23 Holles Stt. Cavendish 
Sqe. Where Subscriptions are Received for his 2 
x Prints of Ld Dunecan’s & Ld St Vincent’s victory’s & at 
4 ol E. Orme Printseller 25 Conduit Stt. Hanover Sq. Very 
fine impression with the inscription; printed in colors. 
With large margin. 


EDWARD ORME. 
An English engraver, brother of the foregoing artist. 


581 THE DEATH OF CHATTERTON. 
§ rc Painted by H. Singleton. [Four verses and two lines 
of dedication.] London, Published & Sold May 1 1794 
1 : by D. Orme, No 14 Old Bond Street. Very fine im- 
‘ pression with the inscription and with large margin. 


582 IRIS. 
_ Published by E. Orme, Bond Street. May 1 1806. Im- 
ae pression with the inscription and with small margin 
showing the plate-mark at the top and sides but lacking 
it at the bottom. The inscription is lost. 


583. THE IMMORTAL NELSON. 
Engraved after the bust made by A. S. Damer. Pub- 
ee lished & Sold Decr 2 1805 by Edwd. Orme, 59. Bond 
Street, London. Impression with the inscription and 
7 with small margin lacking the plate-mark. 


99 


D. P. PARISET. 
1740-? 


French engraver born in Lyons in 1740. He was a pupil of Demarteau. 
He went to England in 1769, where he worked for Bartolozzi. 


084 J. REYNOLDS Effigei Pictor. R.S.S. 


4- Drawn by P. Falconet, 1768. Sold by P. Faleonet Broad 
yf Street Carnaby Market & Ryland & Bryer Cornhill. Pr. 
LY As 2s. Very fine open letter proof with large margin. 
585 MR. HORACE WALPOLE. 


ey Drawn by P. Falconet 1768. Sold by P. Falconet Broad 

1% Street Carnaby Market, & Ryland Bryer & Co. Corn- 

. hill. Pr. 2s. Very fine open letter proof printed in two 
gy tints. With large margin. VERY SCARCE. 


JAMES PARKER. 
1750-1805. 


English engraver, born in 1750. He was a pupil of Basire and one of 
the founders and a governor of the Society of Engravers. He died in 
1805. ; 


086 DANCING GIRLS. 


_. Painted by Stothard. Impression with the inscrip- 
Y tion; printed in bistre. With margin trimmed to the 
ys engraved border, just showing the artists’ names at the 

A _~° bottom. Inlaid to folio. 


J. PASS. 


587 REYNOLDS. 


2 ay Painted by himself. Engraved for the Encyclopedia 
Londinensis 1826. Very fine impression with the in- 
Ay J“* — geription; printed in colors, with large margin. 


588 SHAKSPHARE. 


oe After the artist’s own drawing. Engraved for the 
+f Encyclopedia Londinensis 1827. Very fine impression 
with the inscription; printed in colors. With large 


f . 
4y- margin. 


df 


100 


589 


J. PEIRSON. 


BALLAD SINGER. 


After the artist’s own drawing. London Published 
May 1st 1804 By J. Peirson No 14 Francis Street Bed- 
ford Square. Fine impression with the inscription ; 
rates in colors. With margin showing the plate- 
mark. 


GAY’S SHEPHERD’S WEEK. 


After the artist’s own drawings. Pubd Feby 1 1798 
by J Le Petit No 22 Suffolk Street Middx Hospital. 
Very fine impressions with the inscriptions; printed in 
colors. With the margins trimmed almost to the en- 
graved border, just showing the full inscriptions at the 
bottom. 


PHAEDRA TO HIPPOLYTUS. 


Painted by C. R. Ryley. Impression with the inscrip- 
tion and with small margin lacking the plate-mark and 
the publication line. 


A) PLOT—la (sic) Leurre. 


After the artist’s own design. London, Published 
March 1st 1803, by J. Peirson 14 Francis Street Bed- 
ford Square. Superb impression with the inscription ; 
printed in colors. With margin showing the plate- 
mark at the top and sides but trimmed closely to it at 
the bottom. A slight tear in the inscription space 
carefully repaired. 


(See Illustration.) 


S. PHILLIPS. 


An English engraver practising in London at the end of the XVITIth 
‘century. 


593 


ad 


T. GARNETT M.D. 


Painted by T. Phillips London Pubd May 1 1801 by 5S. 
Phillips No 18 Tavistock Street, Bedford Square. Im- 
pression with the inscription and with small margin 
lacking the plate-mark. 


101 


CHARLES PICART. 
1780-1837. 


An English engraver born in 1780. He practised in London and died 
about 1837. 


594 MISS FOOTE as Maria Darlington. 
i- Painted by G. Clint. London Published January 1st 
b 1822 by W. Cribb 34 King St Covent Garden. Superb 
impression with the inscription; printed in colors. 
With large margin. 


595 JOHN GILLIES, L.L.D. F.R.S. and §.A. 
Drawn by W. Evans after a painting by J. Opie. Pub- 
ar lished Feb. 4 1813 by T. Cadell & W. Davies, Strand, 
Pp London. Fine impression with the inscription ; printed 
in bistre. With large margin. 


VICTOR MARIE PICOT. 


1774-1805. 
French engraver born in Abbeville in 1774 and studied in Paris. He 
went to London in 1766 and died in 1805. 


596 WOMAN AND CHILD. 
After the artist’s own design. London Pub. May 4 
40 — 1777 by V. M. Picot No 471 Strand. Very fine proof 
before the inscription but with the publication line in 
traced letters; printed in red. With large margin. 


M. PLACE. 


097 THE FAMILY DISTRESS occasioned by the loss of a 
Child. 


6-7 THE FAMILY’S HAPPINESS restored by their 
H child’s return. 

x3 ; Painted by Cosse. [Seven lines of text in English and 
4. French.| London Pubd May 4th 1798 by Messrs 
Schiavonetti No 12 Michael Place Brompton. Very 
fine impressions with the inscriptions and with margins 
showing the plate-marks. (2) 


W. PLATT. 


598 MRS. M. A. CLARKE. 
Painted by A. Buck. Pubd Feby 11th 1809 by S. W. 
dD» - Fores 50 Piccadilly. Fine impression with the inserip- 
| tion; printed in colors. With large margin, but lack- 
ir * ing the plate-mark. 
‘ 102 


76S WwaaWOAN 


NOISAG NMO SIH WALAV NOSUldd ae 
LOTd V 


CHARLES GAUTIER PLAYTER. 


An English engraver who flourished in the latter part of the XVIIIth 
century. He worked for Boydell. 


599 BEATRIX AND BENEDICK. 


s0 Painted by S. Shelley. Publish’d as the Act directs 

Dy) ne Octr 1. 1787 by R. Cribb No 288 near Great Turn Stile 

Holborn. Very fine impression with the inscripticn ; 

eh ‘printed in bistre. With large margin showing the 
plate-mark. | 


ROBERT POLLARD. 
1755-1838. 
600 INDIA VENDICATED. 


oe Painted by Stothard and J. Lochee. Open letters proof. 
2 With small margin lacking the plate-mark and a part 


p- of the inseription. 
I. READ. 


English engraver who flourished about 1780. 


601 WILLIAM WILBERFORCE Esa MP. 


= Drawn by T. Davies. (Two verses). London Pubd 
] April 28th 1792, by I. Read Coventry Cot. Coventry 
y4 : St. Very fine impression with the inscription ; printed 

4 set in bistre. With margin showing the plate-mark. 


P. ROBERTS. 
602 BRITISH ADMIRALS. BRITANNIA VIEWING 
THE CONQUERORS OF THE SEAS. 


i ae Portraits painted by Hoppner, Cosway, ete. London 
Pub. as the Act directs Oct 11 1800 by P. Roberts. At 


oe '- Mr Hollands 50 Oxford Street. Fine impression with 
. the inscription and with margin lacking the plate- 
mark. 
R. ROFFE. 
1769-1850. 


603 MRS. EDWIN. | 
Painted by W. M. Craig. Publish’d & Sold June 4 
df — 1815. by Edwd. Orme. Bond Street London. Very 
fine impression with the inscription; printed in colors, 
slightly touched up with the brush. With margin 
showing the plate-mark. 
‘ 103 


W. ROUKE. 


‘604 SUCH THINGS ARE. 
Painted by H. Ramberg. [Two verses]. London Pubd. 
SE wie May 1. 1788. by I. Birchall No 473 Strand. Superb 
impression with the inscription; printed in colors. 
H With very large margin. A small worm hole in the 
Ht lower right corner of the margin. 


THOMAS ROWLANDSON. 
1756-1827. 


Celebrated caricaturist and engraver. He was born in London in 
1756 and died there in 1827, | 


605 SLY BOOTS. 
After the artist’s own design. Impression with the in- 
W 4 ra scription; tinted with the brush. With the margin 
? trimmed. to the engraved border, leaving enough space 
f pow at the bottom to show the title. 
a 6 


LOUIS CHARLES RUOTTE. 
1754-1806. _ 
French engraver, born in Paris in 1754. He was a pupil of Le Mire. 


He began to engrave in line but afterwards worked only in the dotted 
manner. He died in 1806. 


606 LE BERGER RACONTANT SES MALHEURS. LA 
FAMILLE DU MEUNIER ALLANT AU MOULIN. 

et Painted by R. Westall. A Paris chez Tessari & Co 

/ $ Quai des Augustins No 25. Impressions with the in- 
scriptions; printed in colors, slightly touched up with 

the brush. With large margins showing the plate- 

marks. Small tears in the lower margins. (2) 


607 LE COUVREUR EN CHAUME—THE THATCHER. 

-— Painted by J. Barney. Fine impression with the in- 

I$ scription; printed in colors, slightly touched up with 
the brush. With margin lacking the plate-mark. 


608 LES ENFANTS DE LA CHAUMIERE. 
Painted by I. B. Betson (sic) A Paris chez Basset, Md. 
va ~  d’Estampes, rue St Jacques au coin celle des Mathurins, 
No 64. Superb impression with the inscription ; printed 
in colors. With large margin lacking the plate-mark. 
Not an early impression. 
Companion to No. 610. 


104 


QUEEN LOUISA OF PRUSSIA 
L. SCHIAVONETTI AFTER J. H. 


NUMBER 641 


AND SISTER 
W. TISCHBEIN 


P 
| 
| 
| 


a. 


609 THE ORIGINE OF PAINTING. 
are Painted by Cipriani. (Four verses). Se vend a Paris. 
og _ chez Arthur et Compagnie a la Manufacture de Papier, 
fab Micon de la... .... Very fine impression with the 
inscription; printed in colors. , With large margin. 
aw & Ne a /. 


610 LES PETITS FANEURS. 


Painted by I. B. Beston (sic) A Paris chez Basset, Md. 
fo— d’Estampes, rue St Jacques au eoin celle des Mathurins. 
No, 64. Superb impression with the inscription ; printed 
in colors. With large margin but lacking the plate- 
mark. Not an early impression. 
Companion to No. 608. 


611 VENUS ET LES AMOURS. 


_. Painted by R. Westall. Se vend a Paris chez Basset, 

50 Rue St Denis, No 175 pres celle aux Ours. Very fine: 

_ impression with the inscription; printed in colors. 
qu With margin but lacking the plate-mark. 


THOMAS RYDER. 
1746-1810. 
English engraver, born in London in 1746. He was employed by 


Boydell to engrave his Shakespeare Gallery and also engraved some: 
plates after A. Kauffmann. He died in 1810. 


612 ARABIAN TALES (the little Hunchback). 
Es Drawn by H. Bunbury. London Published as the Act 
a directs 31st March 1787. by S. Watts No 50 opposite: 
Old Round Court, Strand. Very fine impression with 
A see the inscription and with margin showing the plate-. 


mark. 
Companion to No. 613. 


613 ARABIAN TALES (Schiek Ibrahim). 

Drawn by H. Bunbury. London published as the Act 

AY — directs, Feby 19th 1790 by S Watts. No 9 Kennington 
Cross. Lambeth & to be had at Mr Ryder’s No 43. 
Great Titchfield Street Oxford Road. Very fine im- 
pression with the inscription and with margin showing 
the plate-mark. 

Companion to No. 612. 


614 HENRY BUNBURY Esar. 
_. Painted by Laurence (sic). London Publish’d as the 
QO ~ Act directs 24 April 1789 by S. Watts. No 28. Walcott 
place Lambeth. & to be had at T. Ryder, No 43 Great. 
R Titchfield St. Superb impression with the inscription ; 
Hr - printed in colors. With large margin. In 1-inch orna- 
mented gold frame. ne 


615 


619 


A BOY OF GLAMORGAN SHIRE. 
Drawn by R. Westall. [Three verses]. Published as 
the Act directs. 21 Feby 1788 by S. Watts, No 28 Wal- 
cot place Lambeth. Impression with the inscription ; 
printed in bistre. With large margin showing the 
plate-mark. 
Companion to No. 617. 


THE EMPEROR CHARLES Vth RESIGNING the 
crown of Spain & Flandres to Philip Id. 
Painted by R. Westall. [Four lines of text.] London 
Publish’d as the Act directs 1st Jany 1802 by 8. Watts 
No 9 Kennington Cross Lambeth & T. Ryder No 43 
Titchfield St. Oxford Road. Superb impression with 
the inscription; printed in colors. With margin lack- 
ing the plate-mark. 


A GIRL OF CARNARVON SHIRE. 
Drawn by R. Westall. Published as the Act directs, 
22d Feby 1788, by S. Watts No 28 Walcott place. 
Lambeth. Impression with the inscription; printed in 
bistre. With large margin. 
Companion to No. 615. 


MISS HORROP. 
Publish’d as the Act directs Jan. 1 1785. Superb proof 
before letters but with the engravers’ names and the 
publication line in traced letters only ; printed in bistre. 
With margin showing the plate-mark. 


THE LAST SUPPER. 

Painted by B. West. Published Jany 2 1797 by John 
& Josiah Boydell No 90 Cheapside & at the Shakespeare 
Gallery Pall Mall. Magnificent impression with the 
inscription; printed in colors. With margin trimmed 
to the plate-mark. 


MISS MARIA LINLEY. 


Painted by R. Westall. [Four verses.] Very fine 
proof before the publication line, but with the title; 
printed in bistre. With large margin. 


Mrs. SIDDONS as Jane Shore. 
Painted by Miss Langham. [Two verses]. Published 
as the Act directs Feb Ist 1790 by 8. Watts No 9 
Kennington Cross, Lambeth & to be had at T. Ryder 
No 43 Titchfield Street. Very fine impression with 
the inscription; printed in red. With margin trimmed 
to the plate-mark. 
106 


622 ANOTHER IMPRESSION OF THE SAME. 


ve Very fine impression with the inscription except the 
name of Mrs. Siddons, which is burnished out. With 
L xt large margin. 


623 SIGNORA STORACE as Clara. 


bs Painted by Miss Craven. [One verse.] Publish’d as 
S the Act directs Feby 1st 1790 by S. Watts. No 9 
xt Kennington Cross, Lambeth. & to be had at T. Ryder’s 
4, .’ No 48 Titchfield Street. Fine impression with the 
inscription ; printed in bistre. With margin but lack- 

ing the plate-mark. 


WILLIAM WYNNE RYLAND. 
1732-1783. 
Pupil of Ravenet, Boucher and LeBas. 


624 BRITANNIA directing Painting, Sculpture, and Archi- 
tecture to adress themselves to Royal Munificence, 
He or who receives, and offers them protection and re- 


y! wards. 7 | 
4 _~ Drawn by Cipriani. Published Aug. 18. 1779 at No 
: 159 Strand. Very fine impression with the inscription ; 
printed in red. With large margin showing the plate- 

mark at the bottom only. 


6244 MISS BROWN afterwards MRS. CARGILL. 


After the artist’s own design. Very fine proof before 
all letters; printed in red. With large margin showing 
the plate-mark. 


a 


625 INFANCY. 


_- After the artist’s own design. Publisd Sepr. 3. 1776. 
3d : By W. W. Ryland in the Strand London. Impression 


ad bow with the inscription; printed in three tints. With large 
margin. 


626 MARIANNE. 


y— After the artist’s own drawing. Publised as the Act 
=f directs Ianuary 3. 1780, by W. W. Ryland London. 
Very fine proof with the inscription in traced letters; 

Uv _ printed in three tints. With large margin. 


107 


627 LAVINIA. 
ee Painted by T. Gainsborough. Very fine impression 
/ 7° with the inscription; printed in colors. The margin 
trimmed to one-eighth of an inch from the engraved 
surface. 


628 THEODORA OFFRING A ROSE TO AMELIA. 
_. Drawn by H. Bunbury. Impression with the inscrip- 
/0 tion; printed in red. The margin trimmed to the en- 


yyw - graved border. 


LOUIS SAILLIAR. 
1748-1795. 


French engraver, born in Paris in 1748. He went to London, where. 
he died in 1795. 


629 HELENA FROMENT. . 
Painted by Van Dyke. Publish’d Feby 1st 1783 by 
if — John Boydell, Engraver in Cheapside. London. Very 
fine proof before the title, the artists’ names and the 
publication line in traced letters. With margin lack- 
ing the plate-mark. Remargined. The impression had 
been folded and pressed out.. 


630 WILLIAM II OF NASSAU. 
i Painted by G. Honthurst. Publish’d Octr Ist. 1781 by 
0: 2 John Boydell. Engraver in Cheapside. London. Fine 
impression with the inscription and with margin show- 
ing the plate-mark. 


LUIGI SCHIAVONETTI. 


1765-1810. 
Born at Bassano, 1765; died in London, 1810. Pupil of Volpato and 
Bartolozzi. 
631 BETZY IN TROUBLE. THE DOG’S FIRST SIGHT 
OF HIMSELF. 


oO f Painted by J. Russell. London Publish’d April 11797 | 
by Messrs Schiavonetti, No 12 Michael Place Brompton. 
A. Very fine impressions with the inscriptions; printed. in 
XL ; colors. With margins showing the plate-marks at top 
and sides. (2) 


632 MADAME CATALANI. 
Drawn by Camerford. London: pubd. June 11th 1810, 
50 for the Proprietor by Colnaghi & Co 23 Cockspur 
| / Street. Very fine open letter proof, delicately colored 
by hand. With margin showing the plate-mark. 


108 


CREDULOUS LADY AND ASTROLOGER 
J.P. SIMON AFTER j-’ R. SMITH 


NUMBER 663 


ae 


HEAD OF A WOMAN. 
Very fine proof before all letters; printed in colors. 
With large margin. 


DR. JOSEPH HAYDN. 
Painted by Guttenbrunn. London Published Octr Ist 
1825, by Colnaghi & Co Pall Mall East. Fine open 
letter proof, with margin showing the plate-mark. 


FIDELIA. 
Drawn by R. Westall. [Three verses.] London, Pub. 
March 1. 1819. by Hurst Robinson & Co Late Boydells. 
90 Cheapside. Impression with the inscription and 
with large margin. A water stain in the lower left 
corner and a crease in the left margin. 


THE FIVE SENSES. 

After the artist’s own drawing. [Ten verses.] Lon- 
don Published March 1st 1801. by Messrs Schiavonetti 
No 12 Michels Place Brompton. Impression with the 
inscription and with large margin. 


HENRIK HOOFT DANIELSZ. Oud Burgemester der 
Stad Amsterdam. 

Painted by A de Lelie. Published in Amsterdam. 

Very fine impression with the inscription; printed in 

colors. With large margin. 


GEORGE WILLIAM LAWTHER. 
After the artist’s own design. Very fine proof before 
all letters; printed on India paper. With margin lack- 
ing the plate-mark. 


MAHMUD II (Mahomet VI). 

Drawn by C. C. Daghle. Superb impression with the 
inscription; printed in colors. With margin lacking 
the plate-mark and the publication line. 


THE MORNING LESSON. 


Painted by Westall. London Published by Samuel 
Very fine impression 


Maunder, No 10 Newgate Street. 
hope with the inscription and with large margin. 


641 


Lo > 


4v. 


QUEEN LOUISA OF PRUSSIA AND HER SISTER. 


Painted by Tischbein. Superb proof before all letters. 
With large margin but lacking the plate-mark. 


(See Illustration.) 
109 


642 


English engraver, born in London in 1746. 


RUSTIC BENEVOLENCH. 
Painted by Zucearelli. London Pubd May 1. 1804. by 
Messrs Schiavonetti No 12 Michaels Place Brompton. 
Very fine impression with the inscription; printed in 
colors. With margin lacking the plate-mark. Laid 
down on cardboard. 


THE STOLEN CHILD DISCOVERED AMID A 
CREW OF GYPSIES. 


Painted by Miss Spilsbury. London Pubd 1805 by 
Messrs Schiavonetti No 12 Michels Place Brompton. 
Very fine impression with the inscription in English 
and in French; printed in colors. With margin at top 
and sides but lacking it at the bottom. 


THE TWO SISTERS. 
Drawn by Edridge. Impression with the inscription ; 
colored by hand. With margin lacking the plate-mark. 
The inscription is lost. 


GABRIEL SCORODOMOFF. 
1748-1792. 
Pupil of Bartolozzi. 


HER HIGHNESS THE PRINCESS OF DARSHKAE. 
After the artist’s own drawing. Published as the Act 
directs 22d Octor 1 1777 by G. Scorodomoff. Very 
fine impression with the inscription; printed in red. 
With untrimmed margin (deckel edges). 


MISS THEOPHILA PALMER. 
Painted by Sir J. Reynolds Published March 10 1775 
by W. M. Picot. No 16 in the Strand. Very fine proof 
before letters; printed in red. With large margin. 


EDWARD SCOTT. 
1746-1810. 
A pupil of Bartolozzi. 


He engraved after Morland, Ramberg and others and died in 1810. 


647 


4X 


JOHN HOWARD. 

Painted by Mather Brown. Open letter proof with 
margin trimmed to the engraved surface at top and 
sides, but leaving enough margin at the bottom to show 
the name of the personage. Laid down. 


110 


648 LINGO AND COWSLIP. 


50 Painted by H. Singleton. London Pubd May 1, 1788 
22 in by I. Birshall No 473 Strand. Very fine open letter 
proof. With untrimmed margin (deckel edges). 


649 MARGARET. 
Painted by J. Dunthorne. Impression with the in- 
Ve ae scription ; colored by hand. With margin showing the 
} yu plate-mark at the sides; it is lacking at top and bottom. 
Part of the inscription is lost. 


650 THE NEW BONNET. 


Drawn by C. Ansell. Impression with the inscription. 
MS. The margin trimmed down to the oval, lacking the 
qn plate-mark. The inscription is lost. 


651 HIS ROYAL HIGHNESS THE PRINCE OF WALES. 


Painted by Cosway Pubd Jany 1 1793 by E. Scott. 
Open letter proof; colored by hand. With margin but 


i 
ad lacking the plate-mark. . 


EDWARD SCRIVEN. 
1775-1841. 


English engraver, born at Alcester, near Stratford-on-Avon, in 1775. 
He was a pupil of Robert Thew, worked at one time for Boydell, and died 
in 1841, 


652 MARIANNA AUGUSTA. 
$0 Painted by A. W. Davis. Published Jany 2d 1809 by 
Bige Clay & Seriven Ludgate Hill London. Very fine open 
letter proof, with margin showing the plate-mark. 
653 D. DAVIES, D.D. 


a Painted by J. Allen. Published by Agnew & Zanetti. 

p Printsellers Manchester 1826. Very fine open letter 

an proof; printed on India paper. With large margin 
showing the plate-mark. 


654 MRS. WALL. 


- Painted by Edridge. Very fine proof before the paint- 
er’s name was replaced by the title; printed on India 
yt. paper. With very large margin. 


ja 


655 WILLIAM WILBERFORCE, ESQ? M.P. 
ge Drawn by Slater. London Published April 10th 1815 
3 f by J. Slater, No 17 Newman Street. Very fine open 
4yo4- letter proof; printed on India paper. With very large 
ae margin. 


656 ELIZABETH YORKE OF ERTHIG. 

S Painted by Cotes. Impression with the inscription; 
St printed on India paper. With margin trimmed to the 
WS i engraved border; the publication line is lost. 


e 


GEORGE SHEPHERD. 


English engraver, born about 1760. He engraved in stipple and 
mezzotint. Among his most famous works are the ‘‘ Attitude of Lady 
Hamilton’’ and ‘‘The Fleecy Charge’’ after Morland. 


657 JENNY. 
Drawn by H. Bunbury. Published 24th Feby 1795 by 
q aa Laurie & Whittle 53 Fleet Street London. Very fine 
impression with the inscription; printed in bistre. 
4 With large margin. 


JOHN KEYSE SHERWIN. 
1751-1790. 

An English engraver who was born in 1751 and died in 1790. He 
studied under Bartolozzi and others and in 1772 gained the gold medal 
of the Royal Academy. On the death of Woollett he was appointed 
engraver to the King. 


658 THE FORSAKEN FAIR. 
d Ss, After the artist’s own design. [Twenty-eight verses. | 
London Pubd Janry 1st 1791 by Robert Wilkinson No 
Ow” : 58 Cornhill. Very fine impression with the title in 
; open letters. With large margin. 


659 MRS. HARTLEY in the character of Andromache. 
After the artist’s own painting. [Two verses.] Pubd. 
gq Pe by I. K. Sherwin No 28 St James’ Street, & W. Hinton, 
/ Sweetings Alley Royal Exchange. Decr. the 15 1782. 
Fine impression with the inscription in traced letters. 
With margin lacking the plate-mark. 


660 MRS. ROBINSON AS PERDITA (?) 
After the artist’s own design. Impression colored by 
hice hand, with margin trimmed to the engraved border and 
laid down. 
112 


SULABSPRARE. 


SF SPN Gif ee ae 3: BP Page SE 
die $ Pais BP Prag é 
6 MELT Moris fh PODIEE ; 
2 ie : 7 


Pehl 


MERRY WIVES OF WINDSOR 
J. P. SIMON AFTER REVD.° W. PETERS 
[NUMBER 665] 
Companion to Number 666 


661 A TALE OF LOVE. 
se Drawn by H. Bunbury. [Four verses and two lines of 
yd —_ dedication.] London Published 3 March 1788 by 
. dames Bretherton New Bond Street. Very fine impres- 
aaa sion with large margin showing the plate-mark. 


ROBERT WILLIAM SIEVIER. 
1794-1865. 


English engraver, born in London in 1794. He studied under Young 
and Scriven, was a Fellow of the Royal Society, and died in 1865. 


662 EDWARD LORD ELLENBOROUGH. 
5? Painted by Sir T. Lawrence. London. Published June 
Lb? — 4, 1819, by R. Cribb No 288 Holborn. Very fine im- 
pression with the inscription. With large margin. 


e 


JEAN PIERRE SIMON. 
1769-? 


French engraver, born in 1769. He went to London when very young 
and worked for Boydell. 


663 CREDULOUS LADY AND ASTROLOGER. 


Painted by J. R. Smith. Superb impression with the 
300 — _ inseription; printed in colors. With margin showing 
_ the plate-mark. The publication line is erased from 
qu” this impression. Small tears in the lower margin care- 
“ fully repaired. 
(See Illustration.) 


664 HELOISE. 


1o- Very fine proof before all letters; printed in colors. 
With margin, but lacking the plate-mark. 


665 MERRY WIVES OF WINDSOR. 

Painted by Revd W. Peters. Publish’d Decr 24 1793 
470 ~ by John & Josiah Boydell, at the Shakspeare Gallery 
: Pall Mall & Cheapside. Superb impression with the 
inscription; printed in colors. With margin showing 
4, a the plate-mark. A small tear in the upper margin. 
we In 4-inch mahogany frame decorated with Louis XVI 

bronzed ornaments. 

Companion to No. 666. 


(See Illustration.) 
113 


666 MUCH ADO ABOUT NOTHING. 

Painted by Revd W. Peters. Published June 4th 1790 
-- by John & Josiah Boydell at the Shakspeare Gallery 
5] W) Pall Mall & at No 90 Cheapside. Superb impression 
with the inscription; printed in colors. With margin 
4 Ps showing the plate-mark. The engraving has been 
stretched and mounted. A small tear in the inscrip- 
tion space skilfully repaired. In 4-inch mahogany 

frame decorated with Louis XVI bronzed ornaments. 

Companion to No. 665. 


(See Illustration. ) 


JOHN HENRY SINGLETON. 
1766-1839. 
English painter born in London in 1766. He died in 1839. 


667 THE AMOROUS COMMANDER. 


6 ack _ Very fine proof before all letters ; with margin trimmed 
qr” almost to the engraved border. 


668 CAROLINE OF LICHTFIELD. 
35,6 xf Superb proof before all letters; printed in dark brown. 


Dy With margin, but lacking the plate-mark. 
669 LAURA MATHILDA. 


By After the artist’s own design. Publish’d Augt 23d 
Pe 1790 No 1 Hervey Buildings Strand. Very fine im- 


5 
wg. 


pression with the inscription. With large margin. 


HEINRICH SINTZENICH. 
1752-1812. 


_ German engraver, born in Mannheim in 1752. Studied under Barto- 
lozzi. He died in Munich in 1812. 


670 CASSANDRA. CECILIA. 


Ly, The first one painted by A. Hickel, the second by 
oe Dominichini. Very fine open letter proofs; printed 
j we in colors. With large margins. (2) 


671 SOPHONISBE. 


ae Painted by F. Solimena. Very fine impression with 
b the inscription, but before the dedication; printed in 
uv brown. With large margin. 


114 


PIETER SINTZENICK. 


German engraver; brother of Heinrich; worked in London about 1789. 


672 HER ROYAL HIGHNESS CAROLINE AMELIA 
ELIZABETH PRINCESS OF WALES. 


a. Painted by C. Hoyer. [Four lines of dedication.| 
London Published March 25 1795 by Cornelius Hoyer. 
48 . No 3 Little Titchfield Street. Very fine impression 


with the inscription; printed in bistre. With very 
large margin. 


BENJAMIN SMITH. 
?-1833. 


Engraver in chalk manner. Born in London. He was a pupil of 
Bartolozzi and died in 1833. 


673 Mr. BARRYMORE. 


ae Painted by T. Hardy. London Published Jany 2. 1804 

Boke by John P. Thompson Gt Newport Street. Printseller 

to His Majesty & the Duke & Duchess of York. Very 

Ae fine impression with the inscription; printed in colors. 
With large margin. 


CHARLES SMITH. 
?-1824. 


Painter-engraver, a native of the Orkneys. He studied in London and 
died in 1824. 


674 THE PRETTY GARDNER. 


2 os Painted by C. Townsend. Impressions with the in- 
scriptions printed in colors. With margins lacking the 
plate-marks and the publication lines. The titles have 
been cut out and the space filled with a piece of white 
paper. (2) 


675 INSTRUCTION. 


Painted by R. H. Wilson. London Publish’d April 1st 
x 1807, by J. Cetti & Co 54 Red Lion Stt. Holborn. Im- 
qd x pression with the inscription; printed in colors. With 
margin showing the plate-mark at the top and sides 

but lacking it at the bottom. 


fab of 


Celebrated painter and engraver. 


JOHN RAPHAEL SMITH. 
1752-1812. 


He was born in Derby in 1752. 


Worked in stipple and mezzotint. Died in 1812. 


676 AGATHA. 


ay 
4% 


Engraved by E. J. Dumee. London Published May 
12th 1788 by J. R. Smith No 31 King Street Covent 
Garden. Julia Frankau, page 48. Impression with the 
inscription; printed in colors. With margin lacking 
the plate-mark. 

Companion to No. 691. 


677 ATTENTION. 


[0 
ie 


678 


eee 


ae 


After the artist’s own painting. Frankau, page 44. 
Impression in bistre, with margin trimmed to the en- 
graved border and laid down on cardboard. 

Companion to No. 684. 


BELISA. 


After the artist’s own design. London Publish’d July 
18 1783 by I. R. Smith No 83 Oxford Street. Frankau 
No. 31. Impression with the inscription; printed in 
bistre and colored by hand. With margin lacking the 
plate-mark. 


BOWZEBEUS AND CICILY. 


Painted by J. Northcote. London Publish’d September 
30th 1786 by J. R. Smith No 83 Oxford Street. Frank- 
au No. 43. Very fine impression with the inscription ; 
printed in bistre. With margin showing the plate- 
mark at the bottom only. 

Companion to No. 683. 


THE CHANTRESS. , 
After the artist’s own design. London Publish’d Apl 
5 1802 by Io Harris No 3 Sweetings Alley Cornhill & 
Broad Street. Frankau No. 72 bis. Impression with 
the inscription. With very large margin. Not an early 
impression. 


CLARISSA HARLOWE & SOLMES. 


Drawn by W. Beechey. London Publish’d April 19 
1783 by J. R. Smith No 83 Oxford Street. Frankau 
No. 83. Very fine impression with the inscription and 
with margin showing the plate-mark. 


116 


CONTEMPLATING THE PICTURE. 


After the artist’s own design. London Publish’d Novr 
1785 by J. R. Smith No 31 King Street Covent Garden. 
Frankau No. 90. Very fine impression with the in- 
scription; printed in bistre; slightly touched up by 
hand. With large margin. 


HOBNELLA AND LUBBERKIN. 
Painted by J. Northcote. London Publish’d September 
30th 1786: by J. R. Smith No 83 Oxford Street. 
Frankau No. 178. Very fine impression with the in- 
scription; printed in bistre, with margin showing the 
plate-mark at the bottom only. 
Companion to No. 679. 


INATTENTION. 
After the artist’s own design. Frankau, page 44. Im- 
pression printed in bistre, with the margin trimmed 
to the engraved border and laid down on cardboard. 
Companion to No. 674-7 


INNOCENCE AND THE OLD BEAU. 
After the artist’s own drawing. London Publish’d 
March 4th 1790 by J. R. Smith King Street Covent 
Garden. Frankau No. 193. Very fine impression with 
the inscription; printed in bistre. With large margin 
showing the plate-mark. 


LOVE VANQUISHED BY AVARICE. 
After the artist’s own design. Frankau No. 224. Im- 
pression printed in colors. With the margin trimmed 
to the engraved border. 


SERENA AND FLIRTILLA. 


After the artist’s own design. Frankau No. 242. Very 
fine open letter proof, with margin lacking the plate- 
mark and the publication line. 


A SNAKE IN THE GRASS. 


Painted by Sir J. Reynolds London Pubd Augt 1st 
1828 by S. W. Forres 41 Piccadilly. Frankau No. 326. 
Superb impression with the inscription ; printed in 
colors. With very large margin. 

(See Illustration.) 


117 


689 SOCIETY IN SOLITUDE. 
After the artist’s own design. Frankau No. 328. 
Ad London Publish’d Novr 14th 1785 by J. R. Smith 
ry No 83 Oxford Street. Fine impression with the in- 
Ae: scription. With margin showing the plate-mark. 


690 THE SAME. 
—~ A French copy; printed in colors and touched up with 
LB the brush. With margin trimmed to the engraved sur- 
face. 


691 THE SOLDIER’S FAREWELL. 
After the artist’s own painting. London Publish’d 
ied May 12th 1788 by J. R. Smith No 31 King Street — 
4 Covent Garden. Frankau No. 329. Impression with 
«ho the inscription printed in colors with margin lacking 


/K the plate-mark. 
Companion to No. 676, 


692 ARCHNESS. 
_ Painted by J. Hoppner. London Publish’d March 10th 
qe 1785 by J. R. Smith. Not mentioned by Frankau. 
{ : Impression with the inscription; printed in colors. 
rf With small margin remounted in an engraved frame. 


693 THE TOBACCO BOX. 


3 Painted by H. Walton. London Publish’d May 14th 
5° 1785 by J. R. Smith No 83 Oxford Street. Not men- 
tioned by Frankau. Impression with the inscription; 
Jj printed in colors and touched up with the brush. With 
: margin lacking the plate-mark. In 1-inch ornamented 
Sb ; mahogany frame with offset corners. 
Companion to No. 381. 


118 


FIFTH SESSION 
Friday Evening, January 12, 1917, at 8:15 o'clock | 


LOTS 694-853 


F. D. SOIRON. 


English engraver who flourished in London about 1790. His most 
famous plates were ‘‘Tea Garden’’ and ‘‘St. James ‘gs Park; ?’ 


694. THE PROMENADE IN ST. JAMES’S PARK. 
Painted by E. Dayes. London Publish’d Jany 1793 by 
y- TT. Gaugain. No lo Five Fields Row, Chelsea. Very 
Lt fine impression with the inscription and with margin 


oe showing the plate-mark at the bottom only. In 344- 
y inch ornamented oak frame. 


Companion to No. 303. 
(See Illustration.) 


695 EDWIN AND ETHELINDE. 
Po ' Painted by H. Bunbury. London Published Nov. 10. 
5 ae 1790 by T. Macklin Poets Gallery Fleet Street. Very 
'@) . fine impression with the title in open letters. With 
V~ untrimmed margin (deckel edges). 


696 UNIFORMS OF ENGLISH SOLDIERS: Light Horse- 
man. Light Infantry Man. Foot Soldier. Life 

50 < Guardsman. 
3 Painted by H. Bunbury. London Published J uly 20 & 
atl 30 1791 by Thos Macklin Poets Gallery Fleet Street. 
: Superb impressions with the inscriptions; printed im 
colors. With margin but lacking the plate-marks. (4): 


ROBERT STANIER. 
English engraver who was working in London from 1770 to 1790. 


697 DUCHESS OF RUTLAND. 
eS Painted by Stocker. Very fine proof before the title = 
G0 printed in light bistre. With margin lacking the plate- 
x mark and the publication line. 


A 119 


JOHN STEWART. 
1791-1863. 
Painter and engraver. 


698 MISS PATON as Susanna, in the Marriage of Figaro. 
Per After the artist’s own design. London Published Novr. 
| D 18th 1823 by W. Cribb 34 King Street Covent Garden. 

- Very fine open letter proof; partly printed in colors. 
P). : With margin trimmed to the plate-mark. 


JAMES STOW. 


699 SIR JOHN BORLASE WARREN Bt & K.B. 

ee Painted by S. Drummond. Published July 22 1799 by 
40 James Stow, Hammersmith, and at No 117 Oxford 
yt Street London. Very fine impression with the inscrip- 
Be) tion and with large margin. 


JOSEPH STRUTT. 
About 1749-1802. 
English engraver and critic. 


700 THE INNOCENT STRATAGEM. 
a ~ Painted by T. Stothard. Very fine proof with the 
2 artists’ names only; printed in bistre. With small 
G 2 margin lacking the plate-mark and the publication line. 
: Companion to No. 702. 


401 THE IMPRUDENCE OF CANDAULES, KING OF 

LYDIA. 

40 “Painted by HE. LeSueur. London Publish’d July 11 

- 1787 by J. Thane. Rupert Street, Hay Market. Fine 

aad impression with the inscription; printed in red. With 
margin lacking the plate-mark. 


702 THE POWER OF INNOCENCE. 


i Painted by T. Stothard. London Publish’d March 1st 

pus 1792 by J. Thane Rupert Street Hay Market. Very 

fine proof before the title; printed in bistre. With 

x margin showing the plate-mark at top and sides, but 
4 ae: lacking it at the bottom. 
Companion to No. 700. 


120 


Sree: 


Pied Fe he PER IEF 


SILAKSPEARE. Lely, Mar hte Aales 


ce dteen, 8 rtsta, 7 4€ Pome yn sok ee S 
Pirin Meme z Lipstik Ee: LOE, é : 2 2. feo ng 
xs ies : - Slick ALE howl MAEM : pes < 


MUCH ADO ABOUT NOTHING 
{. 2. <SIMON AFTER REVD. W. PETERS 


NUMBER 666 
Companion to Number 665 


703 


709 
es 
Mol , 


GEORGE TOWNLEY STUBBS. 
1756-1815. 
English engraver, son of George Stubbs, the painter. 


CONSANGUINARY LOVE. 


Drawn by A. Van Osen. London Pubd Feby 20th 1798 
by G. T. Stubbs No 97 High Street Marylebone. Im- 
pression with the inscription; printed in bistre and 
colored by hand. With margin lacking the plate-mark. 


ELIZABETH COUNTESS OF DERBY. 


Drawn by H. D. Hamilton. Very fine impression;. 
printed in red. With margin lacking the plate-mark 
and the publication line. 


NERISSA. 
Engraved by W. F. Wells. London Pubd May 12th 
1800 by Geo Townly Stubbs No 97 High Street Mary le 
Bone. Impression with the inscription; printed in 
colors. With margin lacking the plate-mark. 


REFRESHMENT AT ST. JAMES’S. 
MENT AT ST. GILLES’S. 


Painted by C. Ansell. London Publish’d June 1st 1789 
by G. T. Stubbs No 2 Compton Street Soho. Impres- 
sions with the inscriptions; printed in bistre. With 
margins showing the plate-marks at the bottoms only. 

(2) 


REF RESH- 


RIVAL BALLOONS. 
Pubd 1st Nov 1785 by Geo Townly Stubbs Peters Court 
St Martin’s Lane London. Very fine impression with 
the inscription; printed in bistre. With small margin 
lacking the plate-mark. 


WARREN HASTINGS Esar. 


Painted by G. Stubbs. London Published April 30 
1795 bt G. T. Stubbs. 86 High Street Mary’bone. Very 
fine impression with the inscription; printed in colors. 
With small margin lacking the plate-mark. 


JOSIAH WEDGWOOD. 


Painted by G. Stubbs. London Published Feby 10 
1795 by Geo. Townly Stubbs No 86 High Street Mary- 
bone. Impression with the inscription and with margin 
showing the plate-mark. 


121 


Ss. I. STUMP. 


710 MISS MELLON. 


ee After the artist’s own design. Very fine impression 
)2 with the title in open letters and before the lace on the 
DKS : dress around the breast. . 


711 ANOTHER IMPRESSION OF THE SAME. 


The dress has been changed and the impression is partly 
ie printed in colors, slightly touched up by hand. With 
/ af ras margin lacking the plate-mark. 


SAMUEL TAYLOR. 


English engraver, born in Scotland towards the middle of the XVIIIth 
century. He worked in stipple and mezzotint. 


712 THE MILUER. 
- After the artist’s own design. [Hight verses.] London 
/ b Published as the Act directs Octr 1st 1787 by C. Taylor 
- ‘No 10 near Castel Street Holborn. Impression with 
iy’ the inscription; printed in bistre. With small margin 
bes lacking the plate-mark. Laid down. 


CHARLES TAYLOR. 
YVAG-T 7 


English engraver, born in London in 1748. He studied under Barto- 
lozzi, and died towards the end of the XVIIIth century. 


713 MODERATION. 

Zz After the artist’s own design. May Ist 1791 Pub- 
lished by C. Taylor Holborn London. Very fine im- 
pression with the inscription; printed in bistre. With 
large margin. 

Companion to No. 714. 


714 REFLECTION. 


g oS After the artist’s own design. May 1st 1791 Pub- 
lished by C. Taylor Holborn London. Very fine im- 
pression with the inscription; printed in bistre. With 
S ' large margin. Slightly foxed. 
fa Companion to No. 713. 


122 


GAETANO TESTOLINI. 


Italian engraver who was working in Paris and London from 1760 to 
1795. 


715 THE DUCHESS OF C. GIVING HER DAUGHTER 
pad TO COUNT BELMIRE. 
Lp ie ~ Painted by T. F. Rigaud. Superb impression with the 
inscription; printed in colors. The margin trimmed 
eeu down to the oval is lacking the plate-mark. 


JAMES THOMSON. 
1787-1850. 
Celebrated engraver whose work was almost exclusively in portraiture. 


716 THE REV4 JOHN WESLEY, A.M. 
1 e Painted by J. Jackson. Published August 1828 by J. 
Mason 14 City Road & 66 Paternoster Row. Impres- 
yr’: sion with the inscription ; printed on India paper. With 
margin trimmed to the plate-mark. 


PATON THOMSON. 
Py. i1e2l. 


English engraver, born in the middle of the XVIIIth century. En- 
graved portraits. 


717 ROBERT BURNS. 
Painted by A. Nasmyth. Published as the Act directs 
Peps June 1805 by T. Preston Strand London & G. Thomson 
Edinburgh And re-engraved for the New Edition of 
1817. Fine impression with the inscription and with 
small margin lacking the plate-mark. 


PELTRO WILLIAM TOMKINS. 
1760-1840. 
He was a distinguished pupil of Bartolozzi. 


718 PORTRAIT OF THE ARTIST. 
Engraved by Schiavonetti after G. Engleheart. Lon- 
{= don published for the proprietor January 1 1807 Sold 
by Longman, Hurst, Rees and Orme. Pater Noster 
Mae Row. Impression with the inscription and with small 
“margin lacking the plate-mark. 


123 


719 


Die 


721 


FRANCIS DUKE OF BEDFORD. 
Painted by J. Hoppner. Published as the Act directs 
April 7 1802 by P. W. Tomkins 49 New Bond St. Lon- 
don. Fine impression with the inscription; printed in 
colors and touched up with the brush. With margin, 
but lacking the plate-mark. 


THE BIRTH OF THE THAMES. 
Painted by M. Cosway. [Four verses and three lines 
of dedication.] London, Pub. Jany. 1. 1802, by R. 
Ackermann, Repository of Arts, No 101 Starand. Very 
fine impression with the inscription; printed in dark 
bistre. With margin showing the plate-mark. A small 
tear in the lower margin carefully repaired. 


CUPID PLAYING WITH FLOWERS. 
After the artist’s own design. Drawn, engraved and 
Published by P. W. Tomkins. No 53 New Bond Street. 
London July 16 1819. Beautiful proof before the title. 
With very large margin trimmed to the plate-mark. 


CHARLOTTE. Queen of George III. 


Painted by Sir W. Beechey. Superb proof before all 
letters. With large margin. 


A COTTAGE GIRL SHELLING PEASE. 
Painted by W. R. Bigg. Published as the Act directs, 
30th May 1787 by S. Watts, No 28 Walcot Place Lam- 
beth. Superb impression with the inscription ; printed 
in bistre. With large margin. 
Companion to No, 725. 
(See Illustration. ) 


ANOTHER IMPRESSION OF THE SAME. 


Beautifully printed in colors. The margin trimmed to 
the engraved border. In 2-inch gilded frame. 


A COTTAGE GIRL GATHERING NUTS. 
Painted by W. R. Bigg. London Published as the Act 
directs May 1 1789 By S. Watts No 30 opposite Old 
round court Strand. Superb proof before the title, but 
with the artists’ names and the publication line in 
traced letters; printed in bistre. With large margin. 
Companion to No. 723. 
(See Illustration.) 


124 


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P ossalore Ee 2 


A SNAKE IN THE GRASS 
R. SMITH AFTER J. REYNOLDS 


NUMBER 688 


LEE cape ae  LEKBPE fond seginph ee es 


Fee PIRES 


726 EMILY. 
/ ok Drawn by Miss Julia Conyera. London Pub. as the 


Act directs Feb 25th 1795. Charming open letter 
ro ae proof ; printed in bistre. With margin, but lacking the 
plate-mark. 


727 THE ENGLISH DRESSING ROOM. 


“iil Drawn by C. Ansell. Impression with the inscription 

in traced letters; printed in bistre. The margin 

gun trimmed down to the oval, leaving just enough to show 
: the artists’ names. 


“ot FLORIZEL AND PERDITA. 
3 vd 8 Drawn by 8S. Harding. [Six verses.] London Pub- 
lish’d Nov. 30 1782 by Thos Macklin No 39 Fleet Street. 
Very fine impression with the inscription; printed in 
red. With margin, but lacking the plate-mark. 


729 A L’ANGLAISE—The English Fireside. 


re ~ Drawn by C. Ansell. Very fine proof before the title, 
b with the artists’ names in traced letters; printed in red. 
With margin, but lacking the plate-mark and the publi- 
- cation line. 
Companion to No. 730. 


730 A LA FRANCAISE—The French Fireside. 
- Drawn by C. Ansell. Very fine proof with the artists’ 
/ 05° names in traced letters; printed in bistre. With the 
- margin trimmed down to the oval, leaving just enough 
gy to show the artists’ names. 
Companion to No. 729. 


731 ANOTHER IMPRESSION OF THE SAME. 


2 iy a Very fine trial proof. Before all letters and before the 
. additional works of the roulette. The fleshes are deli- 
qu cately tinted with the brush. VERY SCARCE. 


732) THE FRENCH TOILETTE. 


jo- Drawn by C. Ansell. Published April the 7th 1789, by 
7 Ino Matthews No 441 Strand. Superb proof before 
oy - the title, but with the artists’ names and the publication 

- line; beautifully printed in colors. With large margin. 


(See Illustration.) 
125 


A GIRL OF MODENA. 


Drawn by Benwell. Impression with the inscription. 
The margin trimmed down to the oval, showing only 
the name of Tomkins. 


THE GLEANER. 


Drawn by C. Ansell. Very fine impression with the in- 
scription; printed in colors. With small margin lack- 
ing the plate-mark. The inscription is lost. 


MISS LINWOOD. 


London published as the Act directs April..... for 
the proprietor by P. W. Tomkins No 49 New Bond St. 
Very fine impression with the inscription; printed in 
colors. With margin lacking the plate-mark. A small 
tear in the left margin and small repairs in the inscrip- 
tion margin. 


PALEMON AND LAVINIA. 


Painted by W. Lawranson. London Publish ’d May 22 
1782 by J. Birchall No 473 Strand. Very fine impres- 
sion with the inscription; printed in colors. With mar- 
ein trimmed down to the oval, but showing the inscrip- 
tion. 


MISS SIDDONS. 
Painted by 8. Medley. London Published as the Act 
directs Feby 17 1803 By P. W. Tomkins. No 3 New 
Bond Street. Very fine proof before the title, with the 
artists’ names and the publication line in traced letters. 
With large margin. 


HENRY STOCKMAN. 


Drawn by Poggi. Superb proof before all letters ; 
printed in red. With very large margin. 


THE VESTAL (portrait of the Duchess of Rutland). 


Painted by Sir Joshua Reynolds. [Six verses. ] Pub- 
lish’d May 1 1801 by Anthy Molteno, Printseller to her 
Royal Highness the Dutchess of York No 29 Pall Mall. 
Magnificent impression with the inscription ; printed in 
colors. With large margin. 

126 


740 ZILIA IN THE TEMPLE OF THE SUN. 


7 7 Painted by miss Drax. London Publish’d as the Act 

rat directs May 27 1786 by P. W. Tomkins No 75 Queen 

A yd. Ann Street Hast Marylebone. Very fine impression 

fy with the inscription; printed in bistre. With large 
margin. 


TOMSON. 


741 THE PROGRESS OF PAINTING. 


oe Drawn by Cipriani. <A Paris chez Gamble & Coipel, 
om Rue des Piques, au coin du Boulevard. Very fine im- 
pression with the inscription; printed in colors. With 


ee large margin. », , LN EA fy 7 


THOMAS TROTTER. 
17 lOO s. 


Engraver and draughtsman, born in London in the middle of the 
XVIIIth century. 


742 GRECIAN DAUGHTER (Portrait of Mrs. Siddons). 


Painted by Sir T. Lawrence. [Seven lines of dedica- 

{0 tion]. Publish’d Septr 8th 1783 by T. Lawrence Al- 

fred Street Bath, & I. R. Smith Oxford Str. London 

Ak and No 10 Haymarket. Very fine impression with the 
inscription ; printed in bistre. With large margin. 


‘WILLIAM VAN SENUS. 
1770-1830. 
Dutch engraver, who was a pupil of Bartolozzi and later returned to 
Amsterdam. 


743 CAROLINE. 


5- Painted by J. R. Smith. London Publish’d by Colnaghi 
& Co No 122 Pall Mall Amsterdam Publish’d the 1st 

of May 1798 by C. Josi in the Kalverstraat. Very fine 

4 rb. impression with the inscription and with large margin. 


127 


GIOVANNI VENDRAMINI. 
1769-1839. 
Italian engraver, born near Bassano, He was a pupil of Bartolozzi. 


744 JOSEPH NOLLEKENS, Esq. R.A. 


Drawn by W. Evans after a painting by F. Abbot. 
Ht “Published Oct 21 1816 by T. Cadell & W. Davies Strand, 
London. Fine impression with the inscription in open 
letters; printed in bistre. With margin but lacking the 
or plate-mark. 


WILLIAM WALKER. 
1793-1867. 
A Scottish engraver who studied art under John Mitchell. 


745 SIR HENRY RAEBURN. 


__- Painted by himself. [Four lines of dedication.] Pub- 
AS lished 1st Jany 1826 By W. Walker No 3 Great King 
: | Street Edinburgh. Very fine open letter proof; printed 

/ U on India paper. With very large margin. 


746 ANOTHER IMPRESSION OF THE SAME. 
Very fine proof before all letters; printed on India 


| j 5 ‘he paper. With large margin. 
he 


WILLIAM WARD. 
1766-1826. 


Painter and engraver. He served an apprenticeship to J. R. Smith, 
and engraved many of the pictures of his brother-in-law, George Morland. 
He was elected an Associate of the Royal Academy. 


747 ALMEIDA. 
(so a After the artist’s own design. Very fine impression; 
a _ printed in colors. With the margin trimmed to the 
4 engraved border. 


748 HESITATION. 
_ After the artist’s own design. Impression printed in 
Joo colors. With margin lacking the plate-mark. The in- 
scription is lost and the name of the artist has been 
aseets erased from the print. In 2-inch mahogany frame 
. decorated with Louis XVI ornaments. 


128 


cOv TIGuINK] OF uOTUBGUIO") 
[69 UaAaWOAN] 


SHAVG ‘A UALAV NOUWIOS ‘d ‘A 
MuUvd s SaAWV[ “LS NI JGVNAWOUd AHL 


6 


. setts Bon < Se & os #5 : 
pee SOS CEIN GY Pos tobe NH Ree OL yh 
— . ae c ‘ ae / 


749 PRIVATE AMUSEMENT (Reflection). 


/ yon Painted by H. Ramberg. Very fine impression with 
the inscription; printed in bistre. With margin 

A. pt trimmed down to the oval, just showing the artists’ 
names. 


750 TEMPTATION. 


56 — Painted by H. Ramberg. Published 25th July 1794 by 

R. Laurie & J. Whittle, No. 53, Fleet Street, London. 

jx Impression with the inscription. With margin show- 
ing the plate-mark. Not an early impression. 


751 THOUGHTS ON MATRIMONY. 


— _ Drawn by J. R. Smith. [Two verses.| London Pub- 

AS — lish’d May 25th 1786 by J. R. Smith No 83 Oxford 

_ Street. Very fine impression with the inscription; 

Gy’ tinted with the brush. With margin showing the plate- 
. mark. 


CAROLINE WATSON. 
1760-1814. 


Daughter of James Watson. In 1785 she received the appointment of 
engraver to Queen Caroline. 


792 CAPt. WILLIAM ALLEN. 


ai After the artist’s own design. [Three lines of descrip- 

tion.| London: Republished 1 May 1824, by Robert 

DA ¢d Wilkinson No 125, Fenchurch Street. Fine impression 
with the inscription and with large margin. 


Ms 


753 PRINCESS AMELIA. 


ag Painted by J. Hoppner. Impression with the inscrip- 

tion. The margin trimmed to the engraved border at 

A yf the top and sides, just showing the artists’ names at 
oR the bottom. Inlaid to quarto. 


754 HUGH BOYD. ESQ. 


) After a crayon drawing. Pub. Feb 20 1806. by Richard 
Phillips. Bridge St. London. Fine impression with the 
Cit inscription and with margin showing the plate-mark. 


129 


762 


4. 


LT. GENL. SIR ROBERT BOYD. 


Very fine proof with the name of the engraver in traced 
letters only. 


GEORGE CAMPBELL. 


Painted by J. Boyle. Published as the Act directs 
Janry 11798. Very fine proof before the dedication. 
With large margin. 


ELIZ. CARTER. 
Painted by T. Lawrence (sic). Published According 
to Act of Parliament April 4 1808, by Mary Parr No 


52 Pall Mall. Very fine impression with the inscrip- 
tion and with large margin. 


THE EARL OF CHATHAM. 
Pub: by Richard Phillips, Mar. 6. 1806 New Bridge St. 
Impression with the inscription. With small margin 
showing the plate-mark at the bottom only. | 


NATHANIEL CHAUNCY ESQ': 
Painted by Sir J. Reynolds. Fine impression with the 


inscription. With small margin lacking the plate- 
mark and the publication line. Inlaid to quarto. 


CONTEMPLATION (Portrait of Mrs Stanhope). 
Painted by Sir J. Reynolds. Publish’d Jan 1st 1790 
by John & Josiah Boydell, Cheapside & at the Shak- 
speare Gallery, Pall Mall London. Delicately colored 
by hand. With margin showing the plate-mark. 


THEIR EXCELLENCIES PRINCE GEORGE AND 
PRINCESS BARBARA GARGARIN with Prince 
Nichols their Son. 

Painted by Sir J. Reynolds. Published according to 

Act of Parliament Augt. 2. 1785; by Caroline Watson, 

Fitzroy Street. Very fine impression with the inscrip- 

tion and with large margin. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine proof before the title, but with the artists’ 
names and the publication line. With margin showing 
the plate-mark. 


130 


py 


DP, 


A COTTAGE GIRL SHELLING PEASE 


BIGG 


R 


TOMKINS AFTER W 


P 


ion to Number 725 


NUMBER 723 


| 


Compan 


j al 
¢ 
: 
4 r iy, 
aie 
‘ tat 


763 CASSANDRA (Portrait of Lady Hamilton). 
= Painted by G. Romney. Published April 14th 1809 by 


xf Thomas Payne Pall Mall. Fine impression with the 
G4 - inscription. With margin, but lacking the plate-mark. 


764 MIRANDA (Portrait of Lady Hamilton). 
Pa Painted by G. Romney. Published April 14th 1809 by 


Thomas Payne Pall Mall. Fine impression with the 
4G xf inscription and with margin lacking the plate-mark. 


765 SENSIBILITY (Portrait of Lady Hamilton). 


cS y= Painted by G. Romney. Published April 14th 1809 by 

3. fe Thomas Payne Pall Mall. Fine impression with the 

x | inscription and with small margin lacking the plate- 
mark. 


766 THE RIGHT HONDPle SIR JAMES HARRIS. 


a Painted by Sir Joshua Reynolds. [Three lines of 

Yd titles.] Publish’d according To Act of Parliament, 

4 ard. Novr: 30th: 1786, by Caroline Watson, Fitzroy Street. 

Saks Superb impression with the title in open letters and 
with large margin. 


767 JOHN HOME, ESQ". 


feo Drawn by W. Evans after a painting. Published 

Jany. 30, 1816, by T. Cadell & W. Davies, Strand. Lon- 

pre don. Very fine open letter proof; printed in bistre. 
With margin showing the plate-mark. 


768 PORTRAIT OF A LADY. 


ee Drawn by Stothard. Very fine proof before all let- 
G xt ters. With large margin. 


769 LADY AND CHILD. 


G — Painted by Shelly. Very fine proof before all letters, 
with margin trimmed to the plate-mark. 


770 COUNT LUBOMIRSKI. 


é a7 Very fine proof before all letters; delicately tinted by 
hand. With margin trimmed down to the oval. 


gen ; 131 


T71 


THE MARRIAGE OF SAINTE CATHERINE. 


Painted by Corregio. [Four lines of dedication. ] 
Fine proof before the title, but with the artists’ names 
and the dedication ; printed in dark bistre. With mar- 
gin lacking the plate-mark and the publication line. 


WILLIAM JULIUS MICKLE. 


After the artist’s own drawing. Very fine proof be- 
fore all letters. With very large margin. 


PHILLIP THE II. 


Painted by Titian. Publish’d Jany. Ist. 1785 by T. 
Hunt, Printseller &¢ King Street, St James’s Square. 
Impression with the inscription and with small margin 
lacking the plate-mark. 


MR. PRATT. 


Painted by T. Lawrence. Publishd Jan. 10. 1805 by 
Richard Phillips 6 New Bridge Street. Impression with 
the inscription and with small margin lacking the plate- 
mark. 


PSYCHE. 
Painted by Sir W. Beechey. [Three verses.| Pub- 
lished Jany. 2d 1804 by Marsh & Dunsford. 50 Fleet 
Street. Very fine impression with the title in open let- 
ters. With large margin. 


READING. 
Painted by S. Shelley. Fine impression with the in- 
scription ; printed in colors. With the margin trimmed 
down to the oval, just showing the artists’ names. 


MRS. SIDDONS AND CHAS. KEMBULE. 


Painted by Charles Shireff. Impression with the in- 
scription. The margin trimmed down to the oval, just 
showing the artists’ names. The impression has been 
folded and pressed out. Remargined and laid down. 


THE INFANT SHAKESPEARE. 


Painted by G. Romney. [Four verses.] Very fine im- 
pression with the inscription. With margin lacking the 
plate-mark and the publication line. 


132 


783 


(3 a 


at. 


784 


jo - 


785 


4 
— 


COL. STANLEY. 


Very fine proof before all letters. With large margin. 


MRS. TIGHE. 
Drawn by Comerford after G. Romney. Published as 
the Act directs May 10 1811, by Longman & Co Pater- 
noster Row. Very fine proof before the title, but with 
the artists’ names and the publication line. 


VIOLA. 
Painted by S. Shelley. Publish’d according to Act of 
Parliament Oct. 1. 1788 by Caroline Watson. Fitzroy 
Street. Very fine proof with the inscription, but be- 
fore the title and before the verses. With large margin. 


HIS ROYAL HIGHNESS THE PRINCE OF WALES. 
London Published Mar. 20th. 1795 by E. Walker & 


Co No 7 Cornhill. Fine open letter proof; printed in 
colors. With large margin. 


MARQUIS WELLESLEY. 
Painted by S. Andrews. Published 14th June 1804 by 
Marry Parr 52 Pall Mall. Impression with the title 
in open letters. With small margin showing the plate- 
mark at the top and bottom only. 


PRINCE WILLIAM FREDERICK. 
Painted by Sir Joshua Reynolds. Very fine impression 
with the inscription; printed in red. With small mar- 
gin trimmed to the plate-mark at the top and sides, but 
lacking the same at the bottom. <A part of the title and 
the publication line are missing. 


JOHN WILKES. 


Painted by Pine. Publish’d Nov. 10. 1804. by Richard 
Phillips. 71 St Paul’s Church Yard. Impression with 
the inscription and with margin lacking the plate-mark. 


133 


THOMAS WATSON. 
1743-1775. 


A famous mezzotint engraver, born in London. He exhibited at Spring: 
Gardens in 1775.° 


786 UNA. 


40 Painted by Sir J. Reynolds. [Four verses.] London 

‘Ai ~~  Publish’d April 15th 1782 by 'T. Watson. No 33 Strand. 

(Not mentioned by Goodwin.) Very fine impression 

4 of with the inscription; printed in red. With margin 

. showing the plate-mark at top and bottom but trimmed 
closely to it at the sides. 


787 ANOTHER IMPRESSION OF THE SAME. 


_ <<. In the same state, but printed in colors and showing 
[22 yf the plate-mark on the four sides. 


FRANCIS WHEATLEY. 
1747-1801. 


Celebrated English painter. He was an Associate of the Royal 
Academy. 


788 THE AFFECTIONATE DAUGHTER. FILIAL 


PIETY. 
Joe Engraved by J. Eginton. Pubd. March 12 1792 by I. 
Eginton Birmingham & J. F. Tomkins No 49 New Bond 
2 ae Street London. Very fine impressions with the inserip- 
: tions; printed in colors. With margins showing the 
plate-marks. (2) 


789 CELADON ET CELIE. 


Engraved by Canu. A Paris chez le Noir, Md. four- 

b 6~ —nisseur du Cabinet des Estampes du Roi, rue du Coq 

St. Honore. Very fine impression with the inscription ; 

S . printed in colors. With margin trimmed to the plate- 
mark. 


134 


iain 


, 
i 


se 


A COTTAGE GIRL GATHERING NUTS 


BIGG 


R 


TOMKINS AFTER W. 


W. 


E.. 


| 
ion to Number 723 


NUMBER 725 


[ 


Compan 


i 


790 THE COTTAGE DOOR.—LA PORTE DU_ VIL- 
oe, LAGEOIS. 
4 I Engraved by G. Keating. [Two lines of dedication. | 
“tbo London Published Jany. 1. 1798, by C. & G. Keating, 
No 18 Warwick Street. Golden Square. Very fine im- 
pression with the inscription; printed in colors. With 
margin trimmed to the plate-mark. 


Companion to No. 828. 


791 CREDULITY. 


y es Engraved by A. Cardon. London, publish’d Augt. Ist 
1798, by Colnaghi Sala & Co. Late Torre. No 182 Pall 
Mall. Very fine impression with the inscription ; printed 

in colors. With margin lacking the plate-mark. 


792 TWO BUNCHES A PENNY PRIMROSES, TWO 
BUNCHES A PENNY. 
| hd — Eneraved by L. Schiavonetti. London 1793 Pubd as 
the Act Directs. July 2, by Colnaghi & Co No 132 Pall 
Mall. Very fine impression with the inscription ; 
printed in colors. With margin showing the plate- 
mark at the top and bottom only. A large tear care- 
fully repaired. 
Plate No. 1 of the Cries of London. 


793 THE SAME SUBJECT. 


jEo7 Small reduction for book illustration. Proof before 
all letters, with margin showing the plate-mark. 
4G bf. Tinted with the brush. 


794 MILK BELOW MAIDS. 
$07 Engraved by L. Schiavonetti. Fine impression with 
ie the inscription; printed in colors. With margin 
oh, ad trimmed almost to the engraved border, showing only 
: the artists’ names. 
Plate No. 2 of the Cries of London. 


795 SWEET CHINA ORANGES, SWEET CHINA. 


; Engraved by lL. Schiavonetti. Fine impression; 
Bu printed in colors. With margin trimmed to engraved 
surface and remargined. 
4 z Plate No. 3 of the Cries of London. 


135 


802 


DO YOU WANT ANY MATCHES. 
Engraved by A. Cardon. July 1794. Very fine im- 
pression with the inscription; printed in colors. With 
large margin, but showing the plate-mark at the bottom 
only. 
Plate No. 4 of the Cries of London. 


NEW MACKEREL, NEW MACKEREL. 
Engraved by N. Schiavonetti. Jan. 1. 1795. Very fine 
impression with the inscription; printed in colors. 
With margin trimmed to the plate-mark. Two small 
water stains in the right margin. 


Plate No. 5 of the Cries of London. 


KNIVES, SCISSORS AND RAZORS TO GRIND. 
Engraved by G. Vendramini. Jan. 1. 1795. Superb 
impression with the inscription; printed in colors. 
With large margin. | 

Plate No. 6 of the Cries of London. 


ANOTHER IMPRESSION OF THE SAME. 
Very fine impression with the inscription; printed in 
bistre. With large margin, but lacking the plate-mark. 
Plate No. 6 of the Cries of London. 


FRESH GATHERED PEAS YOUNG HASTINGS. 
Engraved by G. Vendramini. Jan. 1. 1795. Superb 
impression with the inscription; printed in colors. 
With large margin, but lacking the plate-mark. 

Plate No. 7 of the Cries of London. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine impression with the inscription; printed in 
bistre. With large margin trimmed to the plate-mark. 


ROUND AND SOUND, FIVE PENCE A POUND OF 
DUKE CHERRIES. 

Engraved by A. Cardon. Very fine impression with 

the inscription; printed in colors. With small margin 

lacking the plate-mark. The inscription is lost with 

the exception of the artists’ names. Remargined. 
Plate No. 8 of the Cries of London. 


136 


enw 


pps near 


- 


. 


THE FRENCH TOILETTE 
P. W. TOMKINS AFTER C. ANSELL 
[NUMBER 732 


803 STRAWBERRYS SCARLET STRAWBERRYS. 
g0— Engraved by Vendramini. June 25th 1795. Superb 
impression with the inscription; printed in bistre. 
With small margin lacking the plate-mark. 
Plate No. 9 of the Cries of London. 


804 OLD CHAIRS TO MEND. | 
300— Engraved by Vendramini Septr Ist 1795. Superb im- 
ey - pression with the inscription ; printed in colors. 
fc Plate No. 10 of the Cries of London. 


805 A NEW LOVE SONG ONLY HA’PENNY A PIECE. 
g25°- Engraved by A. Cardon. Very fine impression with 
the inscription; printed in colors. With small margin 
Ao lacking thé plate-mark. The inscription is lost with 
the exception of the artists’ names. Remargined. 
Plate No. 11 of the Cries of London. 


806 HOT SPICE GINGERBREAD SMOAKING HOT. 
CEO -— Engraved by Vendramini. May 1. 1796. Very fine im- 
pression with the inscription; printed in colors. With 
the margin trimmed closely to the engraved border at 
top and sides, but at the bottom showing the inscription. 
Plate No. 12 of the Cries of London. 


807 ANOTHER IMPRESSION OF THE SAME. 
3 -_, Very fine proof with the title and the artists’ names in 


traced letters and before the second woman was intro- 
duced in the engraving; printed in bistre. With large 

Mippe margin, but lacking the plate-mark and the publication 
line. 


808 TURNIPS & CARROTS HO. 


Engraved by T. Gaugain. May 11797. Very fine im- 
3? — pression with the inscription; printed in colors. With 
large margin. 
ileal ‘ Plate No. 13. The last and rarest plate of the Cries of 
London. 


809 ANOTHER IMPRESSION OF THE SAME. 


_ Superb impression with the inscription, printed in 
yd black. With large margin. 


Tippee. 137 


810 


CUPID UNVEILING VENUS. , 


Drawn by M. Cosway and engraved by A. Cardon. 
London: Published as the Act directs May 15 1800 by 
R. Ackermannat his repository of Arts 101 Stand. 
Fine impression with the inscription; printed in bistre. 
With large margin. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine impression printed in colors. With un- 
trimmed margin (deckel edges). Not an early issue. 


‘DECEPTION. 


Engraved by P. Simon. Impression with the inserip- 
tion; colored with the brush. With small margin lack- 
ing the plate-mark. The inscription is lost. 


THE DIPPING WELL IN HYDE PARK. 


Engraved by J. Godby. [Title in French.] London 
Published July 3d 1802 by John Murphy No 19 How- 
land Street Fitzroy Square. Very fine impression with 
the inscription. With margin showing the plate-mark. 


THE FATHER’S ADMONITION. 


Engraved by Field. [Title in French.] A Paris chez 
Tessari et Ci. Quai des Augustins. No 25. Very fine 
impression with the inscription; printed in_golors. 
With margin trimmed to the plate-mark. 


THE FISHERMAN GOING OUT. THE FISHER- 
MAN’S RETURN. 


Engraved by J. Barney. London Publish’d by Thos 
Macklin Poets Gallery, Fleet Street March 14 1793. 
Very fine impressions with the titles in open letters. 
With margins showing the plate-marks. The first has 
the right engraved border stained with ink, the second 
has all the margins stained. (2) 


FISHERMAN GOING OUT. FISHERMAN’S RE- 


TURN. 
Engraved by J. Whessel. Pub. by R. Bowyer Historic 
Gallery Pall Mall Septr 1806. Very fine impressions, 
with the titles in open letters. With margins, but lack- 
ing the plate-marks. (2) 


138 


$17 THE GOLD FINCH. 


Engraved by F. Bartolozzi. (Three lines of quotation.) 
Tuer No. 1109 B. Very fine impression with the in- 
4 veh scription; printed in bistre. With margin lacking the 
his plate-mark and the publication line. 
Companion to No. 821. 


818 HENRY AND JESSY. 


AJ fe Etched by the artist himself. Aquatinted by F. Jukes 
and Engraved by J. Hogg. [Five verses.| London 
Publish’d June 11th 1786 by J. R. Smith No 83 Oxford 
4 Street. Very fine impression with the inscription; 
printed in colors. With margin trimmed to the en- 
craved surface at top and sides, but at the bottom show- 

ing the inscription. 

Companion to No. 827. 


819 THE INDUSTRIOUS COTTAGER. 


Sele Engraved by C. Knight. [Title in French.] London 
go Published. 31st March 1787 by Bull & Jeffryes Ludgate 
Wile Hill. Very fine impression with the inscription ; 

printed in bistre. With large margin lacking the 
plate-mark. 
Companion to No. 825. 


820 THE SAME. 


_ Engraved by J. B. Gautier. Very fine impression with 
Fo the inscription; printed in colors. With margin lack- 
Ware ing the plate-mark and the publication line. 
Companion to No. 826. 


821 LAURETTA. 


_- Engraved by F. Bartolozzi. [Two lines of text.] Tuer 
/6 No. 1109 A. Impression with the inscription; printed 
we y7. in bistre. With small margin lacking the plate-mark 
J_“. * and the publication line. 
Companion to No. 817. 


822 LINDOR & CLARA. 


Engraved by R. Stanier. [Seven lines of text.] Lon- 
4 — don Published Feby 12th 1789, by E M Diemar, No 
114 Strand. Very fine impression with the inscription ; 
printed in bistre. With margin showing the plate- 
mark at the sides but lacking it at top and bottom. 


139 


823 THE RECRUITING OFFICER. 


Engraved by R. Stanier. [Four verses.] Fine im- 

/6 ~ pression with the inscription ; printed in bistre. With 
small margin lacking the plate-mark and the publica- 
tion line. 


824 RURAL REPOSE. 


a Engraved by T. Geremia. London, Pubd. May 1. 1804, 

2 by Messrs Schiavonetti No 12 Michael’s Place, Bromp- 

vs ton. Impression with the inscription and with margin 

yyw - Jacking the plate-mark. , A small tear in the inscription 
825 THE RUSTIC LOVER. 


space. 
_. Engraved by C. Knight. [Title in French.] Pub- 
J§ ~~ lish’d 31st March 1787 by Bull & Jeffryes Ludgate 
: Hill. Very fine impression with the inscription; 
pr printed in bistre. With margin, but lacking the plate- 
mark. 
Companion to No. 819. 


’ 
> 


826 THE SAME. 


Engraved by J. B. Gautier. A Paris chez Depeuille 
0 — rue St Denis pres St Jacques l’Hopital. Very fine 
impression with the inscription; printed in colors. 
y/) With margin lacking the plate-mark and the publica- 
tion line. A wrinkle on the left side pressed out. 
Companion to No. 820. 


827 St. PREUX AND JULIA. 


i /~ Btched by the artist, aquatinted by F. Jukes, engraved 
ap by R. Pollard London Publish’d June 14th 1786 by 
Ks J. R. Smith No 83 Oxford Street. Very fine impres- 
Ke «gion with the inscription; printed in colors and touched 
up with the brush. With margin showing the plate- 
mark. VERY SCARCE ORIGINAL ENGRAVING by the painter. 

Companion to No. 818. 


828 THE SCHOOL DOOR—LA PORTE DE L’ECOLE. 


. Engraved by G. Keating. [Title in French and two 
3§0 lines of dedication.] London Published Jany 1. 1798. 
by G. & C. Keating. No. 18. Warwick Street Golden 
: bo Square. Fine impression with the inscription ; printed 
a in colors. With large margin, but lacking the plate- 
mark. A small tear in the upper margin. 
Companion to No. 790. 


140 


829 SETTING OUT TO THE FAIR. THE FAIRINGS. 


26 ae 


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833 


Engraved by J. Eginton. (Hight verses). London. 
Pubd. April 20, 1804, by R. Cribb, No 288, High Hol- 
born. Superb impression with the inscription; printed 
in colors. With large margin. (2) 


(See Illustrations. ) 


SUMMER. 


Engraved by F. Bartolozzi. Tuer No. 167. Very scarce 
trial proof; only the left hand and a part of the back- 
ground are finished; printed in bistre. With margin, 
but lacking the plate-mark. Inlaid to folio. 


Companion to No. 833. 


TAMING OF THE SHREW. 


Engraved by I. P. Simon. [Thirteen verses.] Pub- 
lished Jany. 1st. 1795 by John & Josiah Boydell at the 
Shakspeare Gallery. Pall Mall & at No 90 Cheapside. 
London. Very fine impression with the inscription; 
printed in colors. With margin, but lacking the plate- 
mark. 


WINTER. 


Engraved by F. Bartolozzi. [One line of quotation in 
English and French.|] Pubd. Feby. 1 1789 by T. Simp- 
son St Pauls Church Yard. Tuer No. 169. Very tine 
impression with the inscription; printed im colors. 
With margin showing the plate-mark. 


ANOTHER IMPRESSION OF THE SAME. 
Very early trial proof; the muff and the hat are only 


4.0— finished; delicately colored with the brush. With 


margin, but lacking the plate-mark. Inlaid to folio 
Size. 
Companion to No. 830. 


141 


JOHN WHESSELL. 


English engraver who was working in London towards the end of the 
XVIIIth century. 


834 


BOOS 


RURAL INNOCENCE. COTTAGE CARE. 


Painted by Sir Francis Bourgeois. London Published 
by R. Bowyer, Historie Gallery Jamy. 1. 1806. Very 
fine impression with the inscription and with large 
margin trimmed to the plate-mark. (2) 


CHARLES WHITE. 
1751-1785. 
English engraver and a pupil of Pranker. 


CHARLOTTE. 


Drawn by Bunbury. Publish’d Decemr the 1. 1783 by 
C. White. Stafford Row Pimlico and Messrs Torres, 
Market Lane London. Impression with the inscription 
and with large margin. 


GIRL DECORATING THE BUST OF VENUS. 


Drawn by Lady Lincoln. Very fine impression with 
the inscription; printed in colors. With margin show- 
ing the plate-mark at top and sides, but lacking it at 
the bottom, just showing the artists’ names; the rest of 
the inscription is lost. 

Companion to No. 837. 


GIRLS PLAYING WITH PIGEONS. 


Drawn by Miss T. Benett. In the same state and con- 
dition as the foregoing. 
Companion to No. 836. 


LOVE. 


Painted by Rev. Wm. Peters. [Two lines of quota- 
tion.] Publish’d June 25th 1781 by John Boydell 
Engraved in Cheapside London. Very fine impression 
with the inscription and with small margin lacking the 
plate-mark. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine proof before the title but with the engraver ’s 
name in traced letters; delicately colored by hand. 
With margin lacking the plate-mark. An erasure in 
the lower margin and a small hole in the background. 


142 


840 LE MOMENT DE LA REFLECTION. LE MOMENT 
» DE L°PIMAGINATION. 

/ 30 — Drawn by Countess Spencer. Impressions with the in- 
scriptions; printed in colors. With margins trimmed 
almost to the engraved border, only showing half of 
the artists’ names at the bottom. (2) 


CHARLES WILKIN. 
1750-1815. 


841 CHILDREN RELIEVING A BEGGAR BOY. 
£0- Painted by W. Beechey. [Two verses and one line of 
dedication.] Published by W. Beechey No 8 George 
& eh Street, Hanover Square. May 1. 1796. Superb im- 
pression with the inscription and with large margin 
trimmed to the plate-mark. 


842 THE RIGHT HONORABLE THE COUNTESS OF 
EUSTON. 

64--— Painted by J. Hoppner Published Jany 1 1802 by C. 
Wilkin, No 19 Eaton Street Pimlico. Very fine open 
letter proof; delicately colored with the brush. With 
small margin lacking the plate-mark. Inlaid to folio. 


843 MRS. PARKYNS. 


ge Engraved by J. Hoppner. Published as the Act directs 

37— Tune 20 1795. by C. Wilkin. No 19 Eaton Street, 

Aa {,,. Pimlico. Superb impression with the inscription and 
with large margin showing the plate-mark. 


844 WILLIAM, LORD RADSTOCK. 
Drawn by the engraver after a painting by F. W. 
3— Wilkin. Published Feb. 16 1810, by T. Cadell & W. 
Dee Davies, Strand. London. Very fine impression with 
the title in open letters; printed in bistre. With large 

margin showing the plate-mark. 


THOMAS WILLIAMSON. 
English engraver who was working at the beginning of the XIXth 
century. 
845 TELEMACHUS relating his adventures to Calypso. 


Painted by Westall [Title in French and one line of 
Y— dedication]. Published March 1 1810. by Clay & 
Seriven No 18 Ludgate Hill. London. Very fine open 

hee . letter proof with large margin. 


143 


846 


848 


851 


ieee 


RICHARD WOODMAN. Te tee 
1784-1859. * 


Draughtsman and engraver. Pupil of R. M. Meadows. 


Mr. COOKE as Sir Pertinax Macsycophant. 


Drawn by De Wilde. London Published as the Act 
directs by John Cawthorn No 5. Catherine Street, 
Strand. Apr. 10. 1808. Impression with the inscrip- 
tion and with margin, but lacking the plate-mark and 
the publication line. Laid down. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine impression printed in colors. With large 
margin. 


THOMAS WOOLNOTH. 
1785-after 1836. 
English engraver. He specialized in theatrical portraits. 


FLORA DISPENSING HER FAVOURS ON TH 
EARTH. 


Painted by R. Cosway. London Published by Dr 
Thornton May 1. 1807. Very fine impression with the 
inscription ; printed in colors, slightly touched up with 
the brush. With large margin. Not an early impres- 
sion. 


HER R. H. THE DUCHESS OF KENT. 


Painted by G. Dawe. London Published Jany. Ist. 
1820, by Mr Dawe. 22 Newman Stt. Very fine open 
letter proof, with large margin. 


J. P. WOSSINIK. 


German engraver who was working in France about 1760. 


ANNE BROWN as CLARA in the Duenna. 
Very fine impression printed in colors, with margin 
trimmed to the engraved border. Inlaid to quarto. 


THE SAME. 

Engraved by an unknown engraver 1812. Fine im- 

pression with the title ‘‘Maria Louisa, Empress of 

France’’; printed in bistre. With margin, but lacking 

the plate-mark. 
144 


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SETTING OUT TO THE FAIR 
J. EGINTON AFTER F. WHEATLEY 


NUMBER 829 


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THE FAIRINGS 
J. EGINTON AFTER F. WHEATLEY 


NUMBER 829 


THOMAS WRIGHT. 
1792-1849. 


‘ Engraver and portrait painter. Born in Birmingham and went to 
Russia, later returning to London. 


852 ANTHONY PASQUIN ESQR. 


Painted by M. Shee. London Publish’d March 20, 

3 aie 1794, by Freeman, Printseller to his Majesty. 95 

Strand. Fine impression with the inscription and 

A, yf , with margin lacking the plate-mark. Inlaid to small 
Bie folio. 


ALESSANDRO ZAFFONATO. 


An Italian engraver who flourished about 1730. 


$93 I SAMNITI COSTRETT.......... POSSEDEVANO. 


3-7 Painted by Pinelli. Very fine impression with the in- 
/ scription ; printed in colors. With large margin. 


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